Browse content similar to The Low Ground. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-You been to see the paedo, then? -The what? -He's a nonce, isn't he? | 0:00:25 | 0:00:29 | |
-Goes after kids. -Don't know where you get that from. | 0:00:29 | 0:00:31 | |
-It's him next door, he's beginning to get to me. -What's he done? | 0:00:31 | 0:00:35 | |
It's what he did do. | 0:00:35 | 0:00:37 | |
They think I hurt a child. | 0:00:37 | 0:00:39 | |
But it wasn't me, they've got the wrong man. | 0:00:39 | 0:00:41 | |
He's my son. | 0:00:41 | 0:00:43 | |
I hurt my child. They want to hurt me. | 0:00:43 | 0:00:48 | |
I'm not going to stop them. | 0:00:48 | 0:00:49 | |
SOMBRE CHORAL MUSIC | 0:00:49 | 0:00:51 | |
Oh, Mrs Tembe, these macaroons are to die for. | 0:01:05 | 0:01:08 | |
Yes, yes, please help yourself. | 0:01:08 | 0:01:10 | |
Still no sign of Karen? | 0:01:10 | 0:01:12 | |
-She has not arrived yet. -It's a big day for her though. | 0:01:12 | 0:01:15 | |
She's got an interview to be a hairdryer. | 0:01:15 | 0:01:17 | |
I mean, hairdresser. | 0:01:17 | 0:01:19 | |
Yes, well, I'm going to have to start without her. | 0:01:19 | 0:01:21 | |
Unfortunately, Howard can't be here because of food poisoning. | 0:01:21 | 0:01:24 | |
Oh, that is most unfortunate. | 0:01:24 | 0:01:26 | |
Yes, it is, but he's asked me to say a few words about time management. | 0:01:26 | 0:01:29 | |
-PHONE RINGS -Oh, hang on. | 0:01:29 | 0:01:32 | |
Yes, Howard? | 0:01:32 | 0:01:34 | |
I'm doing it right now... | 0:01:34 | 0:01:35 | |
Yep, right this minute. | 0:01:35 | 0:01:37 | |
No, I've no idea where Kevin is. | 0:01:37 | 0:01:40 | |
I'll pass the message on as soon as I do. Bye. | 0:01:40 | 0:01:43 | |
Sorry about that. Where was I? | 0:01:43 | 0:01:45 | |
-Time management. -Time management. | 0:01:45 | 0:01:47 | |
Now, Howard feels that people are far too inclined | 0:01:47 | 0:01:51 | |
to just rush off on any old mercy mission | 0:01:51 | 0:01:54 | |
paying scant regard to its impact on the timetable. | 0:01:54 | 0:01:57 | |
-To be frank... -Hi, everybody, sorry I'm late. | 0:01:57 | 0:02:01 | |
Oh, Karen. Ooh! Your hair is just... | 0:02:01 | 0:02:05 | |
-out of this world. -Do you think so? Mrs Tembe, what do you think? | 0:02:05 | 0:02:10 | |
Uh... Oh, yes, well, it is...from another world. | 0:02:12 | 0:02:16 | |
Ladies, can we get on, please? | 0:02:16 | 0:02:18 | |
Thank you. Where was I? | 0:02:18 | 0:02:20 | |
Mercy mission. | 0:02:20 | 0:02:22 | |
-PHONE RINGS -Mercy mission! ..Oh, sorry. | 0:02:22 | 0:02:24 | |
Daniel? | 0:02:24 | 0:02:25 | |
I have no idea where Kevin is. | 0:02:25 | 0:02:28 | |
Why don't you have him electronically tagged?! | 0:02:28 | 0:02:30 | |
-Now I've run out of time. -What's all this about Kevin? | 0:02:30 | 0:02:33 | |
I have no idea. For some reason, | 0:02:33 | 0:02:35 | |
Daniel and Howard want to speak to him. | 0:02:35 | 0:02:37 | |
It's just, I was at campus yesterday, | 0:02:37 | 0:02:39 | |
and he never came back from home visits. | 0:02:39 | 0:02:41 | |
Well, it is not unusual for Dr Tyler to change his timetable | 0:02:41 | 0:02:46 | |
without consulting anyone. | 0:02:46 | 0:02:47 | |
And I'm sure Howard will have something to say about that. | 0:02:47 | 0:02:50 | |
-PHONE RINGS -Oh, for heaven's sake! ..Yes! | 0:02:50 | 0:02:54 | |
PHONE RINGS | 0:03:00 | 0:03:02 | |
Howard? | 0:03:06 | 0:03:08 | |
No... Everyone seems to be looking for Kevin at the moment. | 0:03:09 | 0:03:13 | |
HE MOANS SOFTLY | 0:03:20 | 0:03:22 | |
HE GRUNTS IN PANIC | 0:03:28 | 0:03:31 | |
I've never been so nervous in all my life. | 0:03:31 | 0:03:33 | |
-Aw, you'll be fine! -All you can hope to do is your best. | 0:03:33 | 0:03:37 | |
That's right, but I just know you'll succeed. | 0:03:37 | 0:03:39 | |
-Yeah? -Yeah. I'm a little bit psychic. | 0:03:39 | 0:03:41 | |
-I have the power to read people's auras. -Really? -Yeah. | 0:03:41 | 0:03:44 | |
Oh...come here. | 0:03:44 | 0:03:46 | |
Oh, yeah, yeah. | 0:03:48 | 0:03:50 | |
Mmm. I can tell you've got a very positive aura. | 0:03:50 | 0:03:53 | |
Yeah. I can see you're going on a long journey. | 0:03:53 | 0:03:58 | |
I see...blue skies, | 0:03:58 | 0:04:01 | |
and palm trees. | 0:04:01 | 0:04:04 | |
And the letter H. | 0:04:04 | 0:04:05 | |
For hairdresser? | 0:04:05 | 0:04:07 | |
No, there's an H and an O, and... | 0:04:07 | 0:04:11 | |
Oh... Oh, my word. It's the Hollywood sign! | 0:04:12 | 0:04:16 | |
I don't believe it! That's what I've always wanted to do. | 0:04:16 | 0:04:20 | |
I don't want to stay in some salon, | 0:04:20 | 0:04:21 | |
-I want to be a hairdresser for pop stars and film stars. -Hang on! | 0:04:21 | 0:04:25 | |
Whoa, whoa. Let's just keep our feet on the ground here, eh? | 0:04:25 | 0:04:28 | |
Why should she? If you believe in yourself, | 0:04:28 | 0:04:30 | |
-you can be anything you want to be. -Look at the time. | 0:04:30 | 0:04:34 | |
I think we should all be getting back to work. | 0:04:34 | 0:04:36 | |
And I've got to go for my interview! | 0:04:37 | 0:04:39 | |
-Wish me luck! -Good luck! | 0:04:39 | 0:04:41 | |
-Oi, I want a word with you. -Oh. | 0:04:43 | 0:04:47 | |
MAN GASPS FOR BREATH | 0:04:47 | 0:04:49 | |
Hello? Hello? | 0:04:51 | 0:04:54 | |
Good morning. How are you? | 0:04:58 | 0:05:01 | |
Oh, I'm so glad you didn't die in the night. | 0:05:03 | 0:05:06 | |
We need you to be alive and fully conscious. | 0:05:06 | 0:05:09 | |
Where are my manners? | 0:05:09 | 0:05:11 | |
I forgot to offer you a cup of tea. | 0:05:11 | 0:05:13 | |
PHONE RINGS WITH NOVELTY RINGTONE I told you to turn that thing off! | 0:05:13 | 0:05:16 | |
Sorry, boss. | 0:05:16 | 0:05:18 | |
That's better. Now, where was I? | 0:05:19 | 0:05:22 | |
Oh, yeah. A cup of tea. | 0:05:22 | 0:05:25 | |
HE SPITS | 0:05:27 | 0:05:29 | |
THEY CHUCKLE | 0:05:29 | 0:05:30 | |
Oh, come on, Kevin, come on. | 0:05:36 | 0:05:38 | |
Rob, it's Emma. | 0:05:49 | 0:05:50 | |
What you are doing is cruel! | 0:05:52 | 0:05:54 | |
No, it isn't. | 0:05:54 | 0:05:55 | |
Karen has had a serious accident, | 0:05:55 | 0:05:57 | |
and she's trying to rebuild her life. | 0:05:57 | 0:05:59 | |
What's cruel about encouraging somebody to follow their dream? | 0:05:59 | 0:06:02 | |
Have you even seen this salon she's applying for? | 0:06:02 | 0:06:05 | |
I've been past it on the bus. | 0:06:05 | 0:06:08 | |
Valerie, it's the trendiest place in the West Midlands. | 0:06:08 | 0:06:12 | |
It's where all the footballers' ex-wives go to spend their alimony. | 0:06:12 | 0:06:15 | |
Are you saying Karen's not good enough? | 0:06:15 | 0:06:18 | |
No, I am saying she is fragile, and she's been through a lot, | 0:06:18 | 0:06:22 | |
and you're setting her up for a fall. | 0:06:22 | 0:06:24 | |
Maybe I can see something in Karen that no-one else can. | 0:06:24 | 0:06:27 | |
-Oh... I know what you can see. -What? | 0:06:27 | 0:06:30 | |
A permanent position if Karen gets that job at the salon! | 0:06:30 | 0:06:34 | |
I hadn't thought of that. | 0:06:36 | 0:06:37 | |
But now you've given me that idea... | 0:06:39 | 0:06:41 | |
Come in! | 0:06:46 | 0:06:47 | |
Ah, Mrs Tembe. | 0:06:50 | 0:06:51 | |
I see you've come to tempt me with your macaroons. | 0:06:51 | 0:06:54 | |
Well, I was in rather a restless mood last night, | 0:06:54 | 0:06:57 | |
so I made some macaroons and some banana bread. | 0:06:57 | 0:07:01 | |
Oh, I see. And what put you in this agitated state? | 0:07:01 | 0:07:05 | |
Dr Granger has asked me to be Joe's godmother. | 0:07:08 | 0:07:12 | |
Well, that's good news, isn't it? | 0:07:12 | 0:07:15 | |
No, it is not, and I told him I refuse. | 0:07:15 | 0:07:18 | |
I think being a godparent is a wonderful thing. | 0:07:18 | 0:07:21 | |
When I was at boarding school, my father used to write to me, | 0:07:21 | 0:07:24 | |
asking if I was studying hard and doing well at rugby. | 0:07:24 | 0:07:28 | |
But my godfather would ask if I'd played any practical jokes, | 0:07:28 | 0:07:32 | |
and was watching Monty Python. | 0:07:32 | 0:07:34 | |
Well, I do not think it is wonderful. | 0:07:34 | 0:07:36 | |
The only reason they are asking me is because I have connections | 0:07:36 | 0:07:40 | |
in the church and they want Joe to go to Heathdean School. | 0:07:40 | 0:07:43 | |
It is the epitome of hypocrisy, and I will not be used in this way! | 0:07:43 | 0:07:48 | |
Hello? | 0:07:56 | 0:07:58 | |
Kevin? | 0:08:01 | 0:08:03 | |
< Kevin! | 0:08:03 | 0:08:05 | |
MUFFLED SHOUTS | 0:08:05 | 0:08:08 | |
Kevin! | 0:08:10 | 0:08:11 | |
You know... | 0:08:14 | 0:08:16 | |
I think you're missing a trick here. | 0:08:16 | 0:08:19 | |
What do you mean? | 0:08:21 | 0:08:22 | |
The chance to save a very tiny soul. | 0:08:22 | 0:08:26 | |
Isn't it good that they want Joe to be part of the Church? | 0:08:28 | 0:08:31 | |
Dr Carter, | 0:08:31 | 0:08:33 | |
they are using the Church to save on school fees. | 0:08:33 | 0:08:37 | |
Think of what Joe stands to lose. The best godmother in the world. | 0:08:37 | 0:08:41 | |
I've always thought you were marvellous with children. | 0:08:41 | 0:08:45 | |
You would have been my dream godmother. | 0:08:45 | 0:08:48 | |
Yes, well, I think I would have found you quite a handful. | 0:08:48 | 0:08:52 | |
Think about it. | 0:08:52 | 0:08:55 | |
The chance to influence Joe's life for the better. | 0:08:55 | 0:08:57 | |
There's more than one way to skin a cat. | 0:08:59 | 0:09:01 | |
You see, it's not true that there's no such thing as society. | 0:09:06 | 0:09:11 | |
Because on this estate, we look after each other. | 0:09:11 | 0:09:16 | |
Especially our kids. | 0:09:16 | 0:09:17 | |
Which is why we got very concerned | 0:09:19 | 0:09:21 | |
when this was sent through everyone's letterbox. | 0:09:21 | 0:09:25 | |
"Police are searching for a convicted child abuser | 0:09:27 | 0:09:31 | |
"who escaped their custody." | 0:09:31 | 0:09:33 | |
Look at me. | 0:09:33 | 0:09:35 | |
Look at me! | 0:09:36 | 0:09:38 | |
But you're not going to escape this time, are you? | 0:09:40 | 0:09:42 | |
-Eh?! OTHERS: -No! | 0:09:42 | 0:09:45 | |
"He left his 12-year-old victim fighting for her life | 0:09:47 | 0:09:50 | |
"in an area of remote woodland. | 0:09:50 | 0:09:54 | |
"The girl's mother... | 0:09:54 | 0:09:56 | |
"said that, 'There are no words to describe the pain | 0:09:56 | 0:09:59 | |
"'this man has put on our family.'" | 0:09:59 | 0:10:02 | |
No. There are no words. | 0:10:02 | 0:10:05 | |
Sometimes, you just have to use actions. | 0:10:05 | 0:10:09 | |
Prisoner in the dock, | 0:10:09 | 0:10:11 | |
you stand accused of being the lowest form of life on the planet. | 0:10:11 | 0:10:15 | |
Of being every parent's worst nightmare. | 0:10:15 | 0:10:18 | |
A vile piece of scum, | 0:10:18 | 0:10:21 | |
not worthy of life, or food, or oxygen. | 0:10:21 | 0:10:25 | |
How do you plead? | 0:10:25 | 0:10:27 | |
Guilty. | 0:10:29 | 0:10:31 | |
Well, I'm sorry, officer, but I didn't hear a thing. | 0:10:31 | 0:10:34 | |
Really? Because somebody has smashed down your neighbour's door. | 0:10:34 | 0:10:39 | |
Oh, well, there was some sort of kerfuffle. | 0:10:39 | 0:10:42 | |
I just turned the telly up. | 0:10:42 | 0:10:44 | |
OK, just so you know, | 0:10:44 | 0:10:46 | |
whilst you were watching TV, those guys knocked me unconscious, | 0:10:46 | 0:10:49 | |
tied me up, and left me for dead in the flat next door. | 0:10:49 | 0:10:52 | |
-No?! -Yes. | 0:10:52 | 0:10:55 | |
Well, I don't know why you're looking at me. | 0:10:55 | 0:10:58 | |
I don't know anybody who could do such a thing. | 0:10:58 | 0:11:01 | |
Yes. Why don't we all just calm down? | 0:11:01 | 0:11:04 | |
-Can I get you a drink of water? -Yes, please. I've gone all funny. | 0:11:04 | 0:11:08 | |
You need to tell us everything that you know. | 0:11:10 | 0:11:12 | |
I don't know anything. | 0:11:12 | 0:11:14 | |
I'm just so shocked. | 0:11:14 | 0:11:16 | |
I mean, this used to be a nice neighbourhood. | 0:11:16 | 0:11:19 | |
Well, that's what happens when people turn a blind eye, or turn up the TV. | 0:11:19 | 0:11:23 | |
-Mrs Molloy? -Yes? | 0:11:23 | 0:11:26 | |
What's this? | 0:11:26 | 0:11:28 | |
Oh, that's a notice about the creature next door. | 0:11:28 | 0:11:34 | |
Everyone got sent one. | 0:11:34 | 0:11:36 | |
Yes, but who sent them? | 0:11:36 | 0:11:39 | |
Because this very much looks like the original. | 0:11:39 | 0:11:41 | |
MUSIC: "Poker Face" by Lady Gaga | 0:11:44 | 0:11:46 | |
Calvin! Shift your morbidly obese backside, please! Thank you. | 0:11:46 | 0:11:52 | |
Sweep this mess off the floor! | 0:11:52 | 0:11:53 | |
-Hello. Yes? -Er... Hi, I'm Karen. -You're what? | 0:11:59 | 0:12:05 | |
I'm Karen. | 0:12:05 | 0:12:06 | |
Sorry, I couldn't make out what you were saying for a moment. | 0:12:06 | 0:12:09 | |
I was meant to be here at 9:45, but I got off at the wrong stop. | 0:12:09 | 0:12:12 | |
Oh, right. | 0:12:12 | 0:12:15 | |
No, I can't seem to find you. | 0:12:15 | 0:12:17 | |
I suppose you want us to fix that weird hairdo of yours! | 0:12:17 | 0:12:21 | |
Where did you have it done?! | 0:12:21 | 0:12:23 | |
No, I, um... | 0:12:23 | 0:12:25 | |
I'm here for the interview. | 0:12:25 | 0:12:27 | |
What?! | 0:12:28 | 0:12:29 | |
The person who lives next door has done nothing wrong. | 0:12:29 | 0:12:32 | |
Yes, there was a sex offender in the building, | 0:12:32 | 0:12:34 | |
but he's gone, he's moved away. In fact, he's left the country. | 0:12:34 | 0:12:38 | |
It was him. I read it in the paper. | 0:12:38 | 0:12:40 | |
Do you really think this is the guy who lives next door? | 0:12:40 | 0:12:42 | |
-I know it is. I'm not senile. -No, we know you're not. | 0:12:42 | 0:12:45 | |
You were very selective about what information you used. | 0:12:45 | 0:12:49 | |
There's no mention of his age. | 0:12:49 | 0:12:51 | |
The guy who did this was 22. | 0:12:51 | 0:12:52 | |
This guy has left the country. | 0:12:52 | 0:12:54 | |
The guy who lives next door is his dad. | 0:12:54 | 0:12:56 | |
Oh, really? Well, you know what they say. | 0:12:56 | 0:12:59 | |
The apple never falls far from the tree. | 0:12:59 | 0:13:01 | |
Queenie, you could have messed up a police investigation. | 0:13:01 | 0:13:05 | |
The only chance we had of catching Shaun Miles | 0:13:05 | 0:13:08 | |
was if he came home to visit his family. | 0:13:08 | 0:13:10 | |
Now his family don't have a home, so he could go anywhere. | 0:13:10 | 0:13:12 | |
-And that's down to you. -Well, he's not living next door to me any more, | 0:13:12 | 0:13:16 | |
and he's not chasing the kids in my building. | 0:13:16 | 0:13:18 | |
But where's Steve? Where have they taken him? | 0:13:18 | 0:13:20 | |
How should I know? He's no friend of mine. | 0:13:20 | 0:13:22 | |
The people who have got Steve also beat up Dr Tyler, | 0:13:22 | 0:13:26 | |
tied him up and left him in Steve's flat all night. | 0:13:26 | 0:13:29 | |
We need to catch them, before they do something very serious. | 0:13:29 | 0:13:32 | |
I don't know where they took him, but I know a man who might know. | 0:13:32 | 0:13:36 | |
So have you anything to say before sentence is passed? | 0:13:38 | 0:13:40 | |
What's that? Eh? | 0:13:42 | 0:13:44 | |
Oh, you can't speak? | 0:13:45 | 0:13:47 | |
But then, you put tape over that girl's mouth | 0:13:47 | 0:13:50 | |
so no-one could hear her scream. | 0:13:50 | 0:13:52 | |
You have been found guilty of being a disgusting paedo. | 0:13:52 | 0:13:57 | |
The jury will pass their sentences on you one at a time, | 0:13:57 | 0:14:00 | |
and you will say goodbye to the neighbourhood. | 0:14:00 | 0:14:02 | |
We won't be seeing you round here again. | 0:14:02 | 0:14:05 | |
Juror number one, please. | 0:14:05 | 0:14:07 | |
So you realise you've just applied for | 0:14:13 | 0:14:15 | |
-the job of Junior Stylist? -That's right. | 0:14:15 | 0:14:18 | |
To join a team of young, dynamic innovators, | 0:14:18 | 0:14:23 | |
-offering fresh, new ideas for creative cuts. -Yeah! | 0:14:23 | 0:14:27 | |
What makes you think you are right for such a role? | 0:14:27 | 0:14:32 | |
Well, if you think about it, you can't really change your face, | 0:14:32 | 0:14:35 | |
but with just a pair of scissors, | 0:14:35 | 0:14:36 | |
you can change your whole physical appearance. | 0:14:36 | 0:14:38 | |
Mmm. And what would you say your current...hairstyle says about you? | 0:14:38 | 0:14:44 | |
Um, I think that it says that I'm a fun person. | 0:14:44 | 0:14:48 | |
Very creative. Young at heart. | 0:14:48 | 0:14:53 | |
Is that what you were trying to say? | 0:14:53 | 0:14:55 | |
Now, I see that for the past five years, | 0:14:55 | 0:14:58 | |
you've been working at the Mill. | 0:14:58 | 0:15:01 | |
I'm not familiar with that salon. | 0:15:01 | 0:15:02 | |
Is it a Vidal Sassoon affiliate? | 0:15:02 | 0:15:04 | |
It's not a... | 0:15:06 | 0:15:07 | |
not a hairdressers. It's a doctors' surgery. | 0:15:07 | 0:15:11 | |
So for the past five years, you've been working at a health centre? | 0:15:12 | 0:15:16 | |
Yes. | 0:15:16 | 0:15:18 | |
What makes you think you're even qualified? | 0:15:18 | 0:15:21 | |
FAINT MOANING | 0:15:23 | 0:15:26 | |
"The girl's mother said, | 0:15:30 | 0:15:32 | |
"'My daughter was a normal, fun-loving 12 year old, | 0:15:32 | 0:15:36 | |
"'and now she's too scared to leave the house.'" | 0:15:36 | 0:15:39 | |
You make me sick. | 0:15:39 | 0:15:41 | |
Juror number three, please. | 0:15:42 | 0:15:44 | |
Yeah! | 0:15:44 | 0:15:45 | |
I know I've not done it before, but I'll give it 110%. | 0:15:48 | 0:15:53 | |
I can work really hard, and I really believe that | 0:15:53 | 0:15:56 | |
if you truly believe in yourself, you can be anything you want. | 0:15:56 | 0:16:00 | |
No. No, you cannot. | 0:16:00 | 0:16:02 | |
A slug might want to be a beautiful peacock, | 0:16:02 | 0:16:06 | |
but at the end of the day, it is still a slug. | 0:16:06 | 0:16:09 | |
Are you still with us, nonce? Don't you close your eyes. | 0:16:12 | 0:16:15 | |
We've got plenty more surprises for you. | 0:16:15 | 0:16:18 | |
When do you think I might hear? | 0:16:25 | 0:16:27 | |
What? Oh, um... in a couple of weeks. | 0:16:27 | 0:16:31 | |
-Right. -But if you don't hear, | 0:16:31 | 0:16:33 | |
don't worry. | 0:16:33 | 0:16:35 | |
We're looking for a very...special sort of person. | 0:16:35 | 0:16:38 | |
Oh. OK. Bye-bye! | 0:16:38 | 0:16:42 | |
KNOCKING | 0:17:01 | 0:17:03 | |
There's no sign of him. | 0:17:07 | 0:17:09 | |
There's a surprise. | 0:17:09 | 0:17:10 | |
Wherever he is, I bet he's got Steve. | 0:17:10 | 0:17:13 | |
Possibly. | 0:17:13 | 0:17:15 | |
Do you want me to take you to St Phil's? | 0:17:15 | 0:17:17 | |
No, I need to know what's happened to him. | 0:17:17 | 0:17:19 | |
He's my patient, he's my responsibility. | 0:17:19 | 0:17:22 | |
He could be anywhere. | 0:17:22 | 0:17:24 | |
Don't worry. We'll keep looking. | 0:17:24 | 0:17:27 | |
-Here, you will never guess what's happened. -What? | 0:17:31 | 0:17:34 | |
-Kevin has been abducted by paedophiles. -What?! | 0:17:34 | 0:17:37 | |
No, sorry, I've got that muddled. | 0:17:37 | 0:17:38 | |
Kevin has been abducted by some men looking for a paedophile. | 0:17:38 | 0:17:41 | |
-I just heard Jimmi on the phone with Rob. -Is he all right? | 0:17:41 | 0:17:44 | |
I think so. He's with Rob now. | 0:17:44 | 0:17:47 | |
But it must have been a very traumatic experience. | 0:17:47 | 0:17:50 | |
I'm going to phone him. | 0:17:50 | 0:17:51 | |
Look, we've got two patrol cars searching the area, | 0:17:51 | 0:17:54 | |
and an ambulance on standby | 0:17:54 | 0:17:56 | |
in case we need a medic, so, really... | 0:17:56 | 0:17:58 | |
Rob, do you seriously think I could go back to work | 0:17:58 | 0:18:00 | |
and concentrate on students with hangovers, and old dears? | 0:18:00 | 0:18:02 | |
-PHONE RINGS WITH NOVELTY RINGTONE -What is it? | 0:18:02 | 0:18:05 | |
-That's my phone. -What? | 0:18:07 | 0:18:09 | |
One of those lads must have nicked it earlier. It's coming from in there. | 0:18:09 | 0:18:12 | |
7244 to control. I'm going to need back-up. | 0:18:13 | 0:18:17 | |
Kevin... | 0:18:18 | 0:18:20 | |
At least if he is with Sergeant Hollins, | 0:18:20 | 0:18:22 | |
-we know he is in good hands. -I hope so. | 0:18:22 | 0:18:25 | |
The Mill does seem to be a very dangerous place to work. | 0:18:25 | 0:18:28 | |
Yes, well, it can be. | 0:18:28 | 0:18:30 | |
And yet, if I was offered the chance of a permanent position, | 0:18:30 | 0:18:34 | |
I would grab it in a heartbeat. | 0:18:34 | 0:18:37 | |
-Mmm. I bet you would. -I've got to go to the little girls' room. | 0:18:37 | 0:18:40 | |
That woman has absolutely no shame. | 0:18:43 | 0:18:46 | |
Mm-hmm! | 0:18:46 | 0:18:48 | |
But right now, our main focus has to be... | 0:18:48 | 0:18:51 | |
Oh! Karen! | 0:18:51 | 0:18:52 | |
Hiya! Hiya, Mandy. | 0:18:52 | 0:18:55 | |
How did it go? | 0:18:55 | 0:18:57 | |
Well, er, it went really well. | 0:18:57 | 0:18:59 | |
A bit nerve-racking. | 0:18:59 | 0:19:02 | |
Goodness! It looks like we might have to find ourselves | 0:19:02 | 0:19:05 | |
-a new receptionist. -Oh! | 0:19:05 | 0:19:07 | |
I'm not sure that, erm, it's right for me. | 0:19:09 | 0:19:11 | |
They were a bit up themselves. | 0:19:11 | 0:19:13 | |
What was it like inside? I've always wanted to go in there. | 0:19:13 | 0:19:16 | |
Oh, it was really nice. And they all had really nice hair. | 0:19:16 | 0:19:22 | |
So now do you know how it feels to be helpless, alone, | 0:19:26 | 0:19:30 | |
and totally at someone else's mercy? | 0:19:30 | 0:19:32 | |
Good. Because it's only just beginning. | 0:19:32 | 0:19:36 | |
Police! Nobody move! | 0:19:37 | 0:19:40 | |
Hello, boys! | 0:19:42 | 0:19:44 | |
We've got your number-one most-wanted nonce for you. | 0:19:44 | 0:19:48 | |
Don't worry, we've managed to restrain him. | 0:19:48 | 0:19:52 | |
Derek Vern, I presume? | 0:19:52 | 0:19:53 | |
That's me. Who wants to know? | 0:19:53 | 0:19:55 | |
Get Dr Tyler. | 0:19:55 | 0:19:57 | |
Oh, Karen! How did the interview go? | 0:20:03 | 0:20:08 | |
Um, it was... It... | 0:20:08 | 0:20:10 | |
It was a nightmare. | 0:20:13 | 0:20:15 | |
Oh, you're just saying that. | 0:20:15 | 0:20:17 | |
It was like being torn apart by wolves. | 0:20:17 | 0:20:21 | |
-Only, wolves with nice hair. -Really? | 0:20:22 | 0:20:26 | |
So, thank you very much for your help, | 0:20:27 | 0:20:29 | |
but I don't think I'm going to be going on a long journey. | 0:20:29 | 0:20:33 | |
Aw... | 0:20:33 | 0:20:35 | |
Why do people have to be so horrible?! | 0:20:37 | 0:20:40 | |
Oh, no, no, only some people. | 0:20:40 | 0:20:43 | |
Ugly people. | 0:20:43 | 0:20:45 | |
Look around here, all the lovely people who are looking out for you. | 0:20:46 | 0:20:50 | |
-Here's not so bad, is it? -I suppose. | 0:20:52 | 0:20:55 | |
You belong here. And we all need somewhere we belong. | 0:20:55 | 0:21:01 | |
Derek Vern, I'm arresting you | 0:21:09 | 0:21:11 | |
-on suspicion of assault. -This is a joke! | 0:21:11 | 0:21:13 | |
-You do not have to say anything, but... -I'm doing your job! | 0:21:13 | 0:21:16 | |
What is wrong with this country? | 0:21:16 | 0:21:18 | |
-Anything you do say may be given in evidence. -No! | 0:21:18 | 0:21:20 | |
What I did was nothing, compared to that animal. | 0:21:20 | 0:21:22 | |
-And are you sure that that was him, are you sure? -What? | 0:21:22 | 0:21:26 | |
If you'd read the full article, not just the snippets, | 0:21:26 | 0:21:28 | |
you'd have realised that Shaun Miles is in his mid-20s. | 0:21:28 | 0:21:32 | |
-No... -Yes, but you don't care, do you? Cos it's all about power. | 0:21:32 | 0:21:36 | |
You do not care that you're completely and utterly wrong. | 0:21:36 | 0:21:40 | |
-Well, it's all over. -Is it? | 0:21:40 | 0:21:44 | |
Come on. Let's get you to hospital. | 0:21:44 | 0:21:45 | |
I just want to go home. | 0:21:45 | 0:21:47 | |
Really? You call that place a home? | 0:21:47 | 0:21:49 | |
-I do, yes. -Take Mr Vern to the station, will you? | 0:21:49 | 0:21:52 | |
I'm sure you'll have a fascinating discussion | 0:21:52 | 0:21:54 | |
-about what is right and what is wrong. -Yeah. We will. | 0:21:54 | 0:21:57 | |
And I'd like to ask where you lot were | 0:21:57 | 0:21:59 | |
when that poor girl was being abused?! | 0:21:59 | 0:22:02 | |
-Kevin. -Can I take Mr Miles upstairs? | 0:22:02 | 0:22:04 | |
To get some clothes and things. | 0:22:04 | 0:22:06 | |
Yeah, of course you can. PC Collins, will you escort | 0:22:06 | 0:22:09 | |
-these two upstairs? -No worries, boss. | 0:22:09 | 0:22:10 | |
-Thank you. -You're welcome. -All right, fella? | 0:22:10 | 0:22:13 | |
Oh, I need to go and sort this stationery order out. | 0:22:17 | 0:22:21 | |
-Well, don't let me keep you. -Oh, have you heard? | 0:22:21 | 0:22:23 | |
Daniel and Zara are having their little boy christened on Sunday. | 0:22:23 | 0:22:26 | |
Yes, I am well aware. They have asked me to be godmother. | 0:22:26 | 0:22:30 | |
Really? You kept that one quiet. | 0:22:30 | 0:22:32 | |
I am not sure it is appropriate. | 0:22:32 | 0:22:34 | |
I like to keep a line between my work life and my personal life. | 0:22:34 | 0:22:39 | |
Oh, I'm not bothered about that. | 0:22:39 | 0:22:41 | |
In fact, if you're not interested, | 0:22:41 | 0:22:43 | |
I might go and ask Daniel if I could do it. | 0:22:43 | 0:22:45 | |
What?! | 0:22:45 | 0:22:47 | |
Oh, I would love to be Joe's godmother. | 0:22:47 | 0:22:50 | |
I would teach him all about God, | 0:22:50 | 0:22:53 | |
and the baby Jesus, and the Easter Bunny. | 0:22:53 | 0:22:54 | |
And it would mean that I would always be part of the Mill family. | 0:22:56 | 0:22:59 | |
Actually, I have not decided yet, | 0:23:01 | 0:23:03 | |
so please do not mention it to Dr Granger. | 0:23:03 | 0:23:06 | |
OK. | 0:23:07 | 0:23:08 | |
-I'll just slip away, then. -You do that. | 0:23:10 | 0:23:12 | |
Easter bunny... | 0:23:14 | 0:23:16 | |
They've done a nice job on this place. | 0:23:23 | 0:23:25 | |
Are you going to move out now? | 0:23:26 | 0:23:28 | |
-I can't. -Why not? | 0:23:28 | 0:23:30 | |
It's the only address I've got for Shaun. | 0:23:30 | 0:23:33 | |
A place he might come back to. | 0:23:33 | 0:23:35 | |
When's the last time you saw him? | 0:23:37 | 0:23:39 | |
When he was ten. | 0:23:43 | 0:23:44 | |
-Do you know why we called him Shaun? -No. | 0:23:47 | 0:23:49 | |
S Miles. It stands for smiles. | 0:23:52 | 0:23:56 | |
It's a family tradition. | 0:23:56 | 0:23:59 | |
There were lots of smiles in those first few years. | 0:23:59 | 0:24:02 | |
Just walking in the rain, jumping in puddles. | 0:24:02 | 0:24:05 | |
So what happened? | 0:24:05 | 0:24:07 | |
I don't know. | 0:24:09 | 0:24:10 | |
Life was all about Shaun. | 0:24:11 | 0:24:13 | |
Me and Christine, we never spent time together. | 0:24:13 | 0:24:17 | |
I didn't feel welcome. | 0:24:19 | 0:24:21 | |
And the pressure got to me. | 0:24:21 | 0:24:23 | |
I walked away. | 0:24:24 | 0:24:26 | |
I wasn't going to be away forever. | 0:24:26 | 0:24:29 | |
I was going to come back. | 0:24:29 | 0:24:30 | |
I should have been there for him | 0:24:32 | 0:24:34 | |
when he started to get into trouble. When he started drugs. And... | 0:24:34 | 0:24:37 | |
..the rest. | 0:24:39 | 0:24:40 | |
You can't blame yourself for what he did. | 0:24:43 | 0:24:45 | |
And you need to find something else to do with your life, | 0:24:45 | 0:24:49 | |
instead of this constant death wish. | 0:24:49 | 0:24:51 | |
You need to move on. | 0:24:53 | 0:24:55 | |
I can't move on. | 0:24:56 | 0:24:57 | |
I can't move. | 0:24:59 | 0:25:01 | |
Come on. Let's get you to St Phil's, eh? | 0:25:03 | 0:25:05 | |
-Oh, that's a shame. -What is? | 0:25:10 | 0:25:13 | |
Oh, Mum can't make it on Sunday. | 0:25:13 | 0:25:15 | |
She's rushed off her feet at the hotel. | 0:25:15 | 0:25:17 | |
You are not still seriously thinking of going ahead with this? | 0:25:17 | 0:25:19 | |
-Dr Granger. Dr Carmichael. -Hello! | 0:25:19 | 0:25:22 | |
I have been considering your request | 0:25:22 | 0:25:24 | |
-to become Joe's godmother... -Oh, you know, | 0:25:24 | 0:25:26 | |
-that's really not necessary... -..and I am going to accept. | 0:25:26 | 0:25:29 | |
I am very fond of Joe, and I would like to do anything I can to help. | 0:25:30 | 0:25:35 | |
That's wonderful news. Thank you! | 0:25:35 | 0:25:38 | |
Oh! We couldn't think of anyone better. | 0:25:38 | 0:25:40 | |
Mmm! | 0:25:40 | 0:25:42 | |
-Now, tell me, does Joe have his own Bible? -What?! | 0:25:42 | 0:25:45 | |
I know he is very young, but they have very nice illustrated versions, | 0:25:45 | 0:25:49 | |
and it would be an honour if you would let me buy him his first. | 0:25:49 | 0:25:53 | |
-I will go and check online. -Of course. | 0:25:53 | 0:25:56 | |
-Daniel... -What? | 0:25:59 | 0:26:01 | |
What have we done?! | 0:26:02 | 0:26:04 | |
Thursday night is Play Dating night. | 0:26:11 | 0:26:13 | |
Play Dating? That's a speed-dating event. | 0:26:13 | 0:26:16 | |
I don't think that's really suitable for Joe! | 0:26:16 | 0:26:18 | |
It would need to be conducted in a safe environment | 0:26:18 | 0:26:20 | |
by qualified psychologists. | 0:26:20 | 0:26:22 | |
I've lived with OCD my entire life. | 0:26:22 | 0:26:24 | |
That makes me qualified. | 0:26:24 | 0:26:25 | |
You don't want to meet a tall, dark, handsome millionaire? | 0:26:25 | 0:26:27 | |
In Letherbridge? I think that is very unlikely. | 0:26:27 | 0:26:31 | |
Oh! Excuse me, ladies. | 0:26:31 | 0:26:33 |