Browse content similar to Hostage to Fortune. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
MRS TEMBE: Well, I have found great comfort in the church | 0:00:42 | 0:00:45 | |
in situations like this. | 0:00:45 | 0:00:46 | |
What? When your girlfriends attack? | 0:00:46 | 0:00:49 | |
Is there a psalm for that? | 0:00:49 | 0:00:50 | |
Al. | 0:00:50 | 0:00:51 | |
She was only bluffing. Mandy was never in any real danger. | 0:00:51 | 0:00:54 | |
-But she thought she was. -Yes. | 0:00:54 | 0:00:56 | |
Poor thing. - She must have been terrified. | 0:00:56 | 0:00:58 | |
Well, she's not turned up for work again | 0:00:58 | 0:01:00 | |
and she's not picking her phone up. | 0:01:00 | 0:01:01 | |
We have to do something. | 0:01:01 | 0:01:03 | |
-Maybe we should go round there. -I don't think so. | 0:01:03 | 0:01:06 | |
-You think it's too soon? -We could call her. | 0:01:06 | 0:01:08 | |
-She's not answering her phone. -How do you know? | 0:01:08 | 0:01:10 | |
Howard just said. | 0:01:10 | 0:01:11 | |
Has Dr Tyler spoken to her? | 0:01:11 | 0:01:13 | |
He couldn't get through either. | 0:01:13 | 0:01:14 | |
I think Heston's right. We should leave her alone. | 0:01:14 | 0:01:16 | |
No. We need to keep a tight rein on this. | 0:01:16 | 0:01:18 | |
So you think we should go round there? | 0:01:18 | 0:01:20 | |
Well, we don't want her to know we've been talking about her. | 0:01:20 | 0:01:23 | |
Right, so you're giving us a definite maybe? | 0:01:23 | 0:01:25 | |
There is no harm in giving her some more time. | 0:01:25 | 0:01:28 | |
She's a strong girl, she'll be fine in a couple of days. | 0:01:28 | 0:01:31 | |
-Where are you going? -I left something in the car. | 0:01:32 | 0:01:34 | |
So, what are we going to do? | 0:01:35 | 0:01:38 | |
Absolutely nothing, apparently. | 0:01:38 | 0:01:39 | |
Alistair. | 0:01:39 | 0:01:40 | |
I can ask the reverend to speak to her. | 0:01:40 | 0:01:43 | |
That's a great idea. | 0:01:43 | 0:01:45 | |
I think we should take a professional approach. | 0:01:45 | 0:01:48 | |
Maybe we could ask Oliver? | 0:01:48 | 0:01:50 | |
Daniel's therapist, he could talk to her. | 0:01:50 | 0:01:52 | |
-I think Eva Shepherd would be better. -Who? | 0:01:52 | 0:01:54 | |
She specialises in complicated grief therapy. | 0:01:54 | 0:01:57 | |
She's cutting edge. | 0:01:58 | 0:02:00 | |
Do we need to go that far? | 0:02:00 | 0:02:02 | |
We need to do something. | 0:02:02 | 0:02:03 | |
Yes, but it has to be right. | 0:02:03 | 0:02:04 | |
We can't just go rushing in. | 0:02:04 | 0:02:06 | |
Apparently not. | 0:02:07 | 0:02:08 | |
Denman Pharmaceuticals? | 0:02:10 | 0:02:12 | |
We're a new firm. | 0:02:12 | 0:02:13 | |
You're sure the appointment was today? | 0:02:13 | 0:02:16 | |
I think so. | 0:02:16 | 0:02:17 | |
Reverend Viv is very professional. | 0:02:17 | 0:02:19 | |
I'm sure she is but Mandy doesn't need people | 0:02:19 | 0:02:21 | |
turning up on her doorstep. | 0:02:21 | 0:02:22 | |
Oh, no, it's next week. | 0:02:24 | 0:02:26 | |
I'm supposed to be in Wolverhampton today. | 0:02:26 | 0:02:28 | |
-Well, that explains it. -I'll never get there. | 0:02:28 | 0:02:31 | |
You couldn't give me twenty minutes, could you? | 0:02:31 | 0:02:33 | |
Sorry. | 0:02:33 | 0:02:34 | |
-Wait. -Do you mind? | 0:02:35 | 0:02:37 | |
Fifteen minutes. I really need this. | 0:02:37 | 0:02:40 | |
I've only just started. | 0:02:40 | 0:02:42 | |
Ten. | 0:02:42 | 0:02:43 | |
You won't regret it. | 0:02:43 | 0:02:45 | |
-Sorry. -That's all right. | 0:02:51 | 0:02:53 | |
-You've really never heard of us? -No. | 0:02:55 | 0:02:58 | |
We're going to be huge. | 0:02:58 | 0:02:59 | |
We made a killing from the health reforms. | 0:02:59 | 0:03:02 | |
-I probably shouldn't say that, should I? -Probably not. | 0:03:02 | 0:03:05 | |
All the things I'm supposed to say. | 0:03:05 | 0:03:06 | |
The things I'm not supposed to say. It's a nightmare. | 0:03:06 | 0:03:09 | |
It's all in here. | 0:03:11 | 0:03:12 | |
Farm machinery? | 0:03:13 | 0:03:14 | |
What? | 0:03:15 | 0:03:17 | |
Sorry. That's from my last job. | 0:03:17 | 0:03:19 | |
Why don't I show you what I've got? | 0:03:20 | 0:03:22 | |
Why don't you do that? | 0:03:22 | 0:03:23 | |
Oh, no! Wrong case. | 0:03:33 | 0:03:37 | |
Let's do this another time. | 0:03:37 | 0:03:39 | |
I'll get the right one. Won't take a minute. | 0:03:39 | 0:03:43 | |
Are you all right? | 0:03:43 | 0:03:44 | |
It's my back. | 0:03:44 | 0:03:46 | |
You should get that looked at. | 0:03:46 | 0:03:47 | |
These stupid cases. Give me a minute. | 0:03:47 | 0:03:50 | |
I'll get the right one. | 0:03:50 | 0:03:51 | |
I really am very busy. | 0:03:51 | 0:03:52 | |
I'm sure I can sell you something. | 0:03:54 | 0:03:56 | |
No. | 0:03:56 | 0:03:57 | |
You couldn't carry these to the van for me, could you? | 0:03:59 | 0:04:01 | |
My back is killing me. | 0:04:02 | 0:04:04 | |
Mine isn't that great either. | 0:04:04 | 0:04:06 | |
Please? Then I promise I'll leave you alone. | 0:04:06 | 0:04:08 | |
My father's lost his job, my mother's left us. | 0:04:11 | 0:04:14 | |
I'm the only breadwinner. I have to make this sale. | 0:04:14 | 0:04:17 | |
Well you won't be making any sales if you don't get your back fixed. | 0:04:17 | 0:04:20 | |
I know. | 0:04:20 | 0:04:21 | |
Get some painkillers. Talk to your GP. | 0:04:21 | 0:04:23 | |
See if he can arrange some physio. | 0:04:24 | 0:04:26 | |
I will. | 0:04:28 | 0:04:29 | |
KNOCK AT DOOR | 0:04:32 | 0:04:33 | |
KNOCK AT DOOR | 0:04:35 | 0:04:36 | |
What do you want? | 0:04:42 | 0:04:44 | |
I've bought cake. | 0:04:44 | 0:04:45 | |
It will go really nicely with a cup of coffee. | 0:04:45 | 0:04:47 | |
I'll put the kettle on while you get dressed. | 0:04:47 | 0:04:49 | |
I'm not getting dressed. | 0:04:49 | 0:04:51 | |
You want the whole neighbourhood to see you dressed like that. | 0:04:51 | 0:04:53 | |
Why are you here? | 0:04:53 | 0:04:55 | |
I'm here to help. | 0:04:55 | 0:04:56 | |
Come on, Marquez, just give me five minutes? | 0:04:57 | 0:05:00 | |
PHONE RINGS | 0:05:07 | 0:05:08 | |
Who is that? | 0:05:11 | 0:05:13 | |
I don't know. | 0:05:13 | 0:05:15 | |
What do you mean? | 0:05:15 | 0:05:16 | |
I can't answer the phone. You tied me up. | 0:05:16 | 0:05:18 | |
It's probably one of my colleagues wondering where I am. | 0:05:20 | 0:05:24 | |
You've not really thought this through, have you? | 0:05:24 | 0:05:27 | |
It's got a Find My Phone app. | 0:05:28 | 0:05:29 | |
Once that's activated the police will be here in minutes. | 0:05:29 | 0:05:33 | |
So, come on, what are you going to do? | 0:05:33 | 0:05:35 | |
Right. | 0:05:49 | 0:05:50 | |
# I'll know when my love comes alone | 0:05:50 | 0:05:54 | |
# I'll know then and there | 0:05:54 | 0:05:58 | |
# I'll know at the sight of her face | 0:05:58 | 0:06:02 | |
# How I care | 0:06:02 | 0:06:04 | |
# How I care, how I care... # | 0:06:04 | 0:06:07 | |
I can do this all day. | 0:06:07 | 0:06:08 | |
Do you mind telling me why I'm here? | 0:06:11 | 0:06:14 | |
You wrote a review of my father's restaurant. | 0:06:14 | 0:06:16 | |
That's it? | 0:06:18 | 0:06:20 | |
That's what this is about? | 0:06:20 | 0:06:21 | |
It ruined his business. | 0:06:21 | 0:06:22 | |
That's ridiculous. | 0:06:24 | 0:06:25 | |
After that recession we were just about hanging on. | 0:06:25 | 0:06:29 | |
Then you wrote that review and my father had to sell up. | 0:06:29 | 0:06:32 | |
Because of my review?! | 0:06:32 | 0:06:34 | |
He hasn't worked since. | 0:06:34 | 0:06:35 | |
Well, I'm sorry. Honestly, I really am. | 0:06:37 | 0:06:39 | |
But that's no excuse for assault and battery. | 0:06:39 | 0:06:42 | |
Battery? | 0:06:44 | 0:06:45 | |
Yeah, you hitting me. | 0:06:45 | 0:06:47 | |
You're lucky it wasn't my father. | 0:06:47 | 0:06:49 | |
-He said he wanted to kill you. -Did he? | 0:06:49 | 0:06:51 | |
But I've got a better idea. | 0:06:53 | 0:06:54 | |
I'm sure he was speaking metaphorically. | 0:06:54 | 0:06:56 | |
He wasn't speaking for anyone. | 0:06:56 | 0:06:58 | |
When people say they're going to kill someone, | 0:06:58 | 0:07:00 | |
they don't mean it literally. | 0:07:00 | 0:07:01 | |
He was in the Bulgarian mafia. | 0:07:01 | 0:07:03 | |
They don't say things they don't mean. | 0:07:03 | 0:07:05 | |
Fine. Whatever. So what is this brilliant idea? | 0:07:05 | 0:07:08 | |
I'm going to film you cooking. | 0:07:10 | 0:07:12 | |
I'm going to make it just like a real restaurant kitchen in here. | 0:07:12 | 0:07:16 | |
Why? | 0:07:16 | 0:07:17 | |
All the pressure, all the noise. | 0:07:17 | 0:07:20 | |
And when you screw it all up, | 0:07:20 | 0:07:21 | |
I'll send the video to the Letherbridge Gazette. | 0:07:21 | 0:07:24 | |
See how you feel, losing a job you love. | 0:07:24 | 0:07:26 | |
I don't work for them any more. | 0:07:26 | 0:07:29 | |
You what? | 0:07:29 | 0:07:30 | |
I gave it up last year. Sorry. | 0:07:30 | 0:07:31 | |
Doesn't matter. I'll put it on the internet. | 0:07:34 | 0:07:38 | |
Every restaurant review site I can find. | 0:07:38 | 0:07:40 | |
And then everyone will see what a fraud you are. | 0:07:42 | 0:07:44 | |
This is absurd. I'm a critic, not a cook. | 0:07:44 | 0:07:47 | |
Critics aren't expected to cook. | 0:07:47 | 0:07:50 | |
I don't care. | 0:07:50 | 0:07:52 | |
I'm going to do it anyway. | 0:07:52 | 0:07:53 | |
I'm going to untie you now, but I'm not afraid of using this. | 0:07:54 | 0:08:00 | |
I've hit people before. | 0:08:00 | 0:08:02 | |
I know. | 0:08:02 | 0:08:03 | |
How? | 0:08:04 | 0:08:06 | |
I'm one of them. | 0:08:06 | 0:08:07 | |
Oh, yeah. | 0:08:08 | 0:08:10 | |
Al, if you don't go, I'll call the police. | 0:08:19 | 0:08:21 | |
Go for it. | 0:08:21 | 0:08:23 | |
I mean it. | 0:08:23 | 0:08:24 | |
It's 999. | 0:08:24 | 0:08:25 | |
Yeah, hello, Police, please. | 0:08:34 | 0:08:36 | |
I've got an intruder in my garden. | 0:08:37 | 0:08:39 | |
No, I want him arrested. | 0:08:40 | 0:08:42 | |
Yeah. | 0:08:43 | 0:08:45 | |
Thanks. | 0:08:45 | 0:08:46 | |
They're on their way. | 0:08:48 | 0:08:50 | |
You didn't call the police. | 0:08:50 | 0:08:51 | |
Stop being so childish. | 0:08:53 | 0:08:55 | |
You're the one being childish. | 0:08:55 | 0:08:58 | |
Go away. | 0:08:58 | 0:08:59 | |
Can I at least have a cup of tea? That cake was really dry. | 0:09:01 | 0:09:04 | |
You ate the whole thing? | 0:09:05 | 0:09:07 | |
Just the chocolate. | 0:09:07 | 0:09:08 | |
Star anise. | 0:09:14 | 0:09:15 | |
Coriander seeds. | 0:09:17 | 0:09:18 | |
Szechuan pepper. | 0:09:21 | 0:09:22 | |
You have a very well-stocked kitchen. | 0:09:23 | 0:09:26 | |
Wait a minute. | 0:09:26 | 0:09:27 | |
Pepper, coriander seeds, cinnamon, star anise, cloves, fenugreek. | 0:09:28 | 0:09:36 | |
It's supposed to be a five-spice mix. | 0:09:36 | 0:09:38 | |
-And? -That's six. Six spices. | 0:09:38 | 0:09:42 | |
Well, the fenugreek was my idea. | 0:09:42 | 0:09:44 | |
The key is to lightly toast them before crushing. | 0:09:44 | 0:09:46 | |
You sure you never worked in a restaurant? | 0:09:46 | 0:09:48 | |
A friend of mine has one. | 0:09:48 | 0:09:50 | |
Does he let you in his kitchen? | 0:09:50 | 0:09:51 | |
Once or twice. | 0:09:51 | 0:09:53 | |
I've only ever worked in my dad's kitchen. | 0:09:53 | 0:09:55 | |
Do you cook? | 0:09:55 | 0:09:56 | |
I've always wondered what other kitchens are like. | 0:09:56 | 0:09:59 | |
I should get my friend to show you around? | 0:09:59 | 0:10:01 | |
You'd do that? | 0:10:02 | 0:10:04 | |
Yeah. Maybe we should film this there in a real restaurant. | 0:10:04 | 0:10:08 | |
-Would he let us? -He might. | 0:10:08 | 0:10:09 | |
You could get the other chefs, to say what they think of me. | 0:10:10 | 0:10:13 | |
Yeah. | 0:10:13 | 0:10:14 | |
Give me your phone and I'll ring him. | 0:10:17 | 0:10:19 | |
Eh! | 0:10:20 | 0:10:21 | |
Wait a minute. | 0:10:21 | 0:10:22 | |
I know what you're doing. | 0:10:23 | 0:10:25 | |
I'm not stupid. | 0:10:26 | 0:10:28 | |
No? | 0:10:28 | 0:10:29 | |
Just cook. | 0:10:30 | 0:10:31 | |
What are you doing? | 0:10:50 | 0:10:52 | |
What happened here? | 0:10:52 | 0:10:54 | |
None of your business. | 0:10:54 | 0:10:55 | |
You're not going to clean it up? | 0:10:57 | 0:10:59 | |
No, I haven't had time. | 0:10:59 | 0:11:01 | |
Or maybe you just don't want to. | 0:11:03 | 0:11:05 | |
Maybe if you did that, you'd have to move on and start your life again. | 0:11:05 | 0:11:09 | |
But, no... | 0:11:13 | 0:11:15 | |
it's much more fun just to wallow in all of this grief... | 0:11:15 | 0:11:18 | |
..isn't it? | 0:11:19 | 0:11:20 | |
Faster! Faster! | 0:11:28 | 0:11:29 | |
I've got 16 covers waiting for fried seaweed! | 0:11:29 | 0:11:32 | |
-What? -Don't talk! | 0:11:32 | 0:11:34 | |
Are you searing those breasts or making love to them?! | 0:11:34 | 0:11:36 | |
If you give me a chance. | 0:11:36 | 0:11:37 | |
You idiot! What do you think you're doing? | 0:11:37 | 0:11:39 | |
We haven't got all night. | 0:11:39 | 0:11:40 | |
This is ridiculous. People only do this in bad cookery programmes. | 0:11:40 | 0:11:45 | |
How would you know? You've never worked in a restaurant. | 0:11:45 | 0:11:48 | |
Real chefs work under massive pressure. | 0:11:48 | 0:11:50 | |
Dozens of covers who all want perfect dishes, right away. | 0:11:50 | 0:11:53 | |
-You think that's easy? -No. | 0:11:53 | 0:11:55 | |
-And they have to make money doing it. -I am aware of that. | 0:11:55 | 0:11:57 | |
You wouldn't make anything the way you cook. | 0:11:57 | 0:11:59 | |
Call yourself a chef?! | 0:11:59 | 0:12:01 | |
A two-year old could do better with a set of spoons and a teapot! | 0:12:01 | 0:12:04 | |
I know you don't want me here, | 0:12:12 | 0:12:13 | |
but dealing with me is going to be a lot easier | 0:12:13 | 0:12:16 | |
than what the others are cooking up. | 0:12:16 | 0:12:18 | |
What others? | 0:12:18 | 0:12:20 | |
Everyone at work. Everyone. | 0:12:20 | 0:12:22 | |
People are talking about me? | 0:12:23 | 0:12:25 | |
Strictly speaking it's more bickering than talking. | 0:12:25 | 0:12:28 | |
What are they saying? | 0:12:28 | 0:12:30 | |
Kevin is just really worried about you. | 0:12:30 | 0:12:32 | |
Howard's concerned that you're going to top yourself, | 0:12:32 | 0:12:35 | |
which means that he'll have to find a replacement. | 0:12:35 | 0:12:37 | |
Naturally Mrs Tembe thinks you need God. | 0:12:37 | 0:12:40 | |
It's none of their business. | 0:12:40 | 0:12:41 | |
Hey, come on... | 0:12:43 | 0:12:44 | |
It's really impressive, the way you're doing this dignified | 0:12:46 | 0:12:48 | |
suffering-in-silence victim thing, | 0:12:48 | 0:12:52 | |
but Mandy we both know you are loving it being the centre of attention. | 0:12:52 | 0:12:56 | |
It's really impressive the way that you're doing it. | 0:12:56 | 0:12:58 | |
It's very, very sweet, it just seems a bit passive aggressive for you. | 0:12:58 | 0:13:01 | |
I am not passive aggressive and I am not wallowing in grief. | 0:13:01 | 0:13:06 | |
You define yourself by grief. | 0:13:06 | 0:13:08 | |
You'd be lost without it. | 0:13:08 | 0:13:10 | |
Will you just go, please? | 0:13:10 | 0:13:12 | |
The others have got these theories about impacted grief, | 0:13:12 | 0:13:15 | |
chronic depression, yadda, yadda, yadda. | 0:13:15 | 0:13:17 | |
-Do you want to know what I think? -No, Al, I don't care what you think. | 0:13:17 | 0:13:20 | |
I think you're emotionally stunted | 0:13:20 | 0:13:22 | |
and this is you taking the coward's way out. | 0:13:22 | 0:13:25 | |
DOOR SLAMS | 0:13:25 | 0:13:26 | |
This isn't bad. | 0:13:32 | 0:13:34 | |
I can really taste the coriander seeds. | 0:13:34 | 0:13:36 | |
You like it? | 0:13:36 | 0:13:38 | |
Mmm. | 0:13:38 | 0:13:39 | |
You realise the camera is still running. | 0:13:40 | 0:13:43 | |
This isn't quite what you had planned? | 0:13:43 | 0:13:45 | |
Doesn't matter. | 0:13:47 | 0:13:48 | |
I'll just edit out the good bits. Still make you look like a prat. | 0:13:48 | 0:13:51 | |
Isn't that what you did with your review? | 0:13:53 | 0:13:56 | |
I may have been a bit...selective. | 0:13:56 | 0:13:58 | |
You know what would go really well with this? | 0:14:00 | 0:14:03 | |
Apricot teriyaki sauce. | 0:14:03 | 0:14:04 | |
Unfortunately I left mine at home. | 0:14:05 | 0:14:07 | |
I made some yesterday. It's in the fridge. | 0:14:09 | 0:14:11 | |
What are you doing? | 0:14:30 | 0:14:32 | |
You! | 0:14:32 | 0:14:33 | |
Mandy If you're there, can you pick up? | 0:14:37 | 0:14:40 | |
Or just give me a call when you get this? | 0:14:40 | 0:14:43 | |
Just wondering how you are. I hope everything's OK. | 0:14:45 | 0:14:48 | |
I'm stuck at work all day so ring me if you need me. | 0:14:49 | 0:14:53 | |
What did you think you were doing? | 0:14:59 | 0:15:01 | |
You said you wanted to kill him. | 0:15:01 | 0:15:03 | |
I told you he didn't mean it. | 0:15:03 | 0:15:04 | |
What do you know? | 0:15:04 | 0:15:06 | |
After what you did, you deserve to die. | 0:15:06 | 0:15:08 | |
Your son has told me what happened to your business. | 0:15:08 | 0:15:11 | |
I completely understand why you're so upset. | 0:15:11 | 0:15:15 | |
It's a horrible thing and I am very sorry. | 0:15:15 | 0:15:18 | |
No, you're not. | 0:15:18 | 0:15:20 | |
-But it can't just be my review. -No? | 0:15:20 | 0:15:23 | |
I am prepared to write a retraction. | 0:15:23 | 0:15:26 | |
Will that bring my restaurant back? | 0:15:26 | 0:15:28 | |
You said you don't work there any more. | 0:15:28 | 0:15:30 | |
Well, I don't, so it'll be a sort of op-ed piece. | 0:15:30 | 0:15:32 | |
Everything that comes out of your mouth is lies. | 0:15:32 | 0:15:35 | |
You don't speak. | 0:15:37 | 0:15:38 | |
Do you know what the penalty for kidnapping is? | 0:15:40 | 0:15:43 | |
If they catch you they will send you to prison for 10-15 years. | 0:15:43 | 0:15:47 | |
Do you want that? | 0:15:47 | 0:15:49 | |
-No. -You didn't think about that, did you? | 0:15:49 | 0:15:51 | |
It's like all your stupid plans. | 0:15:51 | 0:15:53 | |
I'm not stupid. | 0:15:53 | 0:15:55 | |
No? What are you going to do then? | 0:15:55 | 0:15:57 | |
You are going to kill him? | 0:15:57 | 0:15:59 | |
-What? -Because you can't let him go. | 0:15:59 | 0:16:01 | |
No, no, no, no. I think we can come to some sort of agreement here. | 0:16:01 | 0:16:04 | |
He's seen your face. | 0:16:04 | 0:16:05 | |
And mine. | 0:16:06 | 0:16:08 | |
Mand, I'm sorry about what I said. | 0:16:11 | 0:16:14 | |
I was just trying to get a reaction. | 0:16:15 | 0:16:17 | |
I do understand what you're going through. | 0:16:20 | 0:16:22 | |
You don't understand anything. | 0:16:22 | 0:16:23 | |
You need to move on. | 0:16:25 | 0:16:26 | |
Go out, get drunk, pull some girl, get your leg over. | 0:16:27 | 0:16:31 | |
What? You're giving me dating advice? | 0:16:31 | 0:16:33 | |
What was so special about Freya, anyway? | 0:16:34 | 0:16:37 | |
You were only together about three weeks. | 0:16:37 | 0:16:38 | |
From what I hear she was a bit of a scruff bag. | 0:16:38 | 0:16:42 | |
How dare you?! | 0:16:42 | 0:16:44 | |
If anyone needs dating advice, it's you. | 0:16:44 | 0:16:46 | |
It's a fair point. Shall we talk about it? | 0:16:47 | 0:16:50 | |
You can't kill a man for writing a bad review. | 0:16:54 | 0:16:57 | |
Why not? You killed my business. | 0:16:57 | 0:17:00 | |
You ruined my life. | 0:17:00 | 0:17:03 | |
So maybe I ruin yours. | 0:17:03 | 0:17:04 | |
I'm sorry for what I did, I really am. | 0:17:04 | 0:17:07 | |
More lies. | 0:17:07 | 0:17:08 | |
I should never have written that review. | 0:17:08 | 0:17:10 | |
I shouldn't have written any reviews. | 0:17:10 | 0:17:12 | |
I was a terrible food critic. | 0:17:12 | 0:17:14 | |
And that makes it all right? | 0:17:14 | 0:17:16 | |
No, but I can help you. I know people. Influential people, | 0:17:16 | 0:17:20 | |
who can invest in a new restaurant. | 0:17:20 | 0:17:23 | |
I wouldn't touch your money. | 0:17:23 | 0:17:25 | |
Why not? | 0:17:25 | 0:17:27 | |
I don't need him. | 0:17:27 | 0:17:28 | |
Dad, we could start over. | 0:17:28 | 0:17:29 | |
So you're back to square one. No harm done. | 0:17:29 | 0:17:33 | |
Today the bank said they will give me a loan. | 0:17:33 | 0:17:36 | |
For a new restaurant? | 0:17:36 | 0:17:38 | |
This was for you. For your future. | 0:17:38 | 0:17:41 | |
That's wonderful. | 0:17:41 | 0:17:42 | |
But now it's too late, because you did this. | 0:17:42 | 0:17:45 | |
Because you are stupid. | 0:17:45 | 0:17:46 | |
It's not too late. | 0:17:46 | 0:17:48 | |
It's too late for everyone. | 0:17:48 | 0:17:49 | |
You know, you have no right to talk about me or Freya. | 0:17:56 | 0:18:00 | |
You don't know the first thing about us. | 0:18:00 | 0:18:01 | |
So tell me. | 0:18:01 | 0:18:03 | |
When it comes to inappropriate feelings you take the gold medal. | 0:18:03 | 0:18:06 | |
Or have you forgotten about Jas? | 0:18:07 | 0:18:09 | |
That was different. | 0:18:09 | 0:18:11 | |
The only difference between you and me | 0:18:11 | 0:18:13 | |
is that I'm completely normal and you're a raving maniac. | 0:18:13 | 0:18:16 | |
Things with Jas were blown completely out of proportion. | 0:18:17 | 0:18:20 | |
Really? | 0:18:20 | 0:18:22 | |
Is that why she left so suddenly? | 0:18:22 | 0:18:23 | |
Nothing to do with me. | 0:18:23 | 0:18:25 | |
Are you sure? | 0:18:25 | 0:18:27 | |
Yes. Cos I asked her and she told me. | 0:18:27 | 0:18:28 | |
What else would she say? | 0:18:30 | 0:18:31 | |
You want to know the truth, Al? | 0:18:32 | 0:18:34 | |
You are an arrogant, misogynistic slob | 0:18:35 | 0:18:38 | |
and no-one likes you. | 0:18:38 | 0:18:40 | |
All your sarcasm and flippant comments, | 0:18:40 | 0:18:43 | |
they're just a smokescreen to hide the insecure little boy | 0:18:43 | 0:18:46 | |
you really are. | 0:18:46 | 0:18:48 | |
Well, I think you're being a little bit harsh. | 0:18:48 | 0:18:50 | |
Do you? | 0:18:50 | 0:18:51 | |
I'm not stupid. | 0:18:55 | 0:18:57 | |
You are an idiot. | 0:18:57 | 0:18:58 | |
I kidnapped him, didn't I? | 0:18:58 | 0:19:00 | |
You think it was easy finding where he worked? | 0:19:00 | 0:19:02 | |
And look where that got us. | 0:19:02 | 0:19:04 | |
We don't have to kill him. I'll smash his kneecaps. | 0:19:04 | 0:19:07 | |
No. | 0:19:07 | 0:19:08 | |
That'll keep him quiet. | 0:19:08 | 0:19:10 | |
You could do that? | 0:19:10 | 0:19:11 | |
Yes. | 0:19:11 | 0:19:13 | |
Go on, then. | 0:19:13 | 0:19:14 | |
No please, don't. | 0:19:14 | 0:19:15 | |
No, don't. Don't. | 0:19:15 | 0:19:17 | |
Some hard man. | 0:19:19 | 0:19:20 | |
Like all your friends. | 0:19:22 | 0:19:24 | |
Idiots. Crime is not for you. | 0:19:24 | 0:19:27 | |
He's right. | 0:19:28 | 0:19:30 | |
You don't speak. | 0:19:30 | 0:19:31 | |
I'm agreeing with you. | 0:19:31 | 0:19:32 | |
You are expert on crime now? Crime, cooking, what else? | 0:19:32 | 0:19:35 | |
I just think he should listen to you. | 0:19:35 | 0:19:37 | |
He's a good cook. He should... | 0:19:37 | 0:19:39 | |
Good? He has talent. Huge talent. | 0:19:39 | 0:19:42 | |
Exactly. He should be cooking. | 0:19:42 | 0:19:44 | |
You hear that? It's not just me saying. Everyone saying. | 0:19:44 | 0:19:48 | |
But no, my kitchen is not good enough for you. | 0:19:49 | 0:19:51 | |
All you ever do is criticise me. | 0:19:51 | 0:19:53 | |
I have contacts. | 0:19:53 | 0:19:54 | |
A chef should have thick skin. | 0:19:54 | 0:19:56 | |
A chef should work harder. | 0:19:56 | 0:19:58 | |
I have a friend who could help him. | 0:19:58 | 0:20:00 | |
More lies. You think I am stupid? | 0:20:00 | 0:20:03 | |
No. | 0:20:03 | 0:20:04 | |
Then shut up or I rip your tongue out. | 0:20:04 | 0:20:06 | |
Do you really think I have got talent. | 0:20:07 | 0:20:10 | |
Get the van. | 0:20:15 | 0:20:16 | |
Dr Carter left the Mill this morning with a drugs rep. | 0:20:23 | 0:20:26 | |
I did not think anything of it at the time, | 0:20:26 | 0:20:27 | |
but he was carrying the man's bags. | 0:20:27 | 0:20:29 | |
Mrs Tembe, drugs reps can be a pain but very seldom life-threatening. | 0:20:29 | 0:20:34 | |
What if he has taken Dr Carter somewhere? | 0:20:34 | 0:20:36 | |
He probably has. Swanky restaurant, all expenses paid. | 0:20:36 | 0:20:39 | |
It cannot be a coincidence that Dr Carter and Dr Haskey | 0:20:39 | 0:20:42 | |
have disappeared at the same time. | 0:20:42 | 0:20:44 | |
Why not? That's a normal day around here. Keep calling them. | 0:20:44 | 0:20:47 | |
-But... -I am not calling the police. | 0:20:47 | 0:20:48 | |
Thank you. | 0:20:51 | 0:20:52 | |
You're right, I do have some problems. | 0:20:55 | 0:20:57 | |
Some? | 0:20:58 | 0:21:00 | |
And I'm happy to talk about them. | 0:21:00 | 0:21:01 | |
No, you're all right. | 0:21:01 | 0:21:02 | |
But I'm not the one whose life is in crisis. | 0:21:02 | 0:21:05 | |
Al, your whole life is in crisis. | 0:21:05 | 0:21:07 | |
How many more people are you going to hurt | 0:21:07 | 0:21:09 | |
while you indulge in this ridiculous self-pity? | 0:21:09 | 0:21:12 | |
Who, exactly, have I hurt? | 0:21:12 | 0:21:14 | |
Lois. | 0:21:16 | 0:21:17 | |
She hurt me. | 0:21:17 | 0:21:18 | |
She seduced me. | 0:21:20 | 0:21:22 | |
Tell me one reason why not to kill you. | 0:21:24 | 0:21:26 | |
Because I'm very sorry, for what I did. | 0:21:27 | 0:21:29 | |
I should not have written those things about your restaurant. | 0:21:29 | 0:21:33 | |
And? | 0:21:33 | 0:21:35 | |
I don't want to die. | 0:21:35 | 0:21:36 | |
You are as stupid as my son. | 0:21:39 | 0:21:41 | |
When I was young I knew these people from Bulgarian mafia. | 0:21:47 | 0:21:53 | |
I could have been one of them. | 0:21:53 | 0:21:55 | |
That is not life. | 0:21:57 | 0:21:58 | |
Not for me. | 0:22:00 | 0:22:01 | |
Not for my son. | 0:22:01 | 0:22:02 | |
Understand? | 0:22:04 | 0:22:05 | |
Maybe, subconsciously, I wanted Lois to be Freya. | 0:22:09 | 0:22:13 | |
Subconsciously? | 0:22:13 | 0:22:14 | |
All right. | 0:22:16 | 0:22:18 | |
Perhaps there was a part of me that knew what I was doing. | 0:22:18 | 0:22:21 | |
Better. | 0:22:22 | 0:22:24 | |
You don't know what it's like, Al. | 0:22:24 | 0:22:26 | |
Most of the time I feel like half a person. | 0:22:26 | 0:22:30 | |
My whole life is defined by Freya's absence. | 0:22:30 | 0:22:36 | |
I can't get past it. | 0:22:37 | 0:22:38 | |
So are you going to spend | 0:22:38 | 0:22:39 | |
the whole of the rest of your life in mourning? | 0:22:39 | 0:22:42 | |
No. | 0:22:42 | 0:22:44 | |
Then you have to find a way to move on. | 0:22:44 | 0:22:46 | |
I have tried. | 0:22:46 | 0:22:48 | |
I don't want anyone else. | 0:22:49 | 0:22:51 | |
I put up all these walls to keep people out. | 0:22:52 | 0:22:55 | |
Then Lois came along. | 0:22:57 | 0:22:58 | |
And you tried to make her into Freya. | 0:23:00 | 0:23:02 | |
Which isn't exactly moving on. | 0:23:02 | 0:23:04 | |
I imagine everybody's thinking | 0:23:06 | 0:23:07 | |
that if I hadn't encouraged her | 0:23:07 | 0:23:09 | |
then she wouldn't have tipped over the edge. | 0:23:09 | 0:23:11 | |
So, yes, it's all my fault. Are you happy now? | 0:23:11 | 0:23:13 | |
No, I'm not. | 0:23:13 | 0:23:15 | |
But the question is - are you happy | 0:23:15 | 0:23:17 | |
and what are you going to do about it? | 0:23:17 | 0:23:20 | |
Why do I have to give myself up? | 0:23:25 | 0:23:27 | |
Because you are not Bonnie and Clyde. | 0:23:27 | 0:23:28 | |
-I'm not going to press charges. -Of course you are. | 0:23:28 | 0:23:31 | |
No, seriously. I'm prepared to forget the whole thing. | 0:23:31 | 0:23:33 | |
As soon as we are gone you are going to tell everyone. | 0:23:33 | 0:23:36 | |
You are going to make a big story - | 0:23:36 | 0:23:38 | |
how brave you are, how clever you are... | 0:23:38 | 0:23:41 | |
-All lies, like your review. -Not at all. | 0:23:41 | 0:23:44 | |
If you trust this man you will end up in prison for a very long time. | 0:23:44 | 0:23:48 | |
I don't want to go to prison. | 0:23:48 | 0:23:49 | |
You have no choice. They will catch you whatever you do. | 0:23:49 | 0:23:51 | |
This way, they may go easy. | 0:23:51 | 0:23:53 | |
Can't you do something? | 0:23:53 | 0:23:54 | |
No. Not this time. | 0:23:54 | 0:23:56 | |
But you are my only son. | 0:23:56 | 0:23:57 | |
Whatever happens, the restaurant will be there for you. | 0:23:59 | 0:24:02 | |
I suppose you want a lift? | 0:24:08 | 0:24:09 | |
-I can walk. -Get in. | 0:24:09 | 0:24:11 | |
So I can tell them you'll be coming in on Monday morning? | 0:24:20 | 0:24:22 | |
You can tell them what you like. | 0:24:22 | 0:24:24 | |
But you will be coming in. | 0:24:24 | 0:24:25 | |
Come on, Marquez, positivity. | 0:24:26 | 0:24:28 | |
Tell me you will be at work on Monday. | 0:24:29 | 0:24:31 | |
If I am, I am. If I'm not, I'm not. | 0:24:31 | 0:24:34 | |
All right. | 0:24:34 | 0:24:35 | |
I'm going to take that as a yes, yes? | 0:24:35 | 0:24:38 | |
Look, I understand that your pride won't let you admit... | 0:24:39 | 0:24:42 | |
Al. | 0:24:42 | 0:24:43 | |
All right, until Monday. | 0:24:43 | 0:24:45 | |
I will... | 0:24:46 | 0:24:48 | |
I'll bring cake. | 0:24:48 | 0:24:49 | |
Where on earth have you been? | 0:24:57 | 0:24:59 | |
I have been trying to call you all morning. | 0:24:59 | 0:25:02 | |
My phone was broken. | 0:25:02 | 0:25:03 | |
You could have let us know where you were. | 0:25:03 | 0:25:05 | |
Actually I couldn't. | 0:25:05 | 0:25:06 | |
We've got a backlog of patients, half the doctors have gone AWOL. | 0:25:06 | 0:25:09 | |
-What happened to you? -It's a long story. | 0:25:09 | 0:25:11 | |
Oh, I'm sure it is, Heston, | 0:25:11 | 0:25:12 | |
and no doubt you'll keep us entertained for hours | 0:25:12 | 0:25:14 | |
with your clever, witty antics, but right now we have got a crisis. | 0:25:14 | 0:25:17 | |
Is that what I do? | 0:25:17 | 0:25:18 | |
Sergeant Hollins? | 0:25:18 | 0:25:20 | |
Heston, I've just had a call from the station. | 0:25:21 | 0:25:23 | |
They want to be absolutely sure that you won't make that statement? | 0:25:23 | 0:25:26 | |
Statement? | 0:25:27 | 0:25:28 | |
The kid's going to be let go if you don't. | 0:25:28 | 0:25:30 | |
What kid? | 0:25:30 | 0:25:31 | |
He is insisting he kidnapped you. | 0:25:31 | 0:25:33 | |
-Kidnapped? -He exaggerates. | 0:25:34 | 0:25:36 | |
It was that drugs rep. I knew it. | 0:25:36 | 0:25:38 | |
He didn't tie you up, then? | 0:25:38 | 0:25:41 | |
Sort of. | 0:25:41 | 0:25:42 | |
Did he interfere with you? | 0:25:44 | 0:25:45 | |
No, it was nothing like that. | 0:25:45 | 0:25:47 | |
-Wasn't like what? -What were you doing with him anyway? | 0:25:47 | 0:25:49 | |
It was a kind of cookery lesson. | 0:25:49 | 0:25:52 | |
-Cookery lesson? -I don't want to talk about it. | 0:25:53 | 0:25:56 | |
Will somebody please tell me what's going on? | 0:25:56 | 0:25:59 | |
Maybe later. | 0:25:59 | 0:26:01 | |
Everything all right? | 0:26:01 | 0:26:03 | |
Where have you been? | 0:26:03 | 0:26:04 | |
I specifically said for nobody to upset Mandy. | 0:26:05 | 0:26:08 | |
Hey, I did not upset her. | 0:26:08 | 0:26:10 | |
I find that hard to believe. | 0:26:11 | 0:26:13 | |
I sorted her out. | 0:26:13 | 0:26:14 | |
How? | 0:26:14 | 0:26:15 | |
Well, the doctor has his methods. | 0:26:15 | 0:26:18 | |
We talked it through and she'll be moving on. | 0:26:18 | 0:26:20 | |
Moving on? Where? | 0:26:20 | 0:26:21 | |
Chill out, Howard. | 0:26:21 | 0:26:22 | |
Mandy Marquez will be back at work Monday morning. | 0:26:22 | 0:26:25 | |
She will be bright and she will be chirpy. | 0:26:25 | 0:26:28 | |
Will you make me the happiest man? | 0:26:53 | 0:26:56 | |
Will you marry me? | 0:26:56 | 0:26:57 | |
It's good, really, isn't it? You can sit in silence with someone. | 0:27:00 | 0:27:04 | |
Although that's a first, coming from motor mouth Karen. | 0:27:04 | 0:27:07 | |
People will be asking questions. | 0:27:07 | 0:27:09 | |
No! | 0:27:09 | 0:27:10 | |
I can't drive the car. I need you with me. | 0:27:10 | 0:27:13 | |
Let's see what you've got. | 0:27:13 | 0:27:14 |