Browse content similar to A Woman Goes to War. Check below for episodes and series from the same categories and more!
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Has he eaten all of his breakfast? | 0:00:25 | 0:00:28 | |
Well, make him! | 0:00:28 | 0:00:29 | |
Me? | 0:00:31 | 0:00:32 | |
I'm fine. | 0:00:33 | 0:00:35 | |
Has Joe done any schoolwork? | 0:00:36 | 0:00:38 | |
Well, then, you have to tell him, homework first, beach second. | 0:00:41 | 0:00:44 | |
For goodness' sake, Daniel! | 0:00:44 | 0:00:46 | |
I'm sorry... | 0:00:48 | 0:00:50 | |
I'm sorry I just... | 0:00:51 | 0:00:53 | |
I miss you both so much. | 0:00:55 | 0:00:57 | |
Just give him a hug and a kiss from me. | 0:00:58 | 0:01:00 | |
I love you both so much. | 0:01:02 | 0:01:04 | |
I love you. | 0:01:04 | 0:01:06 | |
Bye-bye. | 0:01:06 | 0:01:07 | |
Bye. | 0:01:07 | 0:01:09 | |
It's not even hard dried. | 0:01:24 | 0:01:26 | |
So, whoever did it must have been what an hour ago, tops. | 0:01:26 | 0:01:29 | |
Oh, well, we better tell Mrs Tembe. | 0:01:29 | 0:01:30 | |
Oh, no, she's not in today. | 0:01:30 | 0:01:32 | |
Zara's in court. So, she's gone to show support. | 0:01:34 | 0:01:36 | |
Right. She picks her days. | 0:01:36 | 0:01:37 | |
-OK, I suppose Daniel's there as well, is he? -No, no. | 0:01:37 | 0:01:40 | |
-Erm, he's in Crete. With Joe. -Right. Well, who's left? | 0:01:40 | 0:01:42 | |
You. Me. Er, Heston. | 0:01:42 | 0:01:44 | |
Al and Emma. | 0:01:44 | 0:01:45 | |
It's on us, then. We better get scrubbing | 0:01:45 | 0:01:47 | |
Since we're first here. | 0:01:47 | 0:01:49 | |
What? | 0:01:49 | 0:01:50 | |
I can't leave it. I don't want it to scare the patients. | 0:01:50 | 0:01:53 | |
-Would that be such a bad thing? -Yeah, don't tempt me. | 0:01:53 | 0:01:55 | |
C'mon. Let's get it done. | 0:01:55 | 0:01:57 | |
Morning. | 0:02:02 | 0:02:04 | |
Morning. | 0:02:12 | 0:02:14 | |
Morning. | 0:02:14 | 0:02:15 | |
You look... | 0:02:17 | 0:02:18 | |
..determined. | 0:02:18 | 0:02:20 | |
Shall we go? | 0:02:20 | 0:02:21 | |
So I was thinking that we just do a Christmas song, | 0:02:30 | 0:02:32 | |
with a video, for charity. | 0:02:32 | 0:02:34 | |
Whose bright idea was that? Valerie's? | 0:02:34 | 0:02:36 | |
No, it was mine. | 0:02:36 | 0:02:38 | |
# Let work be a stranger | 0:02:38 | 0:02:40 | |
# Leap out of your bed | 0:02:40 | 0:02:43 | |
# Let thoughts of your office | 0:02:43 | 0:02:45 | |
# Not enter your head | 0:02:45 | 0:02:48 | |
# Go fetch your children | 0:02:48 | 0:02:51 | |
# Let them play with that toy | 0:02:51 | 0:02:53 | |
# And fill your whole Christmas | 0:02:53 | 0:02:56 | |
# With mince pies and joy. # | 0:02:56 | 0:02:59 | |
I've been working on my Christmas song. | 0:03:00 | 0:03:03 | |
It's basically about not thinking about going back to work | 0:03:03 | 0:03:05 | |
but just really enjoying yourselves. | 0:03:05 | 0:03:07 | |
Right, wow, thank you for that. | 0:03:07 | 0:03:09 | |
I think Sid's already got something planned though. | 0:03:09 | 0:03:11 | |
It's always useful to have a plan B in your back pocket. Isn't that right, Sid? | 0:03:11 | 0:03:14 | |
Yeah, yeah, I was thinking that we do, erm, | 0:03:14 | 0:03:17 | |
Merry Christmas Everyone, Silent Night sort of mashup thing. | 0:03:17 | 0:03:20 | |
You know, something for everyone | 0:03:20 | 0:03:21 | |
Right. Now, I like carols. | 0:03:21 | 0:03:24 | |
And I like Shakin' Stevens. | 0:03:24 | 0:03:26 | |
That just sounds a bit weird. | 0:03:26 | 0:03:28 | |
Oh, and I've got a mate from school who actually works in a recording | 0:03:30 | 0:03:33 | |
-studio. So, he can get us mates rates. -What, an actual studio? | 0:03:33 | 0:03:36 | |
Yeah. So are you in, then? | 0:03:36 | 0:03:38 | |
I'll think about it. | 0:03:38 | 0:03:40 | |
What does it say? | 0:03:40 | 0:03:41 | |
All right, then. I see. | 0:03:43 | 0:03:44 | |
Is everyone all right? | 0:03:46 | 0:03:47 | |
Please, just make sure you look after each other today. | 0:03:48 | 0:03:51 | |
Goodbye. | 0:03:53 | 0:03:54 | |
Graffiti? | 0:03:56 | 0:03:58 | |
Someone has painted RIP on the practice window. | 0:03:58 | 0:04:02 | |
It's an empty threat. They wouldn't dare. | 0:04:02 | 0:04:04 | |
Let me deal with it. | 0:04:06 | 0:04:07 | |
Dr Carmichael. | 0:04:11 | 0:04:12 | |
Mrs Tembe. | 0:04:12 | 0:04:14 | |
Oh... | 0:04:14 | 0:04:16 | |
You are a credit to us all. | 0:04:16 | 0:04:20 | |
I feel very proud to be your colleague and your friend. | 0:04:20 | 0:04:23 | |
Thank you. | 0:04:23 | 0:04:25 | |
You are very brave standing up to these criminals. | 0:04:25 | 0:04:28 | |
I did not know understand how brave, until... | 0:04:30 | 0:04:32 | |
Is something wrong? | 0:04:34 | 0:04:36 | |
There's been an attack on The Mill. | 0:04:37 | 0:04:39 | |
And I think we should get someone over there. | 0:04:39 | 0:04:41 | |
-What kind of an attack? -Graffiti. RIP. | 0:04:41 | 0:04:44 | |
Does Zara know? | 0:04:44 | 0:04:46 | |
-I don't think so. -Right. | 0:04:46 | 0:04:48 | |
Keep it that way. | 0:04:48 | 0:04:49 | |
Any trouble from you lot, here | 0:04:50 | 0:04:54 | |
or at The Mill... | 0:04:54 | 0:04:55 | |
..we'll deal with you. | 0:04:57 | 0:04:59 | |
You've been warned. | 0:04:59 | 0:05:00 | |
Get someone round there. | 0:05:03 | 0:05:05 | |
Yes, sir. | 0:05:05 | 0:05:06 | |
How are you feeling? | 0:05:06 | 0:05:08 | |
I was wondering about calling professional cleaners, | 0:05:11 | 0:05:14 | |
but Mrs Tembe... Oh, you're almost done! | 0:05:14 | 0:05:16 | |
Yeah, well, we were worried about the patients freaking. | 0:05:16 | 0:05:19 | |
Yeah, I think freaked out patients | 0:05:19 | 0:05:21 | |
is one of the least of our worries, Jimmi. | 0:05:21 | 0:05:25 | |
I suppose they were always going to put on a show of solidarity for our benefit. | 0:05:25 | 0:05:29 | |
Defence QC. She's notorious. | 0:05:30 | 0:05:32 | |
Fancies herself as a bit of a Rottweiler. | 0:05:32 | 0:05:35 | |
She might just find that I bite back. | 0:05:35 | 0:05:36 | |
No, no, no, no. She will be banking on that. | 0:05:36 | 0:05:39 | |
It damages your credibility in front of the jury. | 0:05:39 | 0:05:41 | |
Just stick to the facts. Yes or no answers if you can. | 0:05:41 | 0:05:44 | |
Sorted. | 0:05:44 | 0:05:45 | |
We, er, we should go in. | 0:05:45 | 0:05:47 | |
I am going to go and find someone to take you to the witness room. | 0:05:50 | 0:05:53 | |
Zara? | 0:05:53 | 0:05:54 | |
Carlene! | 0:05:55 | 0:05:56 | |
Thank you. | 0:05:56 | 0:05:58 | |
This means everything. | 0:05:58 | 0:06:00 | |
Don't worry. | 0:06:00 | 0:06:01 | |
Dr Carmichael? This way, please. | 0:06:02 | 0:06:05 | |
Pain ends. | 0:06:06 | 0:06:07 | |
Shall we? | 0:06:10 | 0:06:11 | |
Looks like he knew exactly where the camera was. | 0:06:26 | 0:06:29 | |
Go on, Braydon. | 0:06:53 | 0:06:55 | |
You've got this, bro. | 0:06:55 | 0:06:56 | |
You've got this. | 0:06:58 | 0:07:00 | |
KNOCK AT DOOR | 0:07:16 | 0:07:17 | |
Hello? | 0:07:17 | 0:07:19 | |
Hey! | 0:07:19 | 0:07:20 | |
How was the holiday? | 0:07:20 | 0:07:22 | |
I would've said hello before but you would have roped me | 0:07:22 | 0:07:24 | |
into doing that skivvy work. | 0:07:24 | 0:07:25 | |
Holiday was great, thank you. | 0:07:25 | 0:07:27 | |
You haven't got much of a tan? | 0:07:27 | 0:07:28 | |
Yeah, well, it was warm, but it is December there as well. | 0:07:28 | 0:07:31 | |
Hmm. | 0:07:31 | 0:07:32 | |
So how are things with your mum? | 0:07:32 | 0:07:34 | |
Erm, yeah. She saw her own GP and, erm, it's confirmed. | 0:07:34 | 0:07:37 | |
Dementia. | 0:07:37 | 0:07:39 | |
I'm sorry. I'm sorry I wasn't here. | 0:07:39 | 0:07:41 | |
If you had have been here, | 0:07:41 | 0:07:42 | |
I'd have just tried to get you to deal with it and... | 0:07:42 | 0:07:45 | |
..you know | 0:07:45 | 0:07:46 | |
And you? | 0:07:46 | 0:07:48 | |
Yeah, I'm fine. | 0:07:48 | 0:07:49 | |
Are you, erm, are you involved in Sid's music thing? | 0:07:49 | 0:07:52 | |
Oh, the Christmas record? No, thank you. | 0:07:52 | 0:07:54 | |
Well, maybe you should be. | 0:07:54 | 0:07:56 | |
I mean, Sid's getting involved and, everyone knows you can sing. | 0:07:56 | 0:07:59 | |
He's going to need as many singers as he can get. | 0:07:59 | 0:08:02 | |
And it's going to be fun. | 0:08:02 | 0:08:03 | |
-Fun? -And it's for charity. | 0:08:03 | 0:08:05 | |
Nah, nah. It's emotionally blackmailing people to buying | 0:08:05 | 0:08:08 | |
some record they will never listen to again. | 0:08:08 | 0:08:10 | |
What if I said the proceeds went to dementia research? | 0:08:10 | 0:08:13 | |
Do they? | 0:08:15 | 0:08:16 | |
Good morning, Mill Health Centre. | 0:08:54 | 0:08:56 | |
Hiya! Yeah, I'll just check. | 0:08:56 | 0:08:59 | |
Hello, do you have an appointment? | 0:08:59 | 0:09:02 | |
Yeah. | 0:09:02 | 0:09:03 | |
OK, I'll just take your name, and then we'll sort that out. | 0:09:03 | 0:09:06 | |
ZARA GASPS FOR BREATH | 0:09:06 | 0:09:08 | |
-Oh, sorry, -OK. | 0:09:16 | 0:09:19 | |
Sorry. | 0:09:19 | 0:09:20 | |
BREATHES DEEPLY | 0:09:20 | 0:09:23 | |
OK. | 0:09:24 | 0:09:25 | |
OK, OK. | 0:09:27 | 0:09:29 | |
So, I think Al could be persuaded to join The Mill chorus. | 0:09:33 | 0:09:36 | |
Oh, good. | 0:09:36 | 0:09:38 | |
Have you decided what you are going to do with the money yet? | 0:09:38 | 0:09:40 | |
Oh, no, I told Mrs Tembe that she could pick a charity. | 0:09:40 | 0:09:42 | |
I kind of said to Al that it might be something to do with dementia. | 0:09:42 | 0:09:45 | |
-Oh, because of his mum? -Hmm. | 0:09:45 | 0:09:47 | |
That's not a bad idea, actually. I'll have a word, see what she says. | 0:09:47 | 0:09:50 | |
To be honest I don't even think she's going to do it, unless everyone else does | 0:09:50 | 0:09:53 | |
I thought everyone was doing it? | 0:09:53 | 0:09:55 | |
Emma refused, but don't worry I'll wear her down. | 0:09:55 | 0:09:57 | |
I didn't really want to bother Zara with it. | 0:09:57 | 0:09:59 | |
And, Heston, he'll try and completely take over, | 0:09:59 | 0:10:02 | |
or insist that we do Gilbert O'Sullivan and I'm not having that. | 0:10:02 | 0:10:05 | |
-So who is doing it? -Well, there's me, erm, Al, er, Valerie... | 0:10:05 | 0:10:08 | |
Ruhma in the background, Esha said she'll mime, and you. | 0:10:08 | 0:10:11 | |
I didn't say that I was doing it! | 0:10:11 | 0:10:13 | |
All right, I'll deal with Heston. | 0:10:16 | 0:10:18 | |
Does that mean you'll join in? | 0:10:18 | 0:10:19 | |
It means I'll help. | 0:10:19 | 0:10:21 | |
Odd. | 0:10:28 | 0:10:30 | |
According to this you are a 52-year-old man with haemorrhoids. | 0:10:30 | 0:10:34 | |
Have you ever had haemorrhoids? | 0:10:36 | 0:10:37 | |
No. | 0:10:37 | 0:10:39 | |
Could you confirm your address for me, please? | 0:10:40 | 0:10:43 | |
Can't you read? it says there, don't it? | 0:10:43 | 0:10:45 | |
How about you put your phone away while I'm talking to you? | 0:10:47 | 0:10:50 | |
I'll do what I want | 0:10:50 | 0:10:52 | |
you old fart. | 0:10:52 | 0:10:54 | |
You talk to me like that again, chief, | 0:10:54 | 0:10:55 | |
you'll find yourself getting kicked out. | 0:10:55 | 0:10:57 | |
What are you doing? | 0:10:59 | 0:11:01 | |
Oi! Stop, stop taking my picture! | 0:11:01 | 0:11:04 | |
Don't take my photograph. | 0:11:04 | 0:11:06 | |
Stop it! Oi! | 0:11:06 | 0:11:08 | |
I call Dr Zara Carmichael. | 0:11:27 | 0:11:29 | |
Oh, sorry, I should have switched this off. | 0:11:34 | 0:11:36 | |
That's strange. | 0:11:37 | 0:11:39 | |
I've got a message but the number's not in my contacts. | 0:11:39 | 0:11:41 | |
Don't open it. | 0:11:41 | 0:11:42 | |
Why not? | 0:11:42 | 0:11:44 | |
It might be a good luck message. | 0:11:44 | 0:11:46 | |
Well, then you would know who it was. Whoever it was, it can wait. | 0:11:46 | 0:11:49 | |
Switch it off! | 0:11:49 | 0:11:51 | |
Yeah, it's Stanton. | 0:11:56 | 0:11:58 | |
I need a response team at The Mill, straight away. | 0:11:58 | 0:12:00 | |
-I'm checking the whereabouts of... -Dr Haskey. -Dr Haskey. | 0:12:00 | 0:12:04 | |
Can you trace the number? | 0:12:04 | 0:12:06 | |
It'll be a burner. There's no point. Put it out of your mind. | 0:12:06 | 0:12:09 | |
Please read the oath from the card in front of you. | 0:12:34 | 0:12:38 | |
I do solemnly swear by Almighty God... | 0:12:42 | 0:12:46 | |
That the evidence I give shall be the truth, the whole truth | 0:12:49 | 0:12:52 | |
and nothing but the truth. | 0:12:52 | 0:12:54 | |
Dr Carmichael. | 0:12:54 | 0:12:56 | |
That was a mix-up between the oath and the witness affirmation. | 0:12:56 | 0:12:59 | |
Could you read one, or the other? | 0:13:00 | 0:13:03 | |
Sorry. | 0:13:04 | 0:13:06 | |
I do solemnly, sincerely and truly declare and affirm | 0:13:06 | 0:13:10 | |
that the evidence I give shall be the truth | 0:13:10 | 0:13:14 | |
the whole truth and nothing but the truth. | 0:13:14 | 0:13:17 | |
Could you confirm your full name to the court? | 0:13:22 | 0:13:25 | |
If you could look at me, please. | 0:13:30 | 0:13:32 | |
My name is Dr Zara Carmichael | 0:13:43 | 0:13:46 | |
There is a lump, but the hopeful news is it feels | 0:13:47 | 0:13:51 | |
more like a cyst, than testicular cancer | 0:13:51 | 0:13:53 | |
Dr Haskey. | 0:13:53 | 0:13:55 | |
What the actual... | 0:13:56 | 0:13:58 | |
You're a partner at The Mill Health Centre? | 0:13:58 | 0:14:00 | |
-Yes. -Now, GP practices do not throw partnerships about like confetti, | 0:14:00 | 0:14:04 | |
-do they? -No. | 0:14:04 | 0:14:06 | |
Indeed, one of the main requirements to attain this elevated, | 0:14:06 | 0:14:10 | |
responsible position is years of service? | 0:14:10 | 0:14:13 | |
-Correct. -And how many years have you served as general practitioner? | 0:14:13 | 0:14:17 | |
12. | 0:14:17 | 0:14:19 | |
So it would be fair to characterise you as a proverbial | 0:14:19 | 0:14:22 | |
pillar of the community? | 0:14:22 | 0:14:23 | |
A serious, sober person whose word can very much be trusted? | 0:14:23 | 0:14:27 | |
I'm not sure about a pillar, but, as to the second question, | 0:14:27 | 0:14:30 | |
I would hope so. | 0:14:30 | 0:14:31 | |
And on the night of Friday October 13, | 0:14:33 | 0:14:37 | |
when Reece Lonsdale was stabbed in front of you, | 0:14:37 | 0:14:39 | |
did you use all your expertise in an attempt to save his life? | 0:14:39 | 0:14:43 | |
Yes. | 0:14:44 | 0:14:46 | |
Yes, I did. | 0:14:46 | 0:14:47 | |
Unfortunately, it didn't work. | 0:14:47 | 0:14:49 | |
And you identified a suspect for the murder of Reece Lonsdale | 0:14:49 | 0:14:52 | |
-to the police? -Yes. | 0:14:52 | 0:14:54 | |
The person I identified to the police, as the person who | 0:14:56 | 0:15:00 | |
stabbed Reece, | 0:15:00 | 0:15:02 | |
is standing in the dock. | 0:15:02 | 0:15:04 | |
Thank you. | 0:15:11 | 0:15:13 | |
No more questions. | 0:15:13 | 0:15:14 | |
Dr Carmichael, the prosecution has made great | 0:15:22 | 0:15:26 | |
play of your partnership as evidence of your probity | 0:15:26 | 0:15:29 | |
and great service to the community. | 0:15:29 | 0:15:31 | |
But is it not true that in order to acquire a partnership | 0:15:32 | 0:15:35 | |
in a general practice you must also pay a considerable sum of money? | 0:15:35 | 0:15:40 | |
Yes. | 0:15:41 | 0:15:42 | |
So, a partnership is something you can buy, | 0:15:42 | 0:15:46 | |
like a car, or a dodgy time-share? | 0:15:46 | 0:15:49 | |
Well, not strictly speaking. Yes, you have to have the cash. | 0:15:49 | 0:15:52 | |
-Thank you. -But you still have to have the years of service. | 0:15:52 | 0:15:55 | |
I'd argue that a closer analogy would be perhaps a barrister's firm. | 0:15:55 | 0:15:59 | |
What firm would allow someone to become a partner who only had | 0:15:59 | 0:16:03 | |
the cash and not the service? | 0:16:03 | 0:16:05 | |
Apparently, it's Merry Christmas Everyone. | 0:16:11 | 0:16:14 | |
Shakin' Stevens. | 0:16:15 | 0:16:17 | |
I wish there was something else. | 0:16:17 | 0:16:20 | |
You know, something classy. | 0:16:20 | 0:16:22 | |
There must be something. | 0:16:22 | 0:16:24 | |
Maybe a carol... | 0:16:24 | 0:16:26 | |
God Rest Ye Merry Gentleman? We already know that one. | 0:16:26 | 0:16:29 | |
Oh, yeah, that is an excellent choice. | 0:16:29 | 0:16:31 | |
Excellent choice. | 0:16:31 | 0:16:32 | |
Oh, although, you know it might clash with the other song, | 0:16:34 | 0:16:36 | |
which is already quite loud. | 0:16:36 | 0:16:37 | |
So, maybe we should go with something that would contrast with that? | 0:16:37 | 0:16:41 | |
Erm, Children, Go Where I Send Thee. | 0:16:42 | 0:16:44 | |
Hmmm... | 0:16:44 | 0:16:46 | |
It's the opposite of noise... | 0:16:48 | 0:16:49 | |
Silent, Silent Night! | 0:16:52 | 0:16:54 | |
Oh, brilliant! | 0:16:54 | 0:16:55 | |
Nothing like a bit of Franz Gruber to add a bit of class. | 0:16:55 | 0:16:58 | |
-Ah. -I'll tell him. | 0:16:58 | 0:17:01 | |
You'll do it, then? | 0:17:01 | 0:17:03 | |
Yeah. | 0:17:03 | 0:17:04 | |
Everything OK? It's not every day you get visited unexpectedly by the police. | 0:17:07 | 0:17:11 | |
My poor patient caught with his trousers down. He was the one who was really shocked. | 0:17:11 | 0:17:14 | |
I can't work out why they used me to try and threaten Zara. | 0:17:14 | 0:17:19 | |
Well, clearly, after Joe, you're the one she holds most dearly. | 0:17:19 | 0:17:22 | |
Yeah, there is that. | 0:17:22 | 0:17:24 | |
So...I spoke to Sid and I have got him | 0:17:24 | 0:17:28 | |
to agree to donate all the proceeds to a dementia charity. | 0:17:28 | 0:17:31 | |
Oh, fantastic, well done. | 0:17:31 | 0:17:32 | |
-So, you're going to do it, then? -Ah, no. | 0:17:32 | 0:17:34 | |
Oh, come on, Al, you can't back out now. | 0:17:34 | 0:17:36 | |
Hm, I haven't backed down, I'm just saying, "No." | 0:17:36 | 0:17:39 | |
I spoke to Sid and I got him to donate all the proceeds to a | 0:17:39 | 0:17:41 | |
dementia charity, so you're doing it whether you like it, or not. | 0:17:41 | 0:17:44 | |
You can hum, play the maracas, play a tuning fork for all I care | 0:17:44 | 0:17:46 | |
but you are going to do it! | 0:17:46 | 0:17:48 | |
So decisive, you really are the boss of me, aren't you? | 0:17:48 | 0:17:50 | |
Yes, I am! | 0:17:50 | 0:17:52 | |
All right, see you there. | 0:17:52 | 0:17:54 | |
# Children playing all around me # | 0:17:56 | 0:17:59 | |
The prosecution is asking this court to accept that you are a | 0:17:59 | 0:18:03 | |
solid, reliable, trustworthy member of the community whose word is | 0:18:03 | 0:18:07 | |
reliable, can be trusted. | 0:18:07 | 0:18:11 | |
Is that a fair assessment? | 0:18:11 | 0:18:13 | |
Well, you would have to ask the prosecution. | 0:18:13 | 0:18:16 | |
Dr Carmichael, how many doctors get caught having | 0:18:16 | 0:18:19 | |
sex in the bushes in a public park? | 0:18:19 | 0:18:22 | |
Objection, your honour. | 0:18:22 | 0:18:24 | |
Is that question taking us somewhere? | 0:18:24 | 0:18:27 | |
It pertains to the witness's character and her reliability. | 0:18:27 | 0:18:31 | |
Dr Carmichael... | 0:18:35 | 0:18:36 | |
You were caught having sex in the bushes? | 0:18:36 | 0:18:40 | |
Yes. | 0:18:41 | 0:18:43 | |
On the night of Reece Lonsdale's death, | 0:18:43 | 0:18:44 | |
you were wearing a burlesque costume? | 0:18:44 | 0:18:47 | |
Yes. | 0:18:49 | 0:18:50 | |
So your reputation isn't quite... | 0:18:50 | 0:18:52 | |
Your honour, I must object. | 0:18:52 | 0:18:54 | |
Is the defence trying to drag up Dr Carmichael's sexual history? | 0:18:54 | 0:18:57 | |
If so this is a very desperate line of questioning. | 0:18:57 | 0:19:00 | |
I agree. | 0:19:00 | 0:19:02 | |
I will need to see a point to this actual question, very, very soon. | 0:19:02 | 0:19:06 | |
OK, not that this is any business of the court, | 0:19:06 | 0:19:08 | |
but I was actually out with my partner that night. | 0:19:08 | 0:19:11 | |
In a singles bar? | 0:19:11 | 0:19:12 | |
Call it what you will. We were together. | 0:19:12 | 0:19:14 | |
Can you see me all right? | 0:19:24 | 0:19:26 | |
All too clearly. | 0:19:26 | 0:19:28 | |
I'd like you to have a look at this item. | 0:19:29 | 0:19:32 | |
Exhibit nine. | 0:19:32 | 0:19:34 | |
Would you like to tell the court what it is? | 0:19:36 | 0:19:38 | |
It's the results of a recent eye-test. | 0:19:40 | 0:19:42 | |
Of your eyes? | 0:19:42 | 0:19:43 | |
Yes. | 0:19:44 | 0:19:45 | |
According to the test, | 0:19:45 | 0:19:47 | |
your optician recommended glasses on your last visit. | 0:19:47 | 0:19:49 | |
Yes, I mean, no... | 0:19:51 | 0:19:53 | |
Which? | 0:19:53 | 0:19:54 | |
Neither. Both. | 0:19:54 | 0:19:56 | |
He said I was borderline. | 0:19:56 | 0:19:58 | |
He said that I would need glasses in the future. | 0:19:58 | 0:20:01 | |
So, your eyesight is deteriorating? | 0:20:01 | 0:20:03 | |
My eyesight | 0:20:05 | 0:20:07 | |
Answer the question. | 0:20:07 | 0:20:09 | |
Technically, yes. But it's fine. | 0:20:09 | 0:20:11 | |
But not as good as it was and not getting better. | 0:20:12 | 0:20:15 | |
Your optician still recommends that you get | 0:20:16 | 0:20:19 | |
glasses as soon as possible, yes? | 0:20:19 | 0:20:22 | |
Yes. | 0:20:22 | 0:20:24 | |
You're a very beautiful woman. Looking at your dress today, | 0:20:24 | 0:20:26 | |
you clearly take great care with your appearance. | 0:20:26 | 0:20:29 | |
You were wearing a burlesque costume, | 0:20:29 | 0:20:32 | |
to make yourself more attractive to your partner? | 0:20:32 | 0:20:35 | |
Yes. | 0:20:36 | 0:20:37 | |
Were you too vain to wear glasses, given that your optician... | 0:20:37 | 0:20:40 | |
No. I wasn't. | 0:20:40 | 0:20:42 | |
I don't... | 0:20:42 | 0:20:43 | |
I didn't need to wear glasses. | 0:20:43 | 0:20:46 | |
In the singles bar, | 0:20:49 | 0:20:52 | |
how much did you have to drink before Reece Lonsdale was attacked? | 0:20:52 | 0:20:55 | |
I don't recall exactly. | 0:20:55 | 0:20:58 | |
-Too much to remember? -No. | 0:20:58 | 0:20:59 | |
You had been drinking, | 0:20:59 | 0:21:01 | |
but can't recall how much and drinking affects your judgment. | 0:21:01 | 0:21:04 | |
Is that a statement, or a question? | 0:21:04 | 0:21:06 | |
Are you aware of the affects alcohol can have on a person's | 0:21:06 | 0:21:09 | |
-judgment, Dr Carmichael? -Yes, of course | 0:21:09 | 0:21:11 | |
So, sex in the bushes? | 0:21:11 | 0:21:13 | |
That's a result of your sober, sound judgment? | 0:21:13 | 0:21:16 | |
OK, look, I really didn't drink much. | 0:21:16 | 0:21:18 | |
It couldn't have been more than three glasses of wine. | 0:21:18 | 0:21:20 | |
And not large ones. It was nothing. | 0:21:20 | 0:21:23 | |
Nothing? | 0:21:23 | 0:21:24 | |
Dr Carmichael what would happen | 0:21:24 | 0:21:27 | |
if you drank three glasses of wine and treated a patient? | 0:21:27 | 0:21:30 | |
Well, I would be in trouble. | 0:21:30 | 0:21:33 | |
But I wouldn't treat a patient... | 0:21:33 | 0:21:35 | |
-It would be extremely unprofessional, would it not? -Yes. | 0:21:35 | 0:21:38 | |
And if you got in a car and drove, after three glasses, | 0:21:38 | 0:21:41 | |
-that would be illegal? -Yes. Obviously. | 0:21:41 | 0:21:43 | |
Yet the prosecution asks this court to entrust this | 0:21:43 | 0:21:47 | |
young man's life on your judgment, after three glasses. | 0:21:47 | 0:21:52 | |
Your judgment, which I think it's safe to say, is questionable, | 0:21:52 | 0:21:56 | |
even when sober. | 0:21:56 | 0:21:58 | |
No, I know what I saw. | 0:21:58 | 0:21:59 | |
I saw him stab Reece Lonsdale. | 0:21:59 | 0:22:02 | |
So, Reece Lonsdale was stabbed at approximately 23:15. | 0:22:02 | 0:22:07 | |
It was dark. You are on the borderline of needing glasses. | 0:22:07 | 0:22:11 | |
You had been drinking. | 0:22:11 | 0:22:13 | |
I put it to you that you cannot possibly | 0:22:13 | 0:22:15 | |
be as certain of this as you claim to be. | 0:22:15 | 0:22:17 | |
I am certain! | 0:22:17 | 0:22:19 | |
-And may I also add... -No, you may not. | 0:22:19 | 0:22:22 | |
Please only answer the questions put to you, Dr Carmichael. | 0:22:22 | 0:22:26 | |
Let's adjourn for lunch. | 0:22:28 | 0:22:30 | |
All rise. | 0:22:30 | 0:22:32 | |
I've blown it, have I? | 0:22:39 | 0:22:40 | |
Let's not jump to conclusions. | 0:22:40 | 0:22:42 | |
Juries are, well, unpredictable. | 0:22:42 | 0:22:44 | |
Don't listen to the defence, all right? | 0:22:44 | 0:22:46 | |
Juries, they tend to like doctors. They want to trust you. | 0:22:46 | 0:22:49 | |
Some of Botham-Hart's insinuations were beneath contempt. | 0:22:49 | 0:22:52 | |
But I'll do what I can to bat them away. | 0:22:52 | 0:22:54 | |
Get some lunch, I'll recall you to the stand. | 0:22:54 | 0:22:57 | |
And we'll roll some of this back in the afternoon. | 0:22:57 | 0:22:59 | |
Haskey! | 0:23:13 | 0:23:14 | |
You're not dead...good. | 0:23:14 | 0:23:16 | |
Just sing me one note, Esha. | 0:23:19 | 0:23:21 | |
No! I've said I'd mime, isn't that enough | 0:23:21 | 0:23:23 | |
You know, some people say that anyone can sing, yeah. | 0:23:23 | 0:23:26 | |
-They just have to find their voice. -They haven't heard me. | 0:23:26 | 0:23:28 | |
One note. Just copy me, OK. | 0:23:29 | 0:23:32 | |
Ah... | 0:23:32 | 0:23:33 | |
-Ah... -You're not even trying. | 0:23:33 | 0:23:36 | |
Look, Silent Night. Do you know that one? | 0:23:37 | 0:23:39 | |
So just sing it, then. | 0:23:39 | 0:23:41 | |
Look, if you try it and it doesn't work, I will leave you alone, I promise. | 0:23:41 | 0:23:44 | |
But if you don't even try, you'll have to take out a restraining order out on me. | 0:23:44 | 0:23:48 | |
Don't tempt me. | 0:23:49 | 0:23:51 | |
What was that one you used to sing in the shower all the time? | 0:23:53 | 0:23:55 | |
I don't know. | 0:23:55 | 0:23:57 | |
No, no, no... The Snow Patrol one, what was it? | 0:23:57 | 0:23:59 | |
# If you lie here... # | 0:23:59 | 0:24:01 | |
Come on, sing with me. | 0:24:01 | 0:24:03 | |
BOTH: # If I just lay here | 0:24:03 | 0:24:06 | |
# Would you lie with me | 0:24:06 | 0:24:09 | |
# And just forget the world. # | 0:24:09 | 0:24:12 | |
See! You can sing. There! | 0:24:12 | 0:24:15 | |
So, just to be absolutely clear, is there any doubt in your mind at | 0:24:15 | 0:24:18 | |
all that the person you saw killing Reece Lonsdale is the accused? | 0:24:18 | 0:24:22 | |
No. | 0:24:23 | 0:24:25 | |
It was the accused. | 0:24:25 | 0:24:26 | |
And no mistake. | 0:24:26 | 0:24:28 | |
And how close did the accused come to you? | 0:24:28 | 0:24:30 | |
About ten feet. | 0:24:30 | 0:24:32 | |
And could any reasonable person consider you to have been | 0:24:32 | 0:24:35 | |
-drunk that night? -No. | 0:24:35 | 0:24:37 | |
The police, the paramedics who attended that night, you can ask any of them. | 0:24:37 | 0:24:41 | |
None of them would say that my judgment was impaired by alcohol. | 0:24:41 | 0:24:44 | |
This has been an ordeal for me. | 0:24:58 | 0:25:02 | |
The accused has orchestrated a campaign of intimidation | 0:25:02 | 0:25:06 | |
-against me and my family -Objection. | 0:25:06 | 0:25:08 | |
They have threatened us, they have attacked us. | 0:25:08 | 0:25:10 | |
We've had to move out of our home. | 0:25:10 | 0:25:11 | |
Dr Carmichael, this has no relevance... | 0:25:11 | 0:25:14 | |
It's relevant to me. | 0:25:14 | 0:25:15 | |
They have tried everything they could to stop me testifying. | 0:25:19 | 0:25:23 | |
Everything they could. | 0:25:23 | 0:25:24 | |
If there were one shred of doubt in my mind about this, | 0:25:24 | 0:25:27 | |
I would no way have got this far. | 0:25:27 | 0:25:29 | |
The jury, you need to know this. | 0:25:29 | 0:25:31 | |
Dr Carmichael, your job is to answer questions. | 0:25:31 | 0:25:34 | |
Not lecture us. | 0:25:34 | 0:25:36 | |
And if you talk across me again, you will be held in contempt. | 0:25:36 | 0:25:39 | |
Any further questions Miss Botham-Hart? | 0:25:39 | 0:25:41 | |
It must have been awful, what you've had to endure. | 0:25:47 | 0:25:50 | |
It was. | 0:25:51 | 0:25:53 | |
They were scared that I would tell the truth about him. | 0:25:54 | 0:25:59 | |
It must have made you all the more determined to make sure | 0:26:00 | 0:26:04 | |
Braydon Jennings was punished. | 0:26:04 | 0:26:06 | |
It made me determined to tell the truth. | 0:26:08 | 0:26:12 | |
Is there any evidence that the people behind this "campaign" | 0:26:12 | 0:26:16 | |
against you are connected to the accused? | 0:26:16 | 0:26:18 | |
-It was them. -But evidence, Doctor? | 0:26:18 | 0:26:21 | |
-Who else could it be? -I have no idea. | 0:26:22 | 0:26:25 | |
You and your partner appear to have rather colourful lifestyles. | 0:26:26 | 0:26:30 | |
Are you telling us that neither of you have any enemies? | 0:26:30 | 0:26:34 | |
No, that's not what I'm saying | 0:26:34 | 0:26:35 | |
So, on the basis of absolutely no evidence, | 0:26:35 | 0:26:37 | |
you are accusing Braydon Jennings of inciting witness intimidation. | 0:26:37 | 0:26:41 | |
It's a yes or no question. | 0:26:42 | 0:26:44 | |
Yes. | 0:26:45 | 0:26:46 | |
Thank you. No more questions. | 0:26:46 | 0:26:48 | |
You are excused, Dr Carmichael. | 0:26:50 | 0:26:52 | |
The pain in my back and shoulders is so bad, I can't lift my arms. | 0:27:22 | 0:27:26 | |
But on some days you can? | 0:27:26 | 0:27:28 | |
I've told you, it fluctuates. | 0:27:28 | 0:27:30 | |
-Rhuma? -Look, I'm busy, OK, so, I'll catch you later. | 0:27:30 | 0:27:34 | |
Not until you tell me what you're up to? | 0:27:34 | 0:27:35 | |
I don't have to tell you anything. | 0:27:35 | 0:27:37 | |
Why don't you just listen to me?! | 0:27:37 | 0:27:39 | |
All right, that's enough, that was completely unacceptable. | 0:27:39 | 0:27:43 |