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MUSIC BLASTS | 0:00:27 | 0:00:29 | |
HE SIGHS | 0:00:38 | 0:00:39 | |
# Will he have pink fluffy hair? | 0:00:50 | 0:00:52 | |
# I don't care I'll love him anyway | 0:00:52 | 0:00:55 | |
# Love is blind, yet all-seeing... # | 0:00:55 | 0:00:57 | |
Amy! Can you turn that off?! | 0:01:00 | 0:01:02 | |
-# Love is blind, yet all-seeing... # -Amy! | 0:01:02 | 0:01:05 | |
# Love is blind, yet all-seeing | 0:01:07 | 0:01:10 | |
# Love is blind, yet all-seeing. # | 0:01:11 | 0:01:14 | |
-AYESHA SIGHS -That's quite the list. | 0:01:15 | 0:01:17 | |
Yep. And Mr Cadwallader rang, said his leg ulcer was leaking again. | 0:01:17 | 0:01:22 | |
Great(!) | 0:01:22 | 0:01:24 | |
Will you stick his address on there so it'll remind me? | 0:01:24 | 0:01:27 | |
So, er...tea at 11:00? | 0:01:27 | 0:01:29 | |
Er...no, I've got to go out. | 0:01:29 | 0:01:31 | |
Have you got a clinic? | 0:01:31 | 0:01:33 | |
Er...yeah, yeah, at St Phil's. Young mums. | 0:01:33 | 0:01:35 | |
-I thought that was on Wednesdays? -No, not always. | 0:01:35 | 0:01:38 | |
-Right. See you anon. -OK. | 0:01:38 | 0:01:40 | |
-Morning. -Morning! | 0:01:40 | 0:01:42 | |
Everything OK? | 0:01:44 | 0:01:46 | |
Kind of. Busy day. | 0:01:46 | 0:01:47 | |
Yeah. Tell me about it. | 0:01:47 | 0:01:50 | |
There you go. | 0:01:52 | 0:01:53 | |
-Ayesh? -Oh, sorry. Thanks, Karen. | 0:01:55 | 0:01:57 | |
MUSIC BLASTS | 0:01:59 | 0:02:01 | |
Amy, I'm leaving right now! | 0:02:03 | 0:02:05 | |
-I'm not ready! -Too bad. I've got an early appointment. | 0:02:05 | 0:02:08 | |
Downstairs this minute, or you'll have to get the bus! | 0:02:08 | 0:02:11 | |
MUSIC STOPS | 0:02:14 | 0:02:15 | |
THUD! Argh! | 0:02:22 | 0:02:24 | |
Today's a new day, let's focus on that. OK? | 0:02:27 | 0:02:30 | |
Oh, hi, Zara. | 0:02:30 | 0:02:32 | |
Carlene, I'm so sorry about yesterday. | 0:02:32 | 0:02:34 | |
Oh, they rip you to shreds in there. | 0:02:34 | 0:02:37 | |
You did your best. | 0:02:37 | 0:02:38 | |
And it's not over yet, right? | 0:02:38 | 0:02:41 | |
I'm hopeful that Forensics will have enough to nail Braydon. | 0:02:41 | 0:02:44 | |
We should go in. | 0:02:46 | 0:02:47 | |
MUSICAL RINGTONE You'll have to turn that off. | 0:02:47 | 0:02:49 | |
-He'd rather cut his arm off. -I've got to take this. | 0:02:49 | 0:02:51 | |
No, you don't. Do as he says. Come on. | 0:02:51 | 0:02:54 | |
He didn't turn up. | 0:03:00 | 0:03:02 | |
-What? -No phone call, nothing. | 0:03:02 | 0:03:05 | |
My mate Sophie took an hour off work to be with me. | 0:03:05 | 0:03:08 | |
She's had to go back now. | 0:03:08 | 0:03:09 | |
That's not good. Have you complained? | 0:03:09 | 0:03:11 | |
I kept thinking, "Give him another five minutes. | 0:03:11 | 0:03:15 | |
"Cos nobody's going to leave you high and dry." | 0:03:15 | 0:03:17 | |
But I should know better, shouldn't I? | 0:03:17 | 0:03:19 | |
It's not that kind of world. | 0:03:19 | 0:03:21 | |
NOVELTY RINGTONE | 0:03:21 | 0:03:23 | |
Ellie Shaughnessy. | 0:03:23 | 0:03:26 | |
Ms Shaughnessy, I'm Fraser Pennington, your PIP assessor. | 0:03:26 | 0:03:29 | |
-I apologise for... -It's clicking! | 0:03:29 | 0:03:32 | |
-Your ankle isn't broken! -I never said it was. | 0:03:32 | 0:03:35 | |
Sorry, sorry, I-I wasn't talking to you. | 0:03:35 | 0:03:38 | |
AMY WINCES | 0:03:38 | 0:03:39 | |
Somebody's crying. I hope it's not a client. | 0:03:39 | 0:03:42 | |
No. Look, I'll be with you as soon as I can. Bye. | 0:03:42 | 0:03:46 | |
I was nervous before, I'm terrified now! | 0:03:49 | 0:03:51 | |
It's not swollen, you can put your foot down. | 0:03:53 | 0:03:55 | |
I'm supposed to be dancing. It's the dress rehearsal! | 0:03:55 | 0:03:57 | |
I know, you mentioned it. | 0:03:57 | 0:03:59 | |
-Maria Powell will be laughing her head off. -No, she won't. | 0:03:59 | 0:04:02 | |
She's the understudy, it's her big chance! | 0:04:02 | 0:04:04 | |
-You'll be OK. -You don't get it! | 0:04:04 | 0:04:07 | |
I have to be better than OK. | 0:04:07 | 0:04:09 | |
You must be better than Maria, or she wouldn't be the understudy. | 0:04:09 | 0:04:12 | |
SHE SIGHS | 0:04:12 | 0:04:14 | |
Things could be worse, you know. | 0:04:14 | 0:04:15 | |
The woman I'm seeing today has a progressive illness. | 0:04:15 | 0:04:18 | |
Good job she's not playing Cinderella, then! | 0:04:18 | 0:04:21 | |
Right, that's enough! | 0:04:22 | 0:04:23 | |
There's always somebody worse off than me. I hate it when you do that! | 0:04:23 | 0:04:26 | |
Get your coat! I'm late! | 0:04:26 | 0:04:29 | |
OK, give me a break, I had to switch my...! | 0:04:35 | 0:04:37 | |
-Hi. -It was Lily. She's worried and that. | 0:04:40 | 0:04:43 | |
-The forensic evidence is a bit harrowing, isn't it? -Hm. | 0:04:45 | 0:04:48 | |
MUSICAL RINGTONE | 0:04:48 | 0:04:51 | |
HE SIGHS | 0:04:51 | 0:04:53 | |
MUSICAL RINGTONE | 0:04:56 | 0:04:58 | |
Help! Help, anyone! | 0:04:58 | 0:05:01 | |
MUSICAL RINGTONE | 0:05:01 | 0:05:03 | |
I'd better get back to my mum. | 0:05:06 | 0:05:08 | |
Were you there? | 0:05:08 | 0:05:10 | |
What? | 0:05:12 | 0:05:14 | |
That ringtone. | 0:05:14 | 0:05:16 | |
When Reece was stabbed... Oh, my God! | 0:05:16 | 0:05:18 | |
-I don't know what you're talking about. -You were there, weren't you? | 0:05:18 | 0:05:21 | |
-No. -That's how they knew who I was. | 0:05:21 | 0:05:23 | |
I told the switchboard my name, where I worked. | 0:05:23 | 0:05:25 | |
-Well, I didn't! -You saw your brother stabbed? You saw me with him! | 0:05:25 | 0:05:28 | |
-No! -Didn't you, Austin? Didn't you?! | 0:05:28 | 0:05:31 | |
You are not going anywhere! | 0:05:31 | 0:05:34 | |
Why the hell didn't you help? | 0:05:38 | 0:05:40 | |
I was...I was...I was scared. | 0:05:40 | 0:05:42 | |
-So was I. -You were...you were with him! | 0:05:42 | 0:05:45 | |
He was dying! | 0:05:45 | 0:05:47 | |
I-I-I froze. | 0:05:48 | 0:05:50 | |
I-I-I didn't know what to do. | 0:05:50 | 0:05:52 | |
You told Braydon and the gang who I was, where I worked. | 0:05:52 | 0:05:56 | |
-I had to! -Why?! I tried to save his life! | 0:05:56 | 0:05:59 | |
You don't understand what they're like! | 0:05:59 | 0:06:01 | |
Braydon was on to me. He...he threatened my mum! Lily! | 0:06:01 | 0:06:06 | |
Look, I had...I had no choice! | 0:06:06 | 0:06:08 | |
Do you have any idea what my family have been through? | 0:06:08 | 0:06:11 | |
We have been terrorised! We've had to hide in some hotel! | 0:06:11 | 0:06:15 | |
My five-year-old son was taken, Daniel was stabbed! | 0:06:15 | 0:06:17 | |
-I'm so sorry! -Because of your fear! | 0:06:17 | 0:06:19 | |
-Yeah. -Because you are a coward! | 0:06:19 | 0:06:22 | |
Yeah. | 0:06:27 | 0:06:28 | |
Look, I'm...I'm sorry. | 0:06:33 | 0:06:35 | |
Where are you going?! Where are you going?! | 0:06:37 | 0:06:39 | |
-I am going to get Rob. -No, you can't! | 0:06:39 | 0:06:41 | |
-You are going to tell him everything! -Zara, they'll kill me! | 0:06:41 | 0:06:44 | |
-You have to! -No! -You're a witness! | 0:06:44 | 0:06:46 | |
Your saw your brother stabbed and you betrayed him, | 0:06:46 | 0:06:48 | |
but now...now is time for you to do the right thing! | 0:06:48 | 0:06:51 | |
You can do the right thing! | 0:06:52 | 0:06:54 | |
Apologies again for the delay. Bit of a crisis. | 0:06:56 | 0:06:59 | |
-Oh. -Fraser Pennington. | 0:06:59 | 0:07:01 | |
-Actually, this is Ellie. -Ah, I see. | 0:07:01 | 0:07:03 | |
Hello. | 0:07:03 | 0:07:06 | |
I'm Dr Reid, the Mill Health Centre. | 0:07:06 | 0:07:08 | |
-My GP. -Oh. I'm a paramedic. | 0:07:08 | 0:07:11 | |
-Well, not now. I used to be. -Oh. | 0:07:11 | 0:07:15 | |
-Can I park my stuff here? -Yeah. | 0:07:15 | 0:07:17 | |
So, Dr Reid, just to say, | 0:07:19 | 0:07:22 | |
this assessment has to be based on my observations | 0:07:22 | 0:07:26 | |
and not any medical opinion you may offer. | 0:07:26 | 0:07:29 | |
Oh, I'm aware of that. | 0:07:29 | 0:07:30 | |
I've already given my medical opinion on Ellie's application. | 0:07:30 | 0:07:33 | |
I'm just here because our visits happen to coincide. | 0:07:33 | 0:07:36 | |
-You're not staying? -Oh, yes. | 0:07:37 | 0:07:39 | |
Well, I haven't finished my tea. | 0:07:39 | 0:07:41 | |
Fine. No problem. | 0:07:43 | 0:07:44 | |
Thank you. | 0:07:44 | 0:07:46 | |
Exactly how much do you know? | 0:07:48 | 0:07:50 | |
He's been working against us all along. | 0:07:50 | 0:07:52 | |
Zara, I need to hear this from Austin. | 0:07:52 | 0:07:54 | |
So? | 0:07:56 | 0:07:58 | |
I knew about the kidnapping. | 0:07:59 | 0:08:01 | |
And...and Daniel. | 0:08:03 | 0:08:05 | |
I wanted Zara to stop them, but I had to be one of them, too. | 0:08:05 | 0:08:09 | |
Well, you could have told me. | 0:08:09 | 0:08:11 | |
A cop?! No way! | 0:08:11 | 0:08:12 | |
Well, now he knows all about it, | 0:08:12 | 0:08:14 | |
so you have no choice but to testify. | 0:08:14 | 0:08:17 | |
I'd be dead before I even got on the stand! | 0:08:17 | 0:08:19 | |
What about both our children's future? | 0:08:19 | 0:08:20 | |
They wouldn't have a future! | 0:08:20 | 0:08:22 | |
You would be offered protection. | 0:08:22 | 0:08:24 | |
No-one is talking me into this, OK? I'm not doing it! | 0:08:24 | 0:08:27 | |
Look, I wanted to tell you. | 0:08:29 | 0:08:30 | |
I'm going to have to give Stanton this information. | 0:08:32 | 0:08:35 | |
Whatever. | 0:08:35 | 0:08:37 | |
What's the matter, love? | 0:08:41 | 0:08:43 | |
So, Amy, on your form you say you can wash your hair sometimes. | 0:08:46 | 0:08:51 | |
I also say my name's Ellie, and that's all the time. | 0:08:51 | 0:08:55 | |
Yes. I'm sorry. | 0:08:55 | 0:08:57 | |
Um...could you clarify about your hair? | 0:08:57 | 0:09:00 | |
Sometimes I can wash my hair, sometimes I can't. | 0:09:00 | 0:09:03 | |
Why's that? | 0:09:03 | 0:09:05 | |
Because the pain in my back and shoulders is so bad, | 0:09:05 | 0:09:08 | |
I can't lift my arms. | 0:09:08 | 0:09:09 | |
But on some days, you can? | 0:09:09 | 0:09:12 | |
I've told you, it fluctuates. I have flare-ups. | 0:09:12 | 0:09:17 | |
Can you lift your arms for me now? | 0:09:17 | 0:09:19 | |
-ELLIE SIGHS -Please. | 0:09:19 | 0:09:21 | |
As high as you can manage. | 0:09:24 | 0:09:26 | |
Don't do this to me. | 0:09:33 | 0:09:35 | |
Can Ellie put her arms down now? | 0:09:36 | 0:09:39 | |
Yeah, yes, of course. Sorry. Sorry. Sorry. | 0:09:39 | 0:09:41 | |
MS is a bit like your dodgy software. | 0:09:43 | 0:09:46 | |
Trouble is, I'm having a relatively good day, | 0:09:46 | 0:09:48 | |
your software's having a bad one. | 0:09:48 | 0:09:51 | |
Shame it's not the other way around. | 0:09:51 | 0:09:52 | |
I told...I told Braydon | 0:09:55 | 0:09:57 | |
that Reece had phoned LaToya. That's all I did, Mum. | 0:09:57 | 0:09:59 | |
And...and... | 0:10:01 | 0:10:03 | |
..I went to tell Reece, but Braydon was there, and... | 0:10:05 | 0:10:10 | |
-SOBS: -He stabbed him! | 0:10:13 | 0:10:15 | |
Wha...? | 0:10:16 | 0:10:18 | |
-Get away from me! -Mum! | 0:10:18 | 0:10:20 | |
CARLENE SOBS Carlene. | 0:10:20 | 0:10:22 | |
Er...you're hoping to return to work soon? | 0:10:28 | 0:10:30 | |
No. I'm trying to hold down a job I've never left. | 0:10:30 | 0:10:34 | |
-Have you actually read the form? -Yes. | 0:10:34 | 0:10:37 | |
Sorry, my mistake. | 0:10:39 | 0:10:41 | |
Could you...could you grab my hand, please? | 0:10:44 | 0:10:48 | |
That's fine. Thank you. | 0:10:53 | 0:10:55 | |
Excuse me, um...I hope you don't mind me asking, | 0:10:57 | 0:10:59 | |
but is this your first PIP assessment? | 0:10:59 | 0:11:02 | |
No. Why? | 0:11:02 | 0:11:04 | |
It's just you seem a little nervous. | 0:11:04 | 0:11:07 | |
I hope you know what you're doing. | 0:11:07 | 0:11:09 | |
Can...can you walk 20 metres? | 0:11:12 | 0:11:14 | |
I don't know. How long is 20 metres? | 0:11:14 | 0:11:16 | |
If you got on a double-decker bus, | 0:11:17 | 0:11:19 | |
would you be able to make it to the back? | 0:11:19 | 0:11:22 | |
No. Because, for a kick-off, I can't get on it at all. | 0:11:22 | 0:11:26 | |
That's why I need the enhanced rate. I could do with a scooter. | 0:11:26 | 0:11:29 | |
Ellie, sorry, I'm here to assess your daily living needs. | 0:11:31 | 0:11:36 | |
So imagine you are on the bus, | 0:11:36 | 0:11:39 | |
would you be able to walk to the back? | 0:11:39 | 0:11:42 | |
No, because the driver's probably doing a bat-out-of-hell impression. | 0:11:42 | 0:11:47 | |
I'd be on my face, or my bum, depending on the velocity. | 0:11:47 | 0:11:50 | |
I'm thinking of distance. | 0:11:50 | 0:11:53 | |
Forget about the moving bus. | 0:11:53 | 0:11:55 | |
But moving buses are the whole point. | 0:11:55 | 0:11:58 | |
I have to record an estimate of how far you can walk. | 0:11:59 | 0:12:02 | |
Well, I am telling you that it depends. | 0:12:02 | 0:12:04 | |
Walking to the end of my drive is very different to a moving bus. | 0:12:04 | 0:12:08 | |
Forget about the bus, for heaven's sake! | 0:12:08 | 0:12:11 | |
Why don't you just listen to me?! | 0:12:11 | 0:12:13 | |
All right, that's enough! | 0:12:13 | 0:12:15 | |
That was completely unacceptable! | 0:12:15 | 0:12:17 | |
I know! I know! I know! | 0:12:19 | 0:12:22 | |
HE BREATHES HARD | 0:12:22 | 0:12:24 | |
I'm sorry. | 0:12:24 | 0:12:25 | |
Sorry. | 0:12:25 | 0:12:27 | |
You told me you weren't involved with the gang! Liar! | 0:12:27 | 0:12:31 | |
He felt trapped. | 0:12:31 | 0:12:33 | |
Why are you sticking up for him? | 0:12:34 | 0:12:36 | |
Look what happened to your kid, your fella! | 0:12:36 | 0:12:40 | |
I've wiped better off me shoe! | 0:12:42 | 0:12:44 | |
OK. He's little more than a kid himself. He's scared. | 0:12:44 | 0:12:47 | |
That's why he won't testify. | 0:12:47 | 0:12:49 | |
What?! | 0:12:51 | 0:12:52 | |
You are putting that murdering piece of scum away! | 0:12:54 | 0:12:58 | |
-Mum, you don't understand what he's threatened to do to you! -Stop crying! | 0:12:58 | 0:13:01 | |
-HE SOBS -I said, stop crying! | 0:13:01 | 0:13:04 | |
Now, you listen to me. | 0:13:06 | 0:13:07 | |
Nothing... | 0:13:09 | 0:13:11 | |
..nothing he does could hurt me any worse than you have. | 0:13:13 | 0:13:16 | |
Your...your own brother's dead...because of you! | 0:13:17 | 0:13:23 | |
Please don't say that, Mum. | 0:13:23 | 0:13:25 | |
If you don't testify... | 0:13:25 | 0:13:26 | |
..you're dead to me, too. | 0:13:28 | 0:13:30 | |
And you can rot in jail. | 0:13:30 | 0:13:32 | |
And I won't shed a tear, not one! | 0:13:33 | 0:13:35 | |
Look, let me talk to him. | 0:13:37 | 0:13:39 | |
Austin, you are braver than you think you are. | 0:13:44 | 0:13:48 | |
Now, what you want more than anything is to avenge Reece, right? | 0:13:48 | 0:13:51 | |
No, he doesn't! He just wants to save his own worthless skin! | 0:13:51 | 0:13:55 | |
Do you know what his last words were? | 0:13:55 | 0:13:57 | |
His last words were, "See that my little brother's OK. | 0:13:57 | 0:14:01 | |
"See that he gets out of this life." | 0:14:01 | 0:14:04 | |
He said that? H-Honestly? | 0:14:05 | 0:14:07 | |
Yes. So, don't you see, Austin? You owe this to Reece. | 0:14:07 | 0:14:11 | |
You failed him, but now's your chance to make up for it. | 0:14:11 | 0:14:13 | |
He wanted you to get out, and this is a way to make that happen. | 0:14:13 | 0:14:17 | |
DOOR OPENS | 0:14:17 | 0:14:18 | |
This is your chance. | 0:14:21 | 0:14:22 | |
I hate this job. | 0:14:29 | 0:14:31 | |
Well, I can see that. | 0:14:31 | 0:14:33 | |
Look, it's clear that you're having some difficulties, | 0:14:35 | 0:14:40 | |
but I'm here to support Ellie, | 0:14:40 | 0:14:43 | |
and this assessment is crucial for her. | 0:14:43 | 0:14:46 | |
Believe me, I know. | 0:14:47 | 0:14:48 | |
So, er...you said earlier that you used to work as a paramedic. | 0:14:50 | 0:14:55 | |
Yes. I used to help people. | 0:14:55 | 0:14:59 | |
And now you try to catch them out? | 0:14:59 | 0:15:01 | |
That's about it, yes. | 0:15:01 | 0:15:04 | |
But no more nasty shifts, eh? | 0:15:04 | 0:15:06 | |
Good pay, holidays, five-day week. | 0:15:06 | 0:15:09 | |
My heart bleeds(!) | 0:15:11 | 0:15:13 | |
I've waited six months for this. | 0:15:13 | 0:15:15 | |
We're almost done. | 0:15:15 | 0:15:17 | |
We just have to run through some of the answers you've given. | 0:15:19 | 0:15:22 | |
And if you've got any questions... | 0:15:22 | 0:15:24 | |
-MOBILE PHONE RINGS -You can't answer that! | 0:15:24 | 0:15:27 | |
Sorry, it's my daughter. | 0:15:27 | 0:15:29 | |
Amy? How many times? Your ankle isn't broken. | 0:15:31 | 0:15:34 | |
-I doubt if it's even sprained. -AMY: You need to pick me up! | 0:15:34 | 0:15:37 | |
I-I can't, I'm in the middle of an assessment. | 0:15:37 | 0:15:39 | |
I'm supposed to be more important! | 0:15:39 | 0:15:41 | |
You only have to wait until I'm finished. I won't be long. | 0:15:41 | 0:15:44 | |
This is an emergency! | 0:15:44 | 0:15:46 | |
It's not, Amy, OK? Trust me on that. | 0:15:46 | 0:15:49 | |
Mum would have come for me. She loved me! | 0:15:49 | 0:15:51 | |
So do I. | 0:15:51 | 0:15:53 | |
-LINE DISCONNETCS -Amy? | 0:15:53 | 0:15:55 | |
Teenage daughters. | 0:16:02 | 0:16:05 | |
If I'd spoken to my dad like that... | 0:16:05 | 0:16:06 | |
Her mother died two years ago. | 0:16:11 | 0:16:13 | |
Amy misses her. Obviously! | 0:16:15 | 0:16:19 | |
So do I. | 0:16:20 | 0:16:22 | |
I'm sorry. | 0:16:23 | 0:16:25 | |
I really am, but this isn't your therapy session. | 0:16:25 | 0:16:29 | |
You're right. | 0:16:31 | 0:16:33 | |
Please, can we carry on? | 0:16:33 | 0:16:35 | |
Ellie, I'm sorry if I've caused you any distress. | 0:16:37 | 0:16:40 | |
Ruhma? | 0:17:09 | 0:17:11 | |
Did you follow me? | 0:17:11 | 0:17:12 | |
No, I was on my way back from home visits. | 0:17:12 | 0:17:14 | |
Why would I follow you, anyway? | 0:17:14 | 0:17:16 | |
I don't know. Look, I'm busy, OK, so I'll catch you later. | 0:17:16 | 0:17:20 | |
Not until you tell me what you're up to. | 0:17:20 | 0:17:21 | |
I don't have to tell you anything. | 0:17:21 | 0:17:23 | |
Hey. | 0:17:24 | 0:17:26 | |
-WOMAN WHISPERS -Hey. | 0:17:36 | 0:17:38 | |
-Ruhma, who is this? -This is, um...Ayesha. I-I work with her. | 0:17:39 | 0:17:44 | |
Hi. | 0:17:44 | 0:17:45 | |
SHE SPEAKS IN OWN LANGUAGE | 0:17:45 | 0:17:48 | |
You did not say you bring someone. | 0:17:50 | 0:17:52 | |
Yeah, I'm sorry. I...I didn't know. | 0:17:52 | 0:17:54 | |
It is too late. She see us now. Not...not good. | 0:17:54 | 0:17:58 | |
You don't need to worry because... because you can trust Ayesha. | 0:17:58 | 0:18:01 | |
Can you...can you please tell the ladies that? | 0:18:01 | 0:18:05 | |
SHE SPEAKS IN OWN LANGUAGE | 0:18:05 | 0:18:07 | |
Um...I didn't mean to break my promise. | 0:18:11 | 0:18:13 | |
Shall we get started? | 0:18:16 | 0:18:18 | |
SHE SPEAKS IN OWN LANGUAGE | 0:18:18 | 0:18:20 | |
Do you think you're well enough to submit this assessment, Fraser? | 0:18:22 | 0:18:25 | |
Absolutely. I'm not going to put Ellie's future in jeopardy. | 0:18:25 | 0:18:30 | |
As you know, the DWP make the final decisions, but don't worry. | 0:18:31 | 0:18:35 | |
I am worried. I'm worried about you and your health. | 0:18:35 | 0:18:38 | |
You've left a job that you love for one that you hate | 0:18:38 | 0:18:41 | |
and I don't think you're coping. | 0:18:41 | 0:18:43 | |
I did it to spend more time with Amy. | 0:18:43 | 0:18:44 | |
-She's all that matters. -I disagree. You matter just as much. | 0:18:44 | 0:18:48 | |
You're not giving yourself a chance. | 0:18:48 | 0:18:51 | |
Par for the course if you're a single dad. | 0:18:51 | 0:18:53 | |
Fraser, I think you need to see your GP. | 0:18:53 | 0:18:56 | |
-I'm OK. -No, you're not. | 0:18:56 | 0:18:58 | |
And if you were a patient of mine, I'd want to see you urgently. | 0:18:58 | 0:19:02 | |
What happens to Amy if you fall apart? | 0:19:03 | 0:19:05 | |
I'll think about it. | 0:19:05 | 0:19:07 | |
Everything seems good. | 0:19:08 | 0:19:10 | |
Thanks. | 0:19:11 | 0:19:13 | |
Not long to wait. | 0:19:13 | 0:19:16 | |
-Um... -Is there someone who can support you? | 0:19:16 | 0:19:19 | |
Is the father around? | 0:19:19 | 0:19:21 | |
Actually, it's...it's a bit difficult. | 0:19:21 | 0:19:24 | |
I will tell. | 0:19:24 | 0:19:26 | |
She can know. | 0:19:26 | 0:19:27 | |
Are you sure? | 0:19:27 | 0:19:29 | |
Er...father of baby, he raped me. | 0:19:31 | 0:19:37 | |
He not a... | 0:19:37 | 0:19:38 | |
..husband or boyfriend. | 0:19:40 | 0:19:42 | |
He force himself on me | 0:19:42 | 0:19:45 | |
because...he can. | 0:19:45 | 0:19:48 | |
My father...he say I must marry this man | 0:19:49 | 0:19:54 | |
because I pregnant, | 0:19:54 | 0:19:56 | |
and much shame for family. | 0:19:56 | 0:20:00 | |
Did you not go to the police? | 0:20:00 | 0:20:03 | |
Um...her dad's a really important man. | 0:20:03 | 0:20:06 | |
He mafia. | 0:20:06 | 0:20:08 | |
That's why I must go. | 0:20:10 | 0:20:13 | |
I must...leave my city, my country. | 0:20:13 | 0:20:18 | |
Because if I stay, for me... | 0:20:18 | 0:20:24 | |
..prostitute, or...dead. | 0:20:26 | 0:20:30 | |
I don't know what to say. | 0:20:32 | 0:20:34 | |
I'm so sorry, Besa. | 0:20:34 | 0:20:36 | |
I'm grateful to Ruhma...for helping me. | 0:20:39 | 0:20:44 | |
Us. | 0:20:46 | 0:20:47 | |
-You can stop limping now, we're home. -You're horrible to me. | 0:20:52 | 0:20:55 | |
I'm not. I'm a pushover, that's the trouble. | 0:20:55 | 0:21:00 | |
No way was I dancing with a stiff leg. | 0:21:00 | 0:21:02 | |
They'd all laugh at me. | 0:21:02 | 0:21:03 | |
But, like, they want me for the part so much, | 0:21:03 | 0:21:06 | |
they're doing the rehearsal tomorrow instead! | 0:21:06 | 0:21:09 | |
Good. That's solved, then. | 0:21:09 | 0:21:12 | |
Amy, there's something I need to talk to you about. | 0:21:16 | 0:21:19 | |
I'm really unhappy in this new job. | 0:21:23 | 0:21:25 | |
And I don't know if I can stand it for much longer. | 0:21:27 | 0:21:30 | |
Oh, my! Natalie says Maria Powell was absolutely fuming! | 0:21:30 | 0:21:34 | |
She thought she was going to step in! | 0:21:34 | 0:21:36 | |
I'm trying to have a conversation! | 0:21:36 | 0:21:38 | |
-So am I. -This is...this is important! | 0:21:38 | 0:21:42 | |
Lighten up, Dad. Who doesn't hate their job? | 0:21:42 | 0:21:44 | |
Oh! The cow! Ha-ha-ha! Hey! | 0:21:44 | 0:21:47 | |
I've just told you how unhappy I am and you're not bothered! | 0:21:47 | 0:21:51 | |
You spoil everything! | 0:21:51 | 0:21:53 | |
I didn't ask for any of this! | 0:21:53 | 0:21:55 | |
It's not my fault! | 0:21:56 | 0:21:58 | |
HE SOBS | 0:22:02 | 0:22:03 | |
Dad? | 0:22:05 | 0:22:07 | |
I can't believe this, Austin. Talk about eleventh hour. | 0:22:15 | 0:22:18 | |
Reece's last words were about me, Zara said. | 0:22:18 | 0:22:21 | |
I have to do this for him. | 0:22:23 | 0:22:25 | |
Right. | 0:22:25 | 0:22:26 | |
You do realise you'll be going to prison? | 0:22:28 | 0:22:31 | |
I don't care, as long as my family's safe. | 0:22:31 | 0:22:34 | |
We'll offer you all protection. | 0:22:35 | 0:22:36 | |
And the judge might be lenient, given the circumstances, | 0:22:36 | 0:22:39 | |
but you're doing the right thing. | 0:22:39 | 0:22:41 | |
Sergeant? | 0:22:41 | 0:22:43 | |
Austin Lonsdale, I am arresting you | 0:22:45 | 0:22:46 | |
for attempting to pervert the course of justice. | 0:22:46 | 0:22:49 | |
-Mum? -I'm going back into the court. | 0:22:49 | 0:22:51 | |
There may be other charges once you've been interviewed... | 0:22:51 | 0:22:55 | |
What did you say to him? | 0:22:55 | 0:22:57 | |
Does it matter? | 0:22:58 | 0:23:01 | |
-Come on, sit down. -Are you OK? | 0:23:01 | 0:23:03 | |
You should be asking Carlene that. | 0:23:03 | 0:23:05 | |
I'm asking you. | 0:23:05 | 0:23:07 | |
I'm fine. | 0:23:08 | 0:23:10 | |
I'd better go and tell the prosecution they're going to be up all night. | 0:23:12 | 0:23:15 | |
Thank you. | 0:23:16 | 0:23:17 | |
Drink this, Dad. | 0:23:21 | 0:23:23 | |
Thanks, love. | 0:23:23 | 0:23:24 | |
Whoa! | 0:23:31 | 0:23:32 | |
Two spoons of coffee. That's what you do for shock, right? | 0:23:32 | 0:23:35 | |
Yeah. Well, something like that. | 0:23:35 | 0:23:37 | |
I've switched my phone off now. | 0:23:40 | 0:23:41 | |
There's a first, eh? | 0:23:43 | 0:23:44 | |
I wish Mum was here. | 0:23:51 | 0:23:53 | |
-Me, too. -Everything would be all right, then, wouldn't it? | 0:23:57 | 0:24:01 | |
I don't mind you crying, Dad, | 0:24:02 | 0:24:05 | |
I just don't want you to die. | 0:24:05 | 0:24:07 | |
Don't be daft. | 0:24:08 | 0:24:10 | |
You never eat, you don't sleep. | 0:24:10 | 0:24:12 | |
I hear you walking around in the night, | 0:24:12 | 0:24:14 | |
and in the morning you pretend everything's OK. | 0:24:14 | 0:24:16 | |
You treat me like a kid. | 0:24:16 | 0:24:19 | |
Nothing prepares you for this, Amy. | 0:24:21 | 0:24:22 | |
It's hard to know what to do for the best. | 0:24:25 | 0:24:28 | |
Go back on the ambulances. | 0:24:28 | 0:24:29 | |
It's not only about the work, love. | 0:24:31 | 0:24:33 | |
I need to see the doctor tomorrow. | 0:24:35 | 0:24:38 | |
I'll come with you. | 0:24:38 | 0:24:40 | |
What about your rehearsal? | 0:24:40 | 0:24:42 | |
Er...I suppose I... | 0:24:44 | 0:24:46 | |
Dad, this is more important. | 0:24:48 | 0:24:49 | |
Come here. | 0:24:51 | 0:24:52 | |
Are you OK? | 0:25:07 | 0:25:09 | |
Has she been tested for STIs? | 0:25:11 | 0:25:13 | |
-Yeah, yeah, I've done that. -You did? | 0:25:13 | 0:25:15 | |
Yeah. Along with all the other checks. | 0:25:15 | 0:25:18 | |
She's an illegal, isn't she? | 0:25:20 | 0:25:22 | |
She's a pregnant woman who needs my help. | 0:25:23 | 0:25:26 | |
That's why I was taking all the supplies. | 0:25:26 | 0:25:29 | |
Ruhma, you could be in so much trouble. | 0:25:29 | 0:25:31 | |
Well, I'm prepared to take the risk. | 0:25:31 | 0:25:33 | |
But that's not the point, though, is it? | 0:25:33 | 0:25:35 | |
The NHS is buckling as it is. | 0:25:35 | 0:25:37 | |
It can't offer free maternity care to the rest of the world. | 0:25:37 | 0:25:40 | |
I can't believe I'm hearing this. | 0:25:40 | 0:25:42 | |
From you, of all people? | 0:25:43 | 0:25:46 | |
What do you mean, from me of all people? | 0:25:46 | 0:25:48 | |
Well, with your background. | 0:25:48 | 0:25:49 | |
You know, I-I thought you'd be at bit more sympathetic. | 0:25:49 | 0:25:51 | |
Because my mum was an alcoholic? | 0:25:51 | 0:25:53 | |
I'm just saying you know what it feels like to be in need. | 0:25:53 | 0:25:56 | |
At least your mum was treated by the NHS! | 0:25:56 | 0:25:58 | |
-My mum was a UK citizen! -Oh! | 0:25:58 | 0:26:01 | |
-I can't talk to you. -You're breaking the law! | 0:26:01 | 0:26:03 | |
Yeah, I know. And we're talking about desperate, abused women. | 0:26:03 | 0:26:08 | |
-Ruhma... -What are you suggesting, Ayesha? | 0:26:08 | 0:26:11 | |
That we send her back to Albania to marry a rapist? | 0:26:11 | 0:26:14 | |
-Come on. -AUSTIN SIGHS | 0:26:21 | 0:26:23 | |
Rob...will you tell Lily? | 0:26:30 | 0:26:35 | |
Yeah. | 0:26:36 | 0:26:37 | |
What about the money? | 0:27:09 | 0:27:11 | |
It's every man for himself out there or didn't you know? | 0:27:11 | 0:27:13 | |
He gets into your head and then you feel sorry for him. | 0:27:13 | 0:27:16 | |
But now? I just want to kill him. | 0:27:16 | 0:27:19 | |
Have you reached a verdict on which you are all agreed? | 0:27:19 | 0:27:23 | |
-Yes. -On count one of the indictment, | 0:27:23 | 0:27:25 | |
do you find the defendant guilty or not guilty of murder? | 0:27:25 | 0:27:29 |