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LAUGHTER | 0:00:26 | 0:00:27 | |
So, he...he's sat on the floor, on a mat, right? | 0:00:27 | 0:00:32 | |
And I say to him, | 0:00:32 | 0:00:33 | |
"Now, you clench the muscles that you use to stop yourself from peeing. | 0:00:33 | 0:00:38 | |
"Can you do that for me?" | 0:00:38 | 0:00:39 | |
And he says, "Yes." And he does it. | 0:00:39 | 0:00:41 | |
And then I say to him, "Right, now, can you get | 0:00:41 | 0:00:44 | |
"as close as you can to touching your toes, can you do that for me?" | 0:00:44 | 0:00:46 | |
He says, "Yes." And he does it. And then I say, "Right, now, lean back." | 0:00:46 | 0:00:50 | |
And he does... | 0:00:50 | 0:00:52 | |
And then... | 0:00:52 | 0:00:53 | |
I can't even say it. | 0:00:53 | 0:00:55 | |
He...whoosh on my mat. | 0:00:55 | 0:00:58 | |
Yeah. Completely soaked through. | 0:00:58 | 0:01:00 | |
And he looks at me and he says, "Oh, I'm sorry, | 0:01:00 | 0:01:03 | |
"was I supposed to keep them clenched?" I'm like... | 0:01:03 | 0:01:05 | |
Any chance of keeping it down? | 0:01:05 | 0:01:07 | |
I'm on earlies. | 0:01:07 | 0:01:09 | |
Sorry. Me too. | 0:01:09 | 0:01:10 | |
Er, Mattie. | 0:01:11 | 0:01:13 | |
Will. | 0:01:14 | 0:01:16 | |
-What do you do, Will? -I'm a nurse apprentice. | 0:01:16 | 0:01:19 | |
-At Thornwell? -Yeah. | 0:01:19 | 0:01:21 | |
Snap. I'm a physio. | 0:01:21 | 0:01:22 | |
So what does a nurse apprentice actually do? | 0:01:24 | 0:01:28 | |
Look, I know what everyone thinks | 0:01:28 | 0:01:30 | |
but I pretty much do everything a student nurse does. Everything a nurse does. | 0:01:30 | 0:01:35 | |
Let's face it, I run this place. | 0:01:35 | 0:01:37 | |
It would fall apart without me. | 0:01:39 | 0:01:41 | |
I can't give meds, | 0:01:41 | 0:01:43 | |
but I can check a patient's blood pressure, | 0:01:43 | 0:01:46 | |
take their temperature, give them their meals, that kind of thing. | 0:01:46 | 0:01:50 | |
Even if they're not feeling better, make them feel better. | 0:01:50 | 0:01:55 | |
Keep everybody happy. | 0:01:57 | 0:01:58 | |
Like Maria, | 0:02:00 | 0:02:02 | |
she fell down the stairs, hit her head, got a brain injury | 0:02:02 | 0:02:06 | |
that means she's fully conscious but incapable of speech or movement. | 0:02:06 | 0:02:11 | |
I don't know if she can hear me, | 0:02:11 | 0:02:13 | |
but it doesn't stop me talking to her. | 0:02:13 | 0:02:15 | |
And then there's Ronald. | 0:02:18 | 0:02:20 | |
He used to dance with the Liverpool Ballet. | 0:02:20 | 0:02:24 | |
Now he teaches dance. | 0:02:24 | 0:02:25 | |
Yesterday, he told us to how to do some ballroom moves. | 0:02:26 | 0:02:30 | |
Apparently I'm a natural. | 0:02:30 | 0:02:33 | |
So, are you going to show me, then? | 0:02:35 | 0:02:37 | |
Show you what? | 0:02:37 | 0:02:38 | |
Your ballroom moves. | 0:02:38 | 0:02:40 | |
I can't do them on my own. | 0:02:40 | 0:02:42 | |
So which dance did he talk you through? | 0:02:47 | 0:02:49 | |
-The waltz. -OK, then. | 0:02:49 | 0:02:51 | |
You're leading. | 0:02:55 | 0:02:56 | |
Sorry, force of habit. | 0:02:56 | 0:02:58 | |
-You dance a lot, do you? -Yeah, a bit. Ronald's right. | 0:02:58 | 0:03:02 | |
You are a natural. | 0:03:02 | 0:03:04 | |
I've got to get some sleep. | 0:03:05 | 0:03:06 | |
-You said. -I'm on earlies. | 0:03:06 | 0:03:09 | |
You said. Me too. | 0:03:09 | 0:03:12 | |
-Bye. -Bye. | 0:03:20 | 0:03:24 | |
Oh, God, I'm dreading it. Why did we agree? | 0:03:31 | 0:03:35 | |
I've been through it myself, it's a formality. | 0:03:35 | 0:03:37 | |
And he's here! Finally. | 0:03:37 | 0:03:41 | |
So, er, thank you all for coming. | 0:03:41 | 0:03:43 | |
Shouldn't that be both? | 0:03:43 | 0:03:46 | |
Come on then, why have you dragged us in early? | 0:03:46 | 0:03:48 | |
Because I have come up with a three-point plan that will end, | 0:03:48 | 0:03:52 | |
for good and all, the evening appointment timewasters problem. | 0:03:52 | 0:03:56 | |
-Is it really a problem? -Yes. | 0:03:56 | 0:03:57 | |
It's really a problem, Jimmi. | 0:03:57 | 0:04:00 | |
A - appointments that only GPs can give out. | 0:04:00 | 0:04:03 | |
Two - more emergency appointments at the end of the usual working day | 0:04:03 | 0:04:08 | |
and finally and, most importantly, some kind of feedback scenario | 0:04:08 | 0:04:12 | |
where I can tell timewasters that they are wasting my time! | 0:04:12 | 0:04:15 | |
I can't see how that's going to work. | 0:04:15 | 0:04:16 | |
-Oh, it's going to work. -Me neither. | 0:04:16 | 0:04:19 | |
It's going to work! | 0:04:19 | 0:04:20 | |
And, er, I am about to demonstrate exactly how. | 0:04:20 | 0:04:25 | |
OK, so this is everyone. | 0:04:28 | 0:04:30 | |
Two have called in sick and there's no agency cover. | 0:04:31 | 0:04:34 | |
Plus everything's got to be done right. | 0:04:34 | 0:04:37 | |
Adrian Coleman's doing the ward round. | 0:04:37 | 0:04:39 | |
Will? Adrian Coleman. | 0:04:42 | 0:04:44 | |
Yeah. | 0:04:46 | 0:04:48 | |
Who is he? | 0:04:48 | 0:04:49 | |
I don't know. | 0:04:52 | 0:04:54 | |
He's the best orthopaedic surgeon in Liverpool. | 0:04:54 | 0:04:56 | |
And even though every orthopaedic surgeon in Liverpool | 0:04:56 | 0:04:59 | |
thinks they're the best orthopaedic surgeon in Liverpool, | 0:04:59 | 0:05:02 | |
break your leg, it's Mr Coleman you'll want fixing it. | 0:05:02 | 0:05:04 | |
-Right. -So let's be at our best, OK? | 0:05:04 | 0:05:07 | |
OK. | 0:05:07 | 0:05:09 | |
And that goes for all of you. | 0:05:09 | 0:05:10 | |
So go and get a cup of tea, and a sandwich for later, | 0:05:10 | 0:05:14 | |
then roll your sleeves up and graft for Thornwell, Prince Harry and England. | 0:05:14 | 0:05:18 | |
Go, go, go! | 0:05:18 | 0:05:19 | |
Dr Haskey, I presume? | 0:05:29 | 0:05:32 | |
Oh, welcome, Mr Bond. Please, take a seat. | 0:05:32 | 0:05:35 | |
Seriously?! | 0:05:35 | 0:05:38 | |
Actually it's, er, it's Commander Bond. | 0:05:38 | 0:05:41 | |
Yeah, yeah, all right, we get it. | 0:05:41 | 0:05:44 | |
Course it is, Commander, my apologies. | 0:05:44 | 0:05:46 | |
So, so, what seems to be the, er, the problem? | 0:05:46 | 0:05:48 | |
It's funny but, er, | 0:05:48 | 0:05:52 | |
recently I've been having a little bit of trouble, er, sleeping. | 0:05:52 | 0:05:55 | |
-You know what, I've got work to do. -Bu, bu, bu. | 0:05:55 | 0:05:58 | |
Is that so? Well, erm, have you tried having a drink before you go to bed? | 0:05:58 | 0:06:03 | |
You know, they say that a dry martini can work wonders. Shaken... | 0:06:03 | 0:06:07 | |
But not stirred. | 0:06:07 | 0:06:08 | |
Or you could, erm, | 0:06:08 | 0:06:09 | |
you could try taking a beautiful woman to bed with you? | 0:06:09 | 0:06:13 | |
I'm sure you enjoy the company of beautiful women. | 0:06:13 | 0:06:15 | |
Well, I can't say I've ever objected, Alistair. | 0:06:15 | 0:06:19 | |
I'm sure you haven't? | 0:06:19 | 0:06:20 | |
Ha, ha, ha! Neither do I! | 0:06:20 | 0:06:22 | |
Hush, hush, hush, hush, hush. | 0:06:22 | 0:06:24 | |
Whoa, whoa, whoa. | 0:06:24 | 0:06:26 | |
I don't think that Commander Bond had quite finished. | 0:06:26 | 0:06:29 | |
Right fine! I'll speed it up. | 0:06:29 | 0:06:32 | |
So, er, is there anything else? | 0:06:32 | 0:06:34 | |
Well, actually, there is. | 0:06:34 | 0:06:36 | |
I'm not feeling myself lately. | 0:06:36 | 0:06:38 | |
I'm just a, I'm just a little bit down. | 0:06:38 | 0:06:40 | |
OK, and, what do you want me to do about that? | 0:06:40 | 0:06:42 | |
Well, I don't think there is anything you can do. | 0:06:42 | 0:06:45 | |
I just, er, I just wanted to come in for a chat. | 0:06:45 | 0:06:47 | |
You just wanted to come in for a chat?! | 0:06:49 | 0:06:52 | |
So you thought you would come and see your really busy GP? | 0:06:52 | 0:06:54 | |
-Yeah, I think that's what it is... Erm, next, next patient. -NO! -No! No more. | 0:06:54 | 0:06:58 | |
Whoa, whoa, whoa. Hold your horses. It's going to be Roger Moore. | 0:06:58 | 0:07:02 | |
-No! -Right, Fine. | 0:07:02 | 0:07:03 | |
You know what? I think I've done enough. | 0:07:03 | 0:07:06 | |
On that point, ladies and gent, of the jury, I, er, I rest my case. | 0:07:06 | 0:07:10 | |
He got us in just for that? | 0:07:12 | 0:07:14 | |
And he says that he's the one having his time wasted. | 0:07:14 | 0:07:17 | |
You made it home then? | 0:07:23 | 0:07:25 | |
Oh, yeah. I waltzed all the way. | 0:07:26 | 0:07:29 | |
With no-one to lead you? | 0:07:29 | 0:07:30 | |
How is he? Your dancer? | 0:07:32 | 0:07:34 | |
Great. | 0:07:34 | 0:07:35 | |
-And the girl? -The same. | 0:07:35 | 0:07:37 | |
What's she on orthopaedics for? | 0:07:37 | 0:07:39 | |
She broke her leg. | 0:07:39 | 0:07:40 | |
-Never rains... -I know. | 0:07:41 | 0:07:42 | |
Erm, I'd better get my coffee and get back. | 0:07:44 | 0:07:46 | |
The consultant's coming down. | 0:07:46 | 0:07:48 | |
Which one? | 0:07:48 | 0:07:50 | |
-Coleman. -He's good. | 0:07:50 | 0:07:52 | |
I do rehab on his patients. | 0:07:52 | 0:07:54 | |
-Maybe you'll get to see Ronald and Maria? -Yeah, maybe. | 0:07:54 | 0:07:57 | |
I'm more interested in seeing you again. | 0:07:57 | 0:07:59 | |
I never took your number. | 0:08:01 | 0:08:03 | |
-I never gave it to you. -Are you going to? | 0:08:03 | 0:08:06 | |
Give me yours. I'll call you. | 0:08:07 | 0:08:09 | |
You'd better write it down for me. | 0:08:14 | 0:08:15 | |
No mobiles while we're working. | 0:08:15 | 0:08:17 | |
Right. | 0:08:17 | 0:08:19 | |
I don't have any paper. | 0:08:19 | 0:08:20 | |
Thank you. | 0:08:25 | 0:08:27 | |
And...I don't have a pen. | 0:08:27 | 0:08:29 | |
Right then, a morning walk. | 0:08:35 | 0:08:37 | |
And what a lovely morning it is for it. | 0:08:39 | 0:08:41 | |
Someone's in a good mood. | 0:08:41 | 0:08:43 | |
Yeah, I met someone. | 0:08:43 | 0:08:46 | |
A friend of a friend. | 0:08:46 | 0:08:47 | |
A physio. | 0:08:48 | 0:08:50 | |
-You're smitten, aren't you? -I don't want to jinx it. | 0:08:50 | 0:08:53 | |
Oh, forget jinxing it. | 0:08:53 | 0:08:54 | |
Seize the day! I did... | 0:08:54 | 0:08:58 | |
..with Marshall. | 0:08:58 | 0:09:00 | |
He was my partner for 65 years. | 0:09:00 | 0:09:03 | |
-65? -Hmm. | 0:09:03 | 0:09:05 | |
We met while doing National Service. | 0:09:05 | 0:09:09 | |
It was a bit difficult then. | 0:09:09 | 0:09:11 | |
My career as a dancer was drifting away. | 0:09:12 | 0:09:15 | |
But I had Marshall. | 0:09:16 | 0:09:17 | |
And when I got out of the Army, I still had dancing. | 0:09:18 | 0:09:22 | |
Even if it was in the chorus. | 0:09:23 | 0:09:25 | |
That's enough for now, you'd better sit back down. | 0:09:26 | 0:09:29 | |
-William? -Yes, Ronald? | 0:09:37 | 0:09:40 | |
I'm not going to dance again, am I? | 0:09:42 | 0:09:44 | |
You've just had your hip replaced. | 0:09:45 | 0:09:48 | |
What about teaching? | 0:09:49 | 0:09:52 | |
You talked me through the waltz. That was a big hit. | 0:09:52 | 0:09:55 | |
Yes, but I need to show people. | 0:09:55 | 0:09:58 | |
-Could you show me some other dances? -What? | 0:10:01 | 0:10:03 | |
When you get out of here? I'll come round. | 0:10:03 | 0:10:06 | |
You can show me through all the others, | 0:10:06 | 0:10:08 | |
the foxtrot, salsa, American smooth. | 0:10:08 | 0:10:11 | |
-Nurse Hurran? -I won't be a minute. | 0:10:13 | 0:10:15 | |
I did say no time for chatting. | 0:10:18 | 0:10:20 | |
I'm not chatting, I'm putting Ronald's mind at ease. | 0:10:20 | 0:10:24 | |
It's chatting. | 0:10:24 | 0:10:25 | |
-So what was Marshall like then? -Oh! Difficult. | 0:10:39 | 0:10:44 | |
Tortured by the fact that I had all the talent. | 0:10:44 | 0:10:47 | |
Is that right? | 0:10:49 | 0:10:50 | |
But wonderful. | 0:10:50 | 0:10:51 | |
When he died last year, | 0:10:54 | 0:10:57 | |
I almost lost the will to carry on. | 0:10:57 | 0:11:00 | |
But you do, don't you? | 0:11:02 | 0:11:04 | |
Carry on. | 0:11:04 | 0:11:05 | |
Seize the day. | 0:11:07 | 0:11:09 | |
There you go, Mr Armitage, your taxi has arrived. | 0:11:10 | 0:11:13 | |
He lives alone. | 0:11:16 | 0:11:18 | |
-No-one to pick him up. -Good of you to help him out. | 0:11:18 | 0:11:20 | |
Don't get me wrong, I don't mind living alone. | 0:11:20 | 0:11:24 | |
Couldn't agree more. You don't have to compromise on anything. | 0:11:25 | 0:11:27 | |
Exactly. Eat what you want, when you want. | 0:11:27 | 0:11:30 | |
Absolutely. Do you want to go to lunch later? | 0:11:30 | 0:11:32 | |
Oh, I thought you'd never ask. | 0:11:32 | 0:11:34 | |
What do you think? Shall I call him? | 0:11:37 | 0:11:40 | |
I told him about you. | 0:11:43 | 0:11:44 | |
He's a physio. | 0:11:46 | 0:11:47 | |
We're going to get you better. | 0:11:48 | 0:11:50 | |
Me and him and Steph and that consultant, | 0:11:50 | 0:11:53 | |
we're all going to do our bit. | 0:11:53 | 0:11:55 | |
Then it's off to neurology and you'll come round here | 0:11:55 | 0:11:58 | |
and look at me and be like, "So, did you call him then or what?" | 0:11:58 | 0:12:04 | |
One day your prince'll come. | 0:12:05 | 0:12:07 | |
And he'll give you a kiss | 0:12:08 | 0:12:11 | |
and everything'll change. | 0:12:11 | 0:12:12 | |
Will? | 0:12:14 | 0:12:16 | |
Ronald needs his lunch. | 0:12:16 | 0:12:17 | |
Ah! How are you, Ronald? | 0:12:21 | 0:12:22 | |
Is it all right if I call you Ronald? | 0:12:22 | 0:12:25 | |
You can call me what you want. | 0:12:25 | 0:12:27 | |
You fixed my hip. | 0:12:27 | 0:12:28 | |
-Replaced it, in fact. -I've already been out of bed. | 0:12:28 | 0:12:31 | |
I'd have been worried if you hadn't. | 0:12:31 | 0:12:33 | |
It's just a matter of time, until I dance again. | 0:12:33 | 0:12:36 | |
-But we've discussed this. -Never say never. | 0:12:37 | 0:12:40 | |
Sometimes it's more sensible. | 0:12:40 | 0:12:42 | |
That's not one of my strong points, I'm afraid, being sensible. | 0:12:42 | 0:12:46 | |
But in this case... | 0:12:46 | 0:12:47 | |
..Ronald was the first male principal at the Liverpool Ballet | 0:12:47 | 0:12:51 | |
and taught ballroom dancing for years. | 0:12:51 | 0:12:54 | |
Before I operated. | 0:12:54 | 0:12:55 | |
You even told me how to polish up my quickstep, didn't you? | 0:12:55 | 0:12:58 | |
Well, you're a natural. | 0:12:58 | 0:13:00 | |
I'd show you but you're all far too young to understand. | 0:13:00 | 0:13:04 | |
And I'm far too old to dance. | 0:13:04 | 0:13:06 | |
You are an example to us all. | 0:13:06 | 0:13:10 | |
And this young lady has broken her leg. | 0:13:10 | 0:13:13 | |
And this time, I have fixed it for her. | 0:13:13 | 0:13:16 | |
Anyway, thank you. That was delicious. | 0:13:21 | 0:13:23 | |
-Yeah, it was. -And very nice to have someone to share it with. | 0:13:23 | 0:13:28 | |
Do you think Mr Armitage has someone to go to lunch with? | 0:13:28 | 0:13:31 | |
Maybe Al's right, maybe he was just calling in for a chat? | 0:13:31 | 0:13:34 | |
Cataracts. But I wouldn't have minded. | 0:13:34 | 0:13:36 | |
You might not, but you're not going to change Al's mind. | 0:13:36 | 0:13:39 | |
Hmm, probably. | 0:13:39 | 0:13:41 | |
Ronald, this is Mattie. Mattie, Ronald. | 0:13:45 | 0:13:50 | |
Forgive me, I've had some bad news. | 0:13:50 | 0:13:52 | |
That's what I wanted to talk to you about. | 0:13:52 | 0:13:55 | |
Matthew's a physiotherapist. | 0:13:55 | 0:13:58 | |
The one I mentioned to you. | 0:13:58 | 0:14:00 | |
I see. Pleased to meet you. | 0:14:00 | 0:14:04 | |
Likewise. | 0:14:04 | 0:14:06 | |
Ronald needs some clarity on what he can and can't do, post op. | 0:14:06 | 0:14:09 | |
OK, no problem. | 0:14:09 | 0:14:10 | |
So you, you had the operation yesterday? | 0:14:10 | 0:14:13 | |
I remember when I first met Marshall. | 0:14:13 | 0:14:15 | |
Ronald was with his partner for 65 years. | 0:14:15 | 0:14:18 | |
65 years?! | 0:14:18 | 0:14:19 | |
I know. | 0:14:19 | 0:14:21 | |
The thought of never seeing him again... | 0:14:21 | 0:14:23 | |
..of never being able to dance. | 0:14:25 | 0:14:28 | |
I thought you could talk to Ronald about some of the other things he could do. | 0:14:28 | 0:14:31 | |
That's why I had to give it up, when I went into the Army. | 0:14:31 | 0:14:35 | |
Never got the definition back. | 0:14:35 | 0:14:37 | |
Muscle tone - gone. | 0:14:37 | 0:14:41 | |
That's something we can work on, today. | 0:14:42 | 0:14:45 | |
That's where I met him. | 0:14:45 | 0:14:47 | |
We went for walks. | 0:14:49 | 0:14:50 | |
In the jungle - | 0:14:50 | 0:14:53 | |
Malaya. | 0:14:53 | 0:14:54 | |
Talking, | 0:14:56 | 0:14:58 | |
Balanchine, | 0:14:58 | 0:15:01 | |
Nureyev, | 0:15:01 | 0:15:03 | |
Carlos Acosta. | 0:15:03 | 0:15:05 | |
Happy times. | 0:15:08 | 0:15:10 | |
Wonderful times. | 0:15:10 | 0:15:12 | |
Ronald? | 0:15:21 | 0:15:22 | |
-Ronald? -Is he OK? | 0:15:22 | 0:15:25 | |
-Ronald? -BUZZER BEEPS | 0:15:25 | 0:15:28 | |
Mmm. Well, that was really nice. | 0:15:28 | 0:15:30 | |
I'm still going. | 0:15:30 | 0:15:32 | |
You're not finished yet? | 0:15:32 | 0:15:34 | |
-No. -You're really getting into this, aren't you? | 0:15:35 | 0:15:38 | |
-Really starting to enjoy it? -Yeah. | 0:15:38 | 0:15:41 | |
-Well, when you are finished, I'll take that. -OK. | 0:15:43 | 0:15:47 | |
I don't want to see any left. | 0:15:47 | 0:15:48 | |
Don't worry, there won't be. | 0:15:48 | 0:15:51 | |
And you don't feel like you're missing out? With this healthy food? | 0:15:51 | 0:15:55 | |
Not really. | 0:15:56 | 0:15:57 | |
When you've got a special diet | 0:15:57 | 0:15:59 | |
and everybody else is eating something else? | 0:15:59 | 0:16:01 | |
No. | 0:16:01 | 0:16:04 | |
Oh, come on, Ayesha, I know something's going on. | 0:16:04 | 0:16:06 | |
-I don't know what you mean. -Just tell me. | 0:16:06 | 0:16:09 | |
-I can't. -Tell me. | 0:16:09 | 0:16:10 | |
-No. -Tell me! | 0:16:10 | 0:16:11 | |
Finished. | 0:16:11 | 0:16:13 | |
Will? | 0:16:22 | 0:16:24 | |
Steph? I just heard. | 0:16:24 | 0:16:25 | |
Shame. Nice chap. | 0:16:27 | 0:16:29 | |
He was. | 0:16:29 | 0:16:30 | |
-You need a signature? -Yes, please. | 0:16:30 | 0:16:32 | |
He just couldn't bear not being able to dance. | 0:16:34 | 0:16:37 | |
-No, he was just old. -You're probably right. | 0:16:37 | 0:16:40 | |
No point getting sentimental. What a waste of a new hip, eh? | 0:16:40 | 0:16:43 | |
I don't get it. He seemed fine. | 0:16:52 | 0:16:55 | |
-He was old. -But he was fit. | 0:16:55 | 0:16:58 | |
He had a heart attack. It happens. | 0:16:58 | 0:17:00 | |
I should be getting back. | 0:17:01 | 0:17:03 | |
You haven't got five minutes? | 0:17:03 | 0:17:05 | |
Hey, look, this comes with the job, right? | 0:17:05 | 0:17:08 | |
I just don't think he ever got over Marshall. | 0:17:10 | 0:17:13 | |
Who's Marshall? | 0:17:13 | 0:17:14 | |
His partner. | 0:17:14 | 0:17:15 | |
Weren't you listening? | 0:17:15 | 0:17:18 | |
I'm sorry, I'm knackered as it is. | 0:17:18 | 0:17:20 | |
-Yeah, we both are. -And now this. | 0:17:20 | 0:17:22 | |
They were together for 65 years. | 0:17:23 | 0:17:25 | |
-Look, I really should be getting back. -65. | 0:17:25 | 0:17:28 | |
-Can you imagine? -No, I can't, actually. | 0:17:28 | 0:17:30 | |
I don't think he died of a heart attack. | 0:17:34 | 0:17:36 | |
I think he died of a broken heart. | 0:17:36 | 0:17:39 | |
-I don't think the pm's going to agree with you, Will. -No. | 0:17:41 | 0:17:43 | |
But, he knew what he wanted to do, didn't he? | 0:17:43 | 0:17:46 | |
And he found someone who understood him. | 0:17:46 | 0:17:49 | |
Isn't that what we are all looking for, in the end? | 0:17:49 | 0:17:52 | |
Yeah. | 0:17:54 | 0:17:55 | |
Look...I have to... | 0:17:57 | 0:17:59 | |
Yeah. | 0:18:04 | 0:18:05 | |
OK, then. | 0:18:10 | 0:18:11 | |
-Will? -Could you give me five minutes? | 0:18:14 | 0:18:17 | |
What for? | 0:18:17 | 0:18:20 | |
Go and get yourself sorted and get back on the ward. | 0:18:20 | 0:18:23 | |
Don't worry, you did everything right. | 0:18:24 | 0:18:27 | |
Miss Lisbey? | 0:18:33 | 0:18:36 | |
Maria, can you hear me? | 0:18:36 | 0:18:40 | |
I'm the surgeon who operated on your broken leg. | 0:18:40 | 0:18:44 | |
Mr Coleman, Adrian. | 0:18:44 | 0:18:48 | |
All right, | 0:18:55 | 0:18:57 | |
what if your patient did just come in because they were feeling a bit down? | 0:18:57 | 0:19:01 | |
-Surely the point is that they came in. -No, no. The point is he didn't need to. | 0:19:01 | 0:19:05 | |
-You think he would have bothered if he didn't need to? -I really do. | 0:19:05 | 0:19:08 | |
What if you're wrong? What if he's not a timewaster? | 0:19:08 | 0:19:12 | |
What if he has, I don't know, some underline mental health condition? Or they're just lonely? | 0:19:12 | 0:19:17 | |
Well, they should get themselves down the pub. | 0:19:17 | 0:19:19 | |
What and become an alcoholic? | 0:19:19 | 0:19:21 | |
Then we'd have to see him all the time. Congratulations. | 0:19:21 | 0:19:24 | |
You have just increased the burden on the NHS tenfold. | 0:19:24 | 0:19:28 | |
Well done, Commander Haskey! | 0:19:28 | 0:19:30 | |
What are you doing? | 0:19:42 | 0:19:43 | |
Feeling her apex beat. | 0:19:43 | 0:19:45 | |
We wouldn't want to lose another one, would we? | 0:19:45 | 0:19:48 | |
You're an orthopaedic surgeon. Why are you checking her apex beat? | 0:19:48 | 0:19:52 | |
I told you, making sure she's still alive. | 0:19:52 | 0:19:56 | |
That's not what it looked like. | 0:19:56 | 0:19:58 | |
Well, that's what it was. | 0:19:58 | 0:20:01 | |
Take it from the clinical lead. | 0:20:01 | 0:20:03 | |
What exactly did you see? | 0:20:21 | 0:20:23 | |
A vulnerable patient being assaulted by Mr Coleman. | 0:20:23 | 0:20:26 | |
By Adrian? | 0:20:26 | 0:20:28 | |
He was feeling her breasts. | 0:20:28 | 0:20:30 | |
-You saw him? -Yeah. | 0:20:30 | 0:20:32 | |
His hand was under her gown. He said he was feeling her apex beat. | 0:20:32 | 0:20:36 | |
-Why? He's an ortho. -That's what I said. | 0:20:36 | 0:20:38 | |
He said he was checking her vital signs but her eyes were wide open. | 0:20:38 | 0:20:42 | |
She's just lying there, staring at the ceiling. | 0:20:42 | 0:20:45 | |
We don't know if she can hear us, see us, | 0:20:45 | 0:20:47 | |
and he's...feeling her up. | 0:20:47 | 0:20:50 | |
You're absolutely sure? | 0:20:50 | 0:20:52 | |
Yeah. | 0:20:54 | 0:20:55 | |
-Positive? -Totally. | 0:20:55 | 0:20:58 | |
How do you know he wasn't doing what he said, feeling her apex beat? | 0:20:58 | 0:21:00 | |
Steph! | 0:21:00 | 0:21:02 | |
-And there's no way you could have been mistaken? -No. | 0:21:04 | 0:21:07 | |
Not because you were upset? | 0:21:07 | 0:21:09 | |
You were crying in the corridor. | 0:21:09 | 0:21:11 | |
I know what I saw. | 0:21:11 | 0:21:14 | |
Right. | 0:21:14 | 0:21:16 | |
So, what do I do? | 0:21:16 | 0:21:18 | |
Leave it with me. | 0:21:18 | 0:21:20 | |
What are you going to do? | 0:21:20 | 0:21:21 | |
I'm going to find out what happened. | 0:21:21 | 0:21:24 | |
-Really? -Yeah. | 0:21:24 | 0:21:27 | |
Thanks. | 0:21:28 | 0:21:29 | |
-Valerie? -I'm a bit busy. | 0:21:42 | 0:21:44 | |
I'm sorry. | 0:21:47 | 0:21:49 | |
Sorry, I can't talk. | 0:21:49 | 0:21:50 | |
You deserve to know the truth. | 0:21:51 | 0:21:54 | |
-Do I? -Yes. | 0:21:54 | 0:21:56 | |
Oh, right then. Well, you can tell me anything, | 0:21:56 | 0:21:59 | |
I'm the soul of discretion. | 0:21:59 | 0:22:00 | |
-Not that it matters if everyone already knows. -Valerie... | 0:22:00 | 0:22:04 | |
Does everyone already know? Does Al know? | 0:22:04 | 0:22:06 | |
He's hiding it very well if he does know. | 0:22:06 | 0:22:10 | |
He's a closed book, I've always thought, in many ways. | 0:22:10 | 0:22:12 | |
I can't. We're already in enough trouble as it is. | 0:22:12 | 0:22:16 | |
-Who is? -I can't say. | 0:22:16 | 0:22:18 | |
No, but that's worse - only knowing a little bit. | 0:22:19 | 0:22:21 | |
No, it's not. Trust me. You're better off out of it. | 0:22:21 | 0:22:25 | |
And that's how I feel. | 0:22:25 | 0:22:26 | |
Completely and utterly excluded. | 0:22:26 | 0:22:28 | |
I'm sorry. | 0:22:30 | 0:22:32 | |
Yeah, well, it's not good enough. | 0:22:32 | 0:22:34 | |
I am sorry, I really am. | 0:22:34 | 0:22:38 | |
KNOCK AT DOOR | 0:22:42 | 0:22:45 | |
Come in. | 0:22:45 | 0:22:47 | |
-Stephanie. -Adrian. | 0:22:47 | 0:22:48 | |
I imagine this is about your nurse. | 0:22:51 | 0:22:53 | |
Nurse apprentice. | 0:22:53 | 0:22:55 | |
What's he saying? | 0:22:55 | 0:22:57 | |
That he saw you molesting a patient. | 0:22:57 | 0:22:59 | |
It's nonsense, obviously. | 0:23:00 | 0:23:02 | |
I was feeling her apex beat. | 0:23:05 | 0:23:07 | |
-Oh. -Maybe if your nurse apprentice had checked Ronald's... | 0:23:07 | 0:23:10 | |
He had no reason to. | 0:23:10 | 0:23:12 | |
He has no reason to accuse me of touching up patients either | 0:23:12 | 0:23:16 | |
-but it hasn't stopped him doing that. -Why? | 0:23:16 | 0:23:18 | |
-Why what? -Why would he? | 0:23:18 | 0:23:20 | |
He's at the start of his career. | 0:23:20 | 0:23:22 | |
Maybe it's just all too much for him. | 0:23:23 | 0:23:26 | |
Why would he jeopardise it by accusing a consultant surgeon? | 0:23:28 | 0:23:31 | |
Because he's young and foolish with no idea of how the world works. | 0:23:35 | 0:23:40 | |
The young rarely do. | 0:23:41 | 0:23:43 | |
They don't know what they have until it's been taken from them. | 0:23:43 | 0:23:46 | |
But you and I know better, don't we? | 0:23:46 | 0:23:49 | |
I'm sorry I off-loaded on you. | 0:24:07 | 0:24:09 | |
-You didn't. -No, I did. | 0:24:09 | 0:24:11 | |
And then I had a go at Al. | 0:24:11 | 0:24:13 | |
I told him he should take his patients' concerns more seriously. | 0:24:13 | 0:24:17 | |
-What did he say? -Huh. Not much. | 0:24:17 | 0:24:19 | |
I don't think he really understands the concept of loneliness. | 0:24:20 | 0:24:24 | |
Good thing, probably. | 0:24:24 | 0:24:25 | |
Hmm. What about you? Do you ever...? | 0:24:25 | 0:24:28 | |
-Get lonely? Yeah. Sure. -And what do you do? | 0:24:28 | 0:24:31 | |
Exercise, meditation. | 0:24:31 | 0:24:34 | |
All the things I couldn't do if I was living with someone. | 0:24:34 | 0:24:36 | |
You can go out when you want, live your life the way you want, buy a drum kit if you want to. | 0:24:36 | 0:24:40 | |
Buy a drum kit? I don't want to buy a drum kit! | 0:24:40 | 0:24:42 | |
If you're missing Sid, why don't you just call him? | 0:24:42 | 0:24:46 | |
-He wouldn't mind. -No. | 0:24:46 | 0:24:47 | |
I'm just being ridiculous. | 0:24:47 | 0:24:49 | |
Too needy. | 0:24:49 | 0:24:50 | |
-I spoke to Adrian Coleman. -And? | 0:24:57 | 0:25:00 | |
He's denying it. | 0:25:00 | 0:25:01 | |
Said he was concerned for her after Ronald Harland died. | 0:25:01 | 0:25:05 | |
Well, he's lying. | 0:25:05 | 0:25:07 | |
You know he is. I can see it. | 0:25:08 | 0:25:09 | |
Even if I did, | 0:25:11 | 0:25:12 | |
it's your word against his. | 0:25:12 | 0:25:13 | |
A nurse apprentice against a senior consultant. | 0:25:13 | 0:25:16 | |
Sorry? So, we're just going to let him get away with it? | 0:25:16 | 0:25:19 | |
No. I'll watch him like a hawk. | 0:25:19 | 0:25:22 | |
Watching him won't stop him. | 0:25:22 | 0:25:24 | |
Maybe not. | 0:25:24 | 0:25:25 | |
Trouble is, I'm not sure reporting it will either. | 0:25:25 | 0:25:29 | |
So, we're just going to do nothing, | 0:25:29 | 0:25:32 | |
while he carries on molesting patients? | 0:25:32 | 0:25:34 | |
This is disgusting! | 0:25:34 | 0:25:36 | |
Let me ask you something. | 0:25:50 | 0:25:52 | |
How many times can you watch someone | 0:25:52 | 0:25:54 | |
load the dishwasher incorrectly before you want to rip their head off? | 0:25:54 | 0:25:58 | |
All right, I admit, that can be a little frustrating. | 0:25:58 | 0:26:00 | |
A little frustrating? Look, people shouldn't be confined like that. | 0:26:00 | 0:26:03 | |
-Especially if they work together. Have you seen Ayesha and Valerie lately? -Hm-hm. That's true. | 0:26:03 | 0:26:08 | |
I used to get on so well with Ayesha. | 0:26:08 | 0:26:09 | |
That's the problem, isn't it? Too well. Too involved. | 0:26:09 | 0:26:12 | |
There's no escape. Look, if I ever got into another relationship, | 0:26:12 | 0:26:14 | |
met someone, | 0:26:14 | 0:26:16 | |
marriage, the whole thing - | 0:26:16 | 0:26:18 | |
-separate houses. -And what if you have kids? | 0:26:18 | 0:26:20 | |
I'm not going to have kids. | 0:26:20 | 0:26:21 | |
Oh, well, never say never. | 0:26:21 | 0:26:23 | |
I'm not going to have kids. The upheaval. | 0:26:23 | 0:26:25 | |
Yeah, well, there is that. | 0:26:25 | 0:26:27 | |
But, also, let's remember you're not great with mess either. | 0:26:27 | 0:26:29 | |
PHONE RINGS Right. I have surgery. | 0:26:29 | 0:26:32 | |
Hello? | 0:26:32 | 0:26:34 | |
-Uncle Jimmi? -Will? | 0:26:34 | 0:26:36 | |
I've got myself in a real mess. | 0:26:40 | 0:26:41 | |
I need your help. | 0:26:43 | 0:26:45 | |
Are you going to offer me a beer or what? | 0:26:45 | 0:26:48 | |
Yeah, come on. Come and tell me what's going on. | 0:26:48 | 0:26:50 | |
Let's do the beer first, eh? | 0:26:50 | 0:26:52 | |
I'd love a tour of your bachelor pad. | 0:26:52 | 0:26:54 | |
Looks well smart. | 0:26:54 | 0:26:55 | |
It must be food poisoning. | 0:26:56 | 0:26:59 | |
-What did you eat? -I don't know. | 0:26:59 | 0:27:01 | |
I can barely remember anything about last night. | 0:27:01 | 0:27:04 | |
She, er, she gets deported tonight. | 0:27:04 | 0:27:06 |