Browse content similar to Will You Be My Friend?. Check below for episodes and series from the same categories and more!
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# You've been taking your time | 0:00:33 | 0:00:35 | |
# And you've been living on solid air... # | 0:00:35 | 0:00:38 | |
Oh, are they still here? Ay, ay, ay... | 0:00:38 | 0:00:42 | |
# You've been walking the line | 0:00:42 | 0:00:44 | |
# You've been living on solid air | 0:00:44 | 0:00:50 | |
# Don't know what's going round inside | 0:00:50 | 0:00:54 | |
# And I can tell you that it's hard to hide | 0:00:54 | 0:00:57 | |
# When you're living on solid air | 0:00:57 | 0:01:04 | |
# And you've been painting the blues | 0:01:09 | 0:01:11 | |
# You've been looking through solid air | 0:01:11 | 0:01:16 | |
# You've been seeing it through | 0:01:18 | 0:01:20 | |
# And you've been looking through solid air | 0:01:20 | 0:01:25 | |
# Don't know what's going on in your mind | 0:01:26 | 0:01:29 | |
# And I can tell you don't like what you find | 0:01:29 | 0:01:33 | |
When you're moving through solid air... # | 0:01:33 | 0:01:36 | |
-KNOCK ON DOOR -Yep? -OK, I'm done. | 0:01:36 | 0:01:38 | |
What time are you home? | 0:01:38 | 0:01:41 | |
Oh... Last appointment at half five. Should be home about six? | 0:01:41 | 0:01:45 | |
OK. If I'm not there, you can eat without me. | 0:01:45 | 0:01:47 | |
-Why? Where are you going? -I'm going to the police station | 0:01:47 | 0:01:49 | |
-to talk to Rob and Jimmi. -About what? | 0:01:49 | 0:01:51 | |
About the Viper situation. | 0:01:51 | 0:01:53 | |
So, it's a situation now, is it? | 0:01:53 | 0:01:56 | |
Is this to do with Joel? | 0:01:56 | 0:01:58 | |
Partly, but I want to get to grips with the problem. | 0:01:58 | 0:02:02 | |
What? | 0:02:02 | 0:02:03 | |
I don't know why you need to get to grips with anything. | 0:02:03 | 0:02:06 | |
OK, Joel, he's smart, he's educated. | 0:02:06 | 0:02:09 | |
He's got money. | 0:02:09 | 0:02:11 | |
If he plays with fire, he's going to get burnt. | 0:02:11 | 0:02:13 | |
Heston, it's not your responsibility. | 0:02:13 | 0:02:15 | |
Oh, I see. Because Joel comes from a privileged background, | 0:02:15 | 0:02:18 | |
he's not entitled to the same level of sympathy as a Besa or Tamanna? | 0:02:18 | 0:02:21 | |
I'm saying it's a lot of effort | 0:02:21 | 0:02:23 | |
for someone who should have known better. | 0:02:23 | 0:02:25 | |
OK, he had choices. | 0:02:25 | 0:02:28 | |
Besa didn't have choices. | 0:02:28 | 0:02:30 | |
I'm going. I'll see you at home. | 0:02:30 | 0:02:32 | |
Right. | 0:02:32 | 0:02:33 | |
Yes, yes, you will. | 0:02:33 | 0:02:35 | |
"Hello, Number 92. This is number 87. | 0:02:48 | 0:02:52 | |
"My name is Jessie. You don't know me, | 0:02:52 | 0:02:56 | |
"but I know you a little. | 0:02:56 | 0:02:59 | |
"You're married to a policeman, and you work. | 0:02:59 | 0:03:02 | |
"I don't know what you do, but I'd love to find out, though. | 0:03:02 | 0:03:06 | |
"I'm in my seventies and suddenly find myself | 0:03:06 | 0:03:09 | |
"short of friends as they have all moved on in one way or another. | 0:03:09 | 0:03:14 | |
"Will you be my friend?" | 0:03:14 | 0:03:16 | |
"I know this is an unusual request, | 0:03:20 | 0:03:23 | |
"but be reassured - I'm not a crazy. | 0:03:23 | 0:03:26 | |
"I'm just a neighbour who'd like to make friends before time | 0:03:26 | 0:03:29 | |
"sneaks up and has its way. | 0:03:29 | 0:03:31 | |
"It can be pesky like that. | 0:03:31 | 0:03:34 | |
"Do you fancy coming for cake today? | 0:03:34 | 0:03:36 | |
"It's short notice, but now is always better than tomorrow. | 0:03:36 | 0:03:40 | |
"I'm a very good baker! How does 4:30pm sound? | 0:03:40 | 0:03:44 | |
"Please RSVP on 0121 496 0875. | 0:03:44 | 0:03:50 | |
"Jessie." | 0:03:50 | 0:03:52 | |
Last week, the police dealt with nine Viper-related incidents | 0:04:01 | 0:04:04 | |
-on Saturday alone. -When did it get so out of hand? | 0:04:04 | 0:04:07 | |
It's no worse than any other drug. It's the public I feel sorry for. | 0:04:07 | 0:04:10 | |
Last week, someone defecated outside a hairdresser's. | 0:04:10 | 0:04:13 | |
Oh, that's disgusting. | 0:04:13 | 0:04:14 | |
I hope you're not upsetting Heston? | 0:04:14 | 0:04:16 | |
No, I was just telling him about the defecator. | 0:04:16 | 0:04:18 | |
Ah, the defecator. On OAP day, as well. | 0:04:18 | 0:04:22 | |
I'll tell you what, that spoilt plenty of purple rinses, | 0:04:22 | 0:04:25 | |
-I can tell you. -Did you arrest him? | 0:04:25 | 0:04:27 | |
No. Gave him a £40 fixed penalty and told him to move on. | 0:04:27 | 0:04:30 | |
Is that it? | 0:04:30 | 0:04:32 | |
Nothing more we could have done. | 0:04:32 | 0:04:33 | |
Legally, we could have done more if it was his dog | 0:04:33 | 0:04:36 | |
leaving piles of joy on the pavement. | 0:04:36 | 0:04:38 | |
Oh, come on, Heston, we do our best, don't we? | 0:04:38 | 0:04:40 | |
We're always picking up society's problems. | 0:04:40 | 0:04:42 | |
Only in this case, it's literal. | 0:04:42 | 0:04:44 | |
It comes down to the same old, same old, doesn't it? Economics. | 0:04:44 | 0:04:47 | |
Yeah, but you can't just blame lack of funding. | 0:04:47 | 0:04:49 | |
Of course you can! Same as your profession, the NHS - | 0:04:49 | 0:04:53 | |
it's cutbacks. We don't have enough police. | 0:04:53 | 0:04:55 | |
We have to prioritise. Plus the fact that the Manchester Viper market | 0:04:55 | 0:04:59 | |
is saturated, so it's all come down to Birmingham, | 0:04:59 | 0:05:01 | |
and then onto Letherbridge. The price has come down, so now | 0:05:01 | 0:05:04 | |
every Tom, Dick or Harry can get it whenever they want. | 0:05:04 | 0:05:06 | |
And we're left to deal with it. | 0:05:06 | 0:05:08 | |
Yeah, but you can't ignore it. You have to do something. | 0:05:08 | 0:05:10 | |
Tell you what, | 0:05:10 | 0:05:12 | |
if you can come up with an answer, you let me know. | 0:05:12 | 0:05:15 | |
But drugs are like rats. | 0:05:15 | 0:05:16 | |
You can't get rid of them, you need to learn to live with them. | 0:05:16 | 0:05:20 | |
I'm gasping for a cuppa. Anybody else? | 0:05:20 | 0:05:23 | |
SHE SPEAKS SPANISH | 0:05:31 | 0:05:35 | |
There you go. | 0:05:45 | 0:05:46 | |
Thank you so much, Mrs Reid. You're most kind. | 0:05:46 | 0:05:49 | |
You're welcome. It's just a bit heavier than I thought! | 0:05:49 | 0:05:51 | |
That's Carlos. He always overpacks. | 0:05:51 | 0:05:53 | |
Since his heart operation, he is not allowed to carry a thing. | 0:05:53 | 0:05:56 | |
And now I have hurt my back. | 0:05:56 | 0:05:58 | |
I am beginning to think our tour is cursed. | 0:05:58 | 0:06:01 | |
Oh, no, no, no. Well, look, | 0:06:01 | 0:06:02 | |
I'm just glad that you're both here safe and sound. | 0:06:02 | 0:06:05 | |
So, what do you think of the room? | 0:06:05 | 0:06:07 | |
Yeah, it's beautiful. Isn't it, Carlos? | 0:06:07 | 0:06:10 | |
Si. | 0:06:10 | 0:06:13 | |
And the flowers - most kind. | 0:06:13 | 0:06:15 | |
Oh, you're welcome. | 0:06:15 | 0:06:16 | |
You want to make a good impression, don't you? I mean, you never know. | 0:06:16 | 0:06:19 | |
We have stayed in some home B&Bs you wouldn't let your dog stay in. | 0:06:19 | 0:06:23 | |
No, this is exquisite by comparison. | 0:06:23 | 0:06:28 | |
Thanks...I think. Right, well, I'll leave you both to unpack. | 0:06:28 | 0:06:32 | |
And do help yourself to anything you need. | 0:06:32 | 0:06:35 | |
Mi casa es su casa. | 0:06:35 | 0:06:37 | |
Mi casa es tu casa! Most kind. | 0:06:37 | 0:06:39 | |
OK, no problem. OK. | 0:06:39 | 0:06:42 | |
HE SPEAKS SPANISH | 0:06:42 | 0:06:44 | |
My husband wants me to ask you something. | 0:06:47 | 0:06:49 | |
Yes, of course. Fire away. | 0:06:49 | 0:06:50 | |
Are you happy to accommodate small idiosyncrasies? | 0:06:50 | 0:06:55 | |
Idiosyncrasies...? | 0:06:56 | 0:06:57 | |
Quirks. | 0:06:57 | 0:06:59 | |
Little ones? | 0:06:59 | 0:07:01 | |
Yes, I suppose. Yes, no problem. | 0:07:01 | 0:07:05 | |
Great, well, as I said, mi casa es su casa. | 0:07:05 | 0:07:09 | |
See you later. | 0:07:09 | 0:07:11 | |
The letter was in the pile of junk mail? | 0:07:13 | 0:07:17 | |
How do we not know her? | 0:07:17 | 0:07:19 | |
She only lives across the way. | 0:07:19 | 0:07:21 | |
It's a sign of the times. | 0:07:21 | 0:07:22 | |
Who knows their neighbours any more? Life's too busy. | 0:07:22 | 0:07:26 | |
Yeah, but it's shocking. | 0:07:26 | 0:07:28 | |
I mean, how long have we lived here and we know two people? | 0:07:28 | 0:07:31 | |
It doesn't matter how long we've lived there. | 0:07:31 | 0:07:33 | |
It's the way we live our lives, isn't it? | 0:07:33 | 0:07:35 | |
Everyone gets home, shuts the door, wants to stay safe. | 0:07:35 | 0:07:38 | |
I don't know what to do. | 0:07:39 | 0:07:41 | |
It's 4.15, I'm in my comfies, | 0:07:41 | 0:07:43 | |
and I was going to make the most of my afternoon off, | 0:07:43 | 0:07:46 | |
-curl up and watch some TV. -Sounds like a plan. | 0:07:46 | 0:07:48 | |
Don't eat all my chocolates. | 0:07:48 | 0:07:50 | |
You said they were for me! | 0:07:50 | 0:07:52 | |
I lied. | 0:07:52 | 0:07:53 | |
Blimey. Charming! | 0:07:53 | 0:07:56 | |
So, what am I going to do? | 0:07:56 | 0:07:58 | |
I don't know. | 0:07:58 | 0:07:59 | |
Give her a bell in the morning and pop round with a pastry | 0:07:59 | 0:08:02 | |
or a pot plant or something. That'll make her day. | 0:08:02 | 0:08:05 | |
No. I'm going to go. | 0:08:05 | 0:08:07 | |
Now's better than never, isn't it? | 0:08:07 | 0:08:09 | |
If you say so. Listen love, I've got to go. | 0:08:09 | 0:08:11 | |
-OK, bye. -Bye. | 0:08:11 | 0:08:13 | |
Jimmi, we've had a shout. Possible Viper overdose. | 0:08:16 | 0:08:19 | |
Can Heston come? | 0:08:19 | 0:08:20 | |
Why not? | 0:08:22 | 0:08:24 | |
Idiosyncrasies?! What did she mean by that? | 0:08:26 | 0:08:30 | |
I've no idea. | 0:08:30 | 0:08:32 | |
To be honest with you, I'm a bit scared. | 0:08:32 | 0:08:34 | |
I mean, he was wearing his sunglasses the whole time. | 0:08:34 | 0:08:37 | |
SHE LAUGHS | 0:08:37 | 0:08:38 | |
Maybe he's Spanish mafia and there's a body in the case. | 0:08:38 | 0:08:42 | |
-That's why it was so heavy. -You are not helping. | 0:08:42 | 0:08:46 | |
There's probably nothing in that case but sex toys and handcuffs. | 0:08:46 | 0:08:49 | |
THEY LAUGH | 0:08:49 | 0:08:50 | |
Stop it! | 0:08:52 | 0:08:54 | |
Oh, dear God. I have to go. | 0:08:58 | 0:09:01 | |
Hi, Jessie. | 0:09:21 | 0:09:23 | |
This is number 92. | 0:09:23 | 0:09:26 | |
My name is Karen and I would love to come round for cake. | 0:09:26 | 0:09:29 | |
Thank you so much for inviting me. I'm running a little late, | 0:09:29 | 0:09:34 | |
but I'll be with you soon. I hope that's all OK. | 0:09:34 | 0:09:37 | |
Erm... Bye. | 0:09:37 | 0:09:38 | |
Oh, that looks delicious. | 0:09:54 | 0:09:56 | |
Oh, do you have ice? | 0:09:56 | 0:09:58 | |
Yes. By the peas. | 0:09:58 | 0:10:00 | |
Oh... | 0:10:03 | 0:10:04 | |
Ah, here it is. | 0:10:04 | 0:10:07 | |
White port is a speciality | 0:10:07 | 0:10:10 | |
-of La Mancha, and is one of our favourites. -Oh. | 0:10:10 | 0:10:13 | |
It is best served with ice, | 0:10:13 | 0:10:16 | |
as it releases the flavours of the dried fruit. | 0:10:16 | 0:10:21 | |
And the nuts. | 0:10:21 | 0:10:23 | |
And the nuts. Let's not forget the nuts. | 0:10:23 | 0:10:25 | |
No, let's not. | 0:10:25 | 0:10:27 | |
So, a toast. | 0:10:27 | 0:10:29 | |
To strong, open-minded women. | 0:10:29 | 0:10:33 | |
Mmmm. Oh, that's lovely. | 0:10:38 | 0:10:41 | |
I'm glad you like it. Another? | 0:10:41 | 0:10:43 | |
Oh, yes. | 0:10:43 | 0:10:45 | |
So, how long have you two been into the whole... | 0:10:45 | 0:10:48 | |
..naked thing? | 0:10:48 | 0:10:50 | |
Ten or twelve years? Is that right, Carlos? | 0:10:50 | 0:10:53 | |
-Si. -Oh, that long? | 0:10:53 | 0:10:55 | |
Mmm. Yeah, we worked in Madrid | 0:10:55 | 0:10:56 | |
and we wanted to shake off some of the stuffiness of the city... | 0:10:56 | 0:11:00 | |
..and embrace our more natural selves. | 0:11:00 | 0:11:03 | |
Well, you've certainly achieved that. | 0:11:03 | 0:11:05 | |
Well, there's nothing more pleasing than a warm breeze on your... | 0:11:05 | 0:11:08 | |
It's January, though. I mean, it's cold. Freezing! | 0:11:08 | 0:11:12 | |
Surely that presents some challenges? | 0:11:12 | 0:11:15 | |
Well, that is the beauty of visiting your country. | 0:11:15 | 0:11:17 | |
-Central heating, double glazing. -Oh. | 0:11:17 | 0:11:19 | |
We can indulge all year. | 0:11:19 | 0:11:21 | |
-Have you ever tried it? -Hmm? -Taking your clothes off? | 0:11:22 | 0:11:26 | |
No. No, no, no. Not for me. | 0:11:26 | 0:11:30 | |
But, you know, I'm all for live and let live. | 0:11:30 | 0:11:32 | |
Your outlook is refreshing. | 0:11:33 | 0:11:35 | |
No so many hosts have been this accommodating. | 0:11:35 | 0:11:37 | |
We have had to leave some very bad reviews. | 0:11:37 | 0:11:40 | |
The world is full of such stuffy so-and-sos, isn't it? | 0:11:40 | 0:11:43 | |
You're big. | 0:11:45 | 0:11:48 | |
I beg your pardon? | 0:11:48 | 0:11:50 | |
You...English. Big drinks. | 0:11:50 | 0:11:54 | |
He means drinkers. | 0:11:55 | 0:11:57 | |
Oh, right, I see. | 0:11:57 | 0:11:59 | |
Yes, well I suppose that is what we're known for. | 0:11:59 | 0:12:02 | |
Maybe we rely on it a little too much. | 0:12:02 | 0:12:04 | |
No, I do not think so. | 0:12:04 | 0:12:05 | |
-No? -No. | 0:12:05 | 0:12:07 | |
I think you like to have a good time. | 0:12:07 | 0:12:09 | |
-To party. -Party? Yes, perhaps. | 0:12:09 | 0:12:13 | |
Well, sometimes. | 0:12:13 | 0:12:14 | |
HE SPEAKS SPANISH | 0:12:16 | 0:12:18 | |
He says you are a very interesting woman. | 0:12:20 | 0:12:23 | |
Oh, thank you. Well, I try to be. | 0:12:24 | 0:12:27 | |
We should get to know each other better. | 0:12:27 | 0:12:29 | |
OK. Great. | 0:12:29 | 0:12:32 | |
My life has been blessed. | 0:12:41 | 0:12:44 | |
The dreams I had as a child were my waking days, | 0:12:44 | 0:12:46 | |
and I've not lacked for love. | 0:12:46 | 0:12:49 | |
15 years ago, my husband died and a hole opened up. | 0:12:49 | 0:12:54 | |
I have taken singing lessons | 0:12:54 | 0:12:56 | |
and tried to fill that hole with hope and joy. | 0:12:56 | 0:13:00 | |
But even so, more often than not I find myself alone, | 0:13:00 | 0:13:05 | |
surrounded by silence. | 0:13:05 | 0:13:07 | |
# You've been living on solid air | 0:13:08 | 0:13:14 | |
# And you've been painting the blues... # | 0:13:19 | 0:13:21 | |
I realise that telling this story is an indulgence, | 0:13:21 | 0:13:24 | |
an old lady's whimsy. | 0:13:24 | 0:13:27 | |
But, please, I ask you to indulge me | 0:13:27 | 0:13:30 | |
and listen to what I have to say, | 0:13:30 | 0:13:32 | |
because it is important. | 0:13:32 | 0:13:34 | |
# Don't know what's going round in your mind | 0:13:36 | 0:13:40 | |
# And I can tell you don't like what you find... # | 0:13:40 | 0:13:43 | |
DOORBELL RINGS | 0:13:43 | 0:13:45 | |
Hello? Hello? | 0:13:56 | 0:13:59 | |
-Can I help? -Oh, hello. | 0:14:02 | 0:14:04 | |
It's Karen, isn't it, from across the road? | 0:14:04 | 0:14:07 | |
Maureen, from 89. | 0:14:07 | 0:14:08 | |
We met at that council meeting about the traffic. | 0:14:08 | 0:14:11 | |
Oh, right, yes. | 0:14:11 | 0:14:13 | |
Are you trying to get in? | 0:14:13 | 0:14:14 | |
Erm... No, not exactly. I'm here to see Jessie, | 0:14:14 | 0:14:17 | |
but it doesn't look like she's here. | 0:14:17 | 0:14:19 | |
Oh. No, she's not. | 0:14:19 | 0:14:22 | |
Well, I've been stood up, then, because she invited me for cake. | 0:14:22 | 0:14:26 | |
No, you haven't been stood up. | 0:14:26 | 0:14:28 | |
Jessie's not here because...she's dead. | 0:14:28 | 0:14:31 | |
A slight purplish tinge to the lips. | 0:14:34 | 0:14:37 | |
We've seen that before, haven't we, with Viper? | 0:14:37 | 0:14:40 | |
Yeah, I'm just confirming death. You got a name? | 0:14:40 | 0:14:42 | |
Yeah, Rory Lamb. And guess what? That's his wife. | 0:14:42 | 0:14:45 | |
Alice Lamb. | 0:14:45 | 0:14:47 | |
-Does she even know he's dead? -I wouldn't have thought so. | 0:14:48 | 0:14:51 | |
I don't thinks she knows what planet she's on. | 0:14:51 | 0:14:53 | |
We'll take her to the station and tell her later. | 0:14:53 | 0:14:55 | |
I need to check her over first. I'll just finish up. | 0:14:55 | 0:14:57 | |
-I can examine her. -Heston, you're only here to observe. | 0:14:57 | 0:15:00 | |
-Well, I'm here. I may as well. -Yeah, go on. You might as well let him. | 0:15:00 | 0:15:03 | |
-You get two doctors for the price of one. -Yeah, yeah, go on, then. | 0:15:03 | 0:15:06 | |
Mrs Lamb? Alice? I'm Dr Carter. | 0:15:07 | 0:15:11 | |
Can you hear me? | 0:15:11 | 0:15:14 | |
I'd like to examine you, if that's all right? | 0:15:14 | 0:15:17 | |
I'm just going to take your pulse. | 0:15:17 | 0:15:18 | |
No, no, no, no, no, no, no, no! | 0:15:18 | 0:15:22 | |
SHE SCREAMS | 0:15:22 | 0:15:24 | |
No, no, no! | 0:15:24 | 0:15:26 | |
SHE SCREAMS | 0:15:26 | 0:15:28 | |
When did she die? | 0:15:32 | 0:15:34 | |
On Friday, in her sleep. She was very ill. | 0:15:34 | 0:15:38 | |
I mean, I just found the invitation today. | 0:15:38 | 0:15:40 | |
She wanted to be friends. I feel awful cos she reached out... | 0:15:40 | 0:15:43 | |
It's all right. She reached out to a few of us on the street. | 0:15:43 | 0:15:47 | |
-Look... -Did you know her? | 0:15:47 | 0:15:50 | |
Not before last week. | 0:15:50 | 0:15:52 | |
I nodded a hello a few times, but that was all. | 0:15:52 | 0:15:55 | |
What was she like? | 0:15:55 | 0:15:57 | |
What was she like? Special, I think. | 0:15:57 | 0:16:01 | |
I mean, she was lonely and dying, but she was full of life. | 0:16:01 | 0:16:05 | |
You'd never have known how ill she was. | 0:16:05 | 0:16:08 | |
What was wrong with her? | 0:16:08 | 0:16:10 | |
Cancer. | 0:16:10 | 0:16:12 | |
She'd had her tongue removed a year or so ago to treat it. | 0:16:12 | 0:16:16 | |
I know, I know, it's awful. | 0:16:16 | 0:16:19 | |
And then the cancer came back. | 0:16:19 | 0:16:22 | |
Poor woman. | 0:16:22 | 0:16:24 | |
I won't say it wasn't odd, sitting around that table of cakes. | 0:16:32 | 0:16:37 | |
Awkward, even. | 0:16:37 | 0:16:39 | |
But then she started writing questions | 0:16:39 | 0:16:42 | |
on this chalk board she'd got. "How long have you lived on the street?" | 0:16:42 | 0:16:46 | |
"How old are your children now?" | 0:16:46 | 0:16:49 | |
Would we prefer chocolate or carrot cake? | 0:16:49 | 0:16:52 | |
THEY LAUGH AND CHATTER | 0:16:52 | 0:16:55 | |
And the mood changed. | 0:16:55 | 0:16:58 | |
People started talking and laughing. | 0:16:58 | 0:17:00 | |
-Does anybody want some more tea topped up? -Oh, yes. | 0:17:00 | 0:17:02 | |
I'll have a little. | 0:17:02 | 0:17:04 | |
It was... It was a lovely afternoon. | 0:17:07 | 0:17:11 | |
Well, I should have liked to have been there. | 0:17:11 | 0:17:13 | |
I would have liked to have known her. | 0:17:13 | 0:17:16 | |
Maybe you still can. | 0:17:16 | 0:17:18 | |
So, you are a widow, | 0:17:19 | 0:17:21 | |
and your son lives on the other side of the world? | 0:17:21 | 0:17:23 | |
My heart goes out to you. | 0:17:23 | 0:17:25 | |
It is what it is. I don't need sympathy, really. | 0:17:25 | 0:17:28 | |
Oh, no. I'm not giving you any. | 0:17:28 | 0:17:30 | |
I see before me a woman who is embracing life | 0:17:30 | 0:17:34 | |
and inviting the world into her home. | 0:17:34 | 0:17:36 | |
Well, perhaps. | 0:17:36 | 0:17:38 | |
To be honest, being a host is new to me. | 0:17:38 | 0:17:41 | |
It's more of a business, really. | 0:17:41 | 0:17:43 | |
Oh, so you have no other income? | 0:17:43 | 0:17:46 | |
No, I do. | 0:17:46 | 0:17:47 | |
-What do you do? -I'm a doctor. | 0:17:47 | 0:17:50 | |
A doctor! | 0:17:50 | 0:17:51 | |
THEY SPEAK SPANISH | 0:17:51 | 0:17:53 | |
So, money is not an issue for you? | 0:17:54 | 0:17:57 | |
I think you are excited about the prospect | 0:17:58 | 0:18:01 | |
of having new experiences, am I right? | 0:18:01 | 0:18:05 | |
Maybe. | 0:18:05 | 0:18:07 | |
You are like me. | 0:18:07 | 0:18:08 | |
When Carlos collapsed on the golf course, | 0:18:08 | 0:18:11 | |
I thought my life was over. | 0:18:11 | 0:18:14 | |
But the doctors, they fixed his heart... | 0:18:14 | 0:18:18 | |
..and in a way I also think they fixed mine, too. | 0:18:18 | 0:18:22 | |
You know what I am saying? | 0:18:22 | 0:18:24 | |
Yes. Yes, I think I do. | 0:18:24 | 0:18:26 | |
So, we are on this crazy trip of Europe, | 0:18:26 | 0:18:28 | |
staying in small hotels and people's houses. | 0:18:28 | 0:18:31 | |
We're just having a massive adventure. | 0:18:31 | 0:18:33 | |
And I think in a way you are also having your own adventure, too. | 0:18:33 | 0:18:37 | |
We are part of each other's adventure, are we not? | 0:18:37 | 0:18:40 | |
Yes. But in your adventure, you have nothing on! | 0:18:40 | 0:18:45 | |
Except Carlos' sunglasses! | 0:18:45 | 0:18:47 | |
-He never takes them off. -Why is that? | 0:18:47 | 0:18:49 | |
HE SPEAKS SPANISH | 0:18:52 | 0:18:53 | |
-I am a vampire! -THEY LAUGH | 0:18:55 | 0:18:58 | |
No. No, no, no. His eyes... | 0:18:58 | 0:19:02 | |
..the light hurts. | 0:19:02 | 0:19:04 | |
Oh, he has photophobia? | 0:19:04 | 0:19:06 | |
-Exactly! -I see. | 0:19:06 | 0:19:08 | |
HE SPEAKS SPANISH | 0:19:10 | 0:19:13 | |
-You know what he says? -Not a clue. | 0:19:15 | 0:19:17 | |
It's a toast. | 0:19:17 | 0:19:19 | |
Up, down, centre and down the hatch, yeah? | 0:19:19 | 0:19:24 | |
THEY TOAST IN SPANISH | 0:19:24 | 0:19:29 | |
And now, a British toast, please. | 0:19:33 | 0:19:37 | |
Oh, OK, let me think. Erm... | 0:19:37 | 0:19:40 | |
Well...bottoms up! | 0:19:40 | 0:19:43 | |
-Bottoms up? -Bottoms up. -Bottoms up! | 0:19:43 | 0:19:46 | |
-Yeah. -Bottoms up. | 0:19:46 | 0:19:48 | |
THEY CHEER | 0:19:48 | 0:19:49 | |
HE SPEAKS SPANISH | 0:19:52 | 0:19:55 | |
Ah, yes. | 0:19:55 | 0:19:57 | |
He asked me... | 0:19:57 | 0:19:59 | |
-He wants to take advantage of your medical knowledge. -Oh, right. | 0:19:59 | 0:20:02 | |
Because all this travelling, he has developed a little sore on his... | 0:20:02 | 0:20:05 | |
Oh, you see, this is where our adventures part. | 0:20:05 | 0:20:09 | |
Natalie, Carlos, it has been lovely, | 0:20:09 | 0:20:11 | |
but this landlady has to go out. | 0:20:11 | 0:20:14 | |
So, please, make yourself at home. | 0:20:14 | 0:20:16 | |
I shall say - adios! | 0:20:16 | 0:20:18 | |
Ah, adios! | 0:20:18 | 0:20:20 | |
Here you are, Jessie played it for us last week. | 0:20:26 | 0:20:30 | |
It's a recording she made 18 months ago. | 0:20:30 | 0:20:32 | |
At the end of the night, she asked me to look after it for her. | 0:20:34 | 0:20:36 | |
I think she knew she didn't have long. | 0:20:36 | 0:20:39 | |
I realise that telling you this story is an indulgence, | 0:20:42 | 0:20:45 | |
an old lady's whimsy. | 0:20:45 | 0:20:47 | |
But I ask you to indulge me | 0:20:47 | 0:20:50 | |
and listen to what I have to say | 0:20:50 | 0:20:53 | |
because it is important. | 0:20:53 | 0:20:55 | |
Tomorrow, I go into hospital. | 0:20:57 | 0:20:59 | |
Hopefully, I'll return safe and sound... | 0:21:01 | 0:21:03 | |
..but I have to be honest, I'm scared. | 0:21:05 | 0:21:08 | |
These may be my last words. | 0:21:16 | 0:21:18 | |
Imagine that?! | 0:21:20 | 0:21:22 | |
And I don't even know who I'm recording them for... | 0:21:22 | 0:21:25 | |
But I know this... | 0:21:28 | 0:21:30 | |
Even on the darkest days, there is a light that shines. | 0:21:30 | 0:21:34 | |
Oh, I'm not talking about gods, fairies, | 0:21:34 | 0:21:37 | |
or other-world mumbo jumbo. | 0:21:37 | 0:21:40 | |
I'm talking about being human. | 0:21:40 | 0:21:44 | |
About being alive in this moment. | 0:21:45 | 0:21:50 | |
Enjoy it. | 0:21:50 | 0:21:52 | |
Please, don't hold back. | 0:21:52 | 0:21:54 | |
Don't waste time. | 0:21:54 | 0:21:56 | |
Open your arms to the people around you. | 0:21:56 | 0:21:59 | |
Where is...the people? | 0:22:03 | 0:22:05 | |
-Alice, would you like to sit down? -Rory? Where's Rory? | 0:22:07 | 0:22:11 | |
-Rory's not here, Alice. -Rory! | 0:22:11 | 0:22:13 | |
Who are the people? | 0:22:14 | 0:22:17 | |
Just come with me? You go. Go on. I'll watch her, she'll be fine. | 0:22:17 | 0:22:20 | |
Cheers, Jimmi. | 0:22:20 | 0:22:21 | |
Sit yourself down there for me. | 0:22:21 | 0:22:25 | |
So, what now? | 0:22:25 | 0:22:27 | |
What do you mean? | 0:22:27 | 0:22:29 | |
Well, somebody's dead because of this stuff, so what do we do now? | 0:22:29 | 0:22:31 | |
What we do now, Heston, is we fill in the forms. | 0:22:31 | 0:22:35 | |
The coroner picks up the body. We wait for Alice to come down. | 0:22:35 | 0:22:38 | |
We inform her of what's happened and then we move on. That's it. | 0:22:38 | 0:22:42 | |
You, however, can go home. | 0:22:42 | 0:22:45 | |
So, why don't you go home? | 0:22:45 | 0:22:47 | |
Oh, thank you. And thank you for playing the tape. | 0:22:53 | 0:22:57 | |
And thank you for this evening. It's been... | 0:22:57 | 0:23:00 | |
I don't know what it's been, | 0:23:00 | 0:23:02 | |
but it's been lovely to meet you. | 0:23:02 | 0:23:04 | |
It's been good to meet you, too. | 0:23:04 | 0:23:06 | |
A few of us are heading to the pub tomorrow. | 0:23:06 | 0:23:09 | |
A low-key wake for Jessie. Do you fancy it? | 0:23:09 | 0:23:11 | |
I would like that, thank you. | 0:23:11 | 0:23:13 | |
Oh, here - don't forget these. | 0:23:13 | 0:23:15 | |
-You keep them. -Thanks. | 0:23:15 | 0:23:17 | |
I'll see you tomorrow. | 0:23:17 | 0:23:19 | |
This is my last song. | 0:23:25 | 0:23:27 | |
It's by my favourite artist, John Martyn. | 0:23:27 | 0:23:30 | |
I hope you like it, whoever you may be. | 0:23:30 | 0:23:34 | |
# You've been living on solid air | 0:23:34 | 0:23:39 | |
# You've been walking the line | 0:23:39 | 0:23:41 | |
# And you've been living on solid air | 0:23:41 | 0:23:43 | |
# Don't know what's going round inside | 0:23:47 | 0:23:51 | |
# And I can tell you that it's hard to hide | 0:23:51 | 0:23:54 | |
# When you're living on solid air | 0:23:54 | 0:23:59 | |
# And you've been painting the blues | 0:24:06 | 0:24:08 | |
# You've been looking through solid air | 0:24:08 | 0:24:13 | |
# You've been seeing it through | 0:24:15 | 0:24:17 | |
# And you've been looking through solid air | 0:24:17 | 0:24:23 | |
# Don't know what's going on in your mind | 0:24:23 | 0:24:26 | |
# But I can tell you don't like what you find | 0:24:27 | 0:24:30 | |
# When you're moving through solid air... # | 0:24:30 | 0:24:34 | |
-This is not good enough. -What's not good enough? | 0:24:40 | 0:24:43 | |
This! Filling in bits of paper! | 0:24:43 | 0:24:46 | |
Shuffling forms! Not good enough! | 0:24:46 | 0:24:49 | |
-Why aren't you helping people? -I am helping people. | 0:24:49 | 0:24:51 | |
Oh, like that man the other night in the pub? Smidge. | 0:24:51 | 0:24:54 | |
People need to know how potent this stuff is. | 0:24:54 | 0:24:57 | |
Why aren't you telling them? | 0:24:57 | 0:24:59 | |
It's not my job to tell people how dangerous the drugs are. | 0:24:59 | 0:25:02 | |
Well, do your job! | 0:25:02 | 0:25:03 | |
Find the dealers, disrupt the distribution chain, | 0:25:03 | 0:25:06 | |
but, Rob, please do something! | 0:25:06 | 0:25:09 | |
Heston, you need to be very careful, because you haven't got a clue | 0:25:09 | 0:25:11 | |
-what you're talking about. -OK. Well, tell me. | 0:25:11 | 0:25:13 | |
All right, I will tell you, if you don't understand. | 0:25:13 | 0:25:16 | |
That couple this afternoon? | 0:25:16 | 0:25:18 | |
They only had enough Viper on them for personal use, | 0:25:18 | 0:25:20 | |
which means they are users and not dealers. | 0:25:20 | 0:25:23 | |
The drugs we found on them were probably manufactured in China | 0:25:23 | 0:25:27 | |
and bought via the internet. | 0:25:27 | 0:25:28 | |
So, as tragic as this case may be, it is not going to trigger a bust. | 0:25:28 | 0:25:32 | |
It is not going to trigger a clamp-down. | 0:25:32 | 0:25:34 | |
It's going to trigger nothing. | 0:25:34 | 0:25:35 | |
Unfortunately, it is now just a stat! | 0:25:35 | 0:25:38 | |
So, I do my job, I fill in the forms, | 0:25:38 | 0:25:40 | |
and hopefully I do my job quite well. | 0:25:40 | 0:25:42 | |
Viper is killing people and you are just shrugging it off. | 0:25:42 | 0:25:45 | |
Heston, you should leave before you say something you regret. | 0:25:45 | 0:25:49 | |
Look at you! | 0:25:49 | 0:25:50 | |
Obsessed with admin. | 0:25:50 | 0:25:52 | |
I used to be proud to call you my friend... | 0:25:53 | 0:25:56 | |
-..I'm now ashamed. -Get out! | 0:25:58 | 0:26:00 | |
-I should probably skedaddle. -Don't be daft. | 0:26:09 | 0:26:12 | |
Why don't you chill with Jimmi? He's not going anywhere. | 0:26:12 | 0:26:15 | |
You're not going anywhere, are you? | 0:26:15 | 0:26:18 | |
Into cougars, are you? | 0:26:18 | 0:26:20 | |
Sorry? | 0:26:20 | 0:26:21 | |
My mum. She's a bit old for you, isn't she? | 0:26:21 | 0:26:24 | |
I'm not really sure how well you know me. | 0:26:24 | 0:26:26 | |
Not as well as I'd like to know you. | 0:26:26 | 0:26:29 |