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Good morning. | 0:00:29 | 0:00:30 | |
I would like to speak to someone about the Hanif-Carter wedding. | 0:00:30 | 0:00:34 | |
Oh, goodness! | 0:00:36 | 0:00:38 | |
Sorry, I went all dizzy. I nearly fainted. | 0:00:38 | 0:00:40 | |
Right, come. Come, come, come. You need to sit down. | 0:00:40 | 0:00:44 | |
I'm all right now. | 0:00:44 | 0:00:46 | |
Sorry. It keeps happening. | 0:00:46 | 0:00:47 | |
-Then you need to speak to a doctor about this. -No, I'm fine. | 0:00:47 | 0:00:50 | |
I don't really like doctors. | 0:00:52 | 0:00:54 | |
Oh, you work at the Mill, don't you? | 0:00:54 | 0:00:57 | |
Well, yes. | 0:00:57 | 0:00:59 | |
-Are you registered with us? -I think so. | 0:00:59 | 0:01:02 | |
-It's been a while. -We have a drop-in clinic. Nine till two. | 0:01:02 | 0:01:06 | |
No appointment necessary and I can guarantee you will see | 0:01:06 | 0:01:09 | |
a very nice doctor. | 0:01:09 | 0:01:11 | |
-I'm very busy. -Your health is the most important thing. | 0:01:11 | 0:01:15 | |
Nine till two. | 0:01:15 | 0:01:17 | |
Unless you are dealing with the Carter-Hanif wedding flowers? | 0:01:18 | 0:01:22 | |
-No, Mum does all the wedding orders. She's inside. -Oh. | 0:01:22 | 0:01:26 | |
Right, well, good. Good, well, then there is no excuse. | 0:01:26 | 0:01:29 | |
Make an appointment. | 0:01:30 | 0:01:32 | |
I will just check that everything is on track. | 0:01:32 | 0:01:34 | |
Oh, good morning. | 0:01:52 | 0:01:54 | |
Ta-da! | 0:01:54 | 0:01:55 | |
Lovely, thank you. | 0:01:59 | 0:02:01 | |
Mind you, we're running out of staples, so it's a bit floppy. | 0:02:01 | 0:02:04 | |
-I'll have to stock up. -I made one for Ruhma too. | 0:02:04 | 0:02:06 | |
Very kind of you. But you know we're not getting married until later. | 0:02:08 | 0:02:11 | |
Oh, yeah. No, I know. I just wanted to get my present in early. | 0:02:11 | 0:02:14 | |
Before all the fuss. | 0:02:14 | 0:02:16 | |
Thank you. | 0:02:16 | 0:02:17 | |
Oh, no. It's not that. No, no. | 0:02:17 | 0:02:19 | |
No, my present to you... | 0:02:19 | 0:02:21 | |
Ahem. | 0:02:21 | 0:02:23 | |
Actually, I feel a bit foolish now. Maybe it's not such a good idea. | 0:02:26 | 0:02:29 | |
-What do you think? -Um, it's difficult to tell. | 0:02:29 | 0:02:31 | |
Oh, yeah. No, it would be, wouldn't it? | 0:02:31 | 0:02:34 | |
No, I think I should go for it. | 0:02:34 | 0:02:36 | |
Um, possibly. Probably. | 0:02:37 | 0:02:39 | |
I will. | 0:02:39 | 0:02:41 | |
-# Congratu... # -Oh! -Too loud? | 0:02:42 | 0:02:44 | |
-What are you doing? -Oh, it's a song. For you and Ruhma, from me. | 0:02:44 | 0:02:50 | |
-Oh, that's very kind of you. That's lovely. -Oh, thank you. | 0:02:50 | 0:02:53 | |
-Um... -Maybe I should wait till Ruhma gets here. | 0:02:53 | 0:02:55 | |
Well, she's very busy. You probably won't see her till this evening. | 0:02:55 | 0:02:58 | |
Oh. | 0:02:58 | 0:03:00 | |
-I could pass on to her. -Ooh! | 0:03:00 | 0:03:03 | |
Yeah, no, you could sing it to her from me. | 0:03:03 | 0:03:05 | |
Yes. | 0:03:05 | 0:03:07 | |
Shall I? | 0:03:08 | 0:03:10 | |
By all means. | 0:03:10 | 0:03:11 | |
Right. | 0:03:11 | 0:03:13 | |
Right. | 0:03:13 | 0:03:15 | |
# Congratulations | 0:03:17 | 0:03:20 | |
# And celebrations | 0:03:20 | 0:03:22 | |
# When I tell everyone that you're in love with me | 0:03:22 | 0:03:25 | |
# Congratulations | 0:03:25 | 0:03:28 | |
# And jubilations | 0:03:28 | 0:03:30 | |
# I want the world to know I'm happy as can be | 0:03:30 | 0:03:35 | |
# Who would believe that I could be happy and contented? | 0:03:35 | 0:03:38 | |
'# I used to think that happiness hadn't been invented | 0:03:38 | 0:03:43 | |
'# But that was in the bad old days before I met you | 0:03:43 | 0:03:47 | |
'# Before I let you walk into my heart | 0:03:47 | 0:03:51 | |
'# Congratulations | 0:03:51 | 0:03:54 | |
'# And celebrations | 0:03:54 | 0:03:56 | |
'# When I tell everyone that you're in love with me | 0:03:56 | 0:03:59 | |
'# Congratulations | 0:03:59 | 0:04:02 | |
'# And jubilations | 0:04:02 | 0:04:04 | |
'# I want the world to know I'm happy has can be | 0:04:04 | 0:04:08 | |
'# I was afraid that maybe you thought you were above me... #' | 0:04:08 | 0:04:12 | |
It's Valerie, that! | 0:04:12 | 0:04:13 | |
'# That I was only fooling myself to think you... #' | 0:04:13 | 0:04:16 | |
Yeah, it is. | 0:04:16 | 0:04:18 | |
I think it's probably best if we don't ask. | 0:04:19 | 0:04:23 | |
# Congratulations | 0:04:26 | 0:04:28 | |
# And jubilations | 0:04:28 | 0:04:30 | |
# I want the world to know I'm happy as can be | 0:04:30 | 0:04:34 | |
# I want the world to know I'm happy as can be. # | 0:04:34 | 0:04:40 | |
Bravo! Bravo! | 0:04:40 | 0:04:41 | |
-Thank you very much! -Oh, it's my pleasure. | 0:04:41 | 0:04:44 | |
-I should be getting on. Get some staples for this. -Righty-ho. | 0:04:44 | 0:04:48 | |
-Well, I could help you with that. -No, no. I can manage. | 0:04:48 | 0:04:52 | |
Um, it's a wedding present. Wedding...song for Ruhma and me. | 0:04:53 | 0:04:59 | |
Ah. Well, it was fantastic. | 0:04:59 | 0:05:01 | |
Aw, it's just a shame Ruhma wasn't here to hear it. | 0:05:01 | 0:05:04 | |
-Indeed. -Well, we could always record it for her. | 0:05:04 | 0:05:07 | |
That is brilliant! | 0:05:09 | 0:05:12 | |
I should be getting some staples. | 0:05:12 | 0:05:14 | |
Come on in. Come on. | 0:05:14 | 0:05:16 | |
-Where would you like me? -Um, there. | 0:05:17 | 0:05:19 | |
Get in frame. | 0:05:21 | 0:05:22 | |
Beautiful. Here we go. | 0:05:22 | 0:05:24 | |
-Heston, what are you doing here? -Um, I'm looking for staples. | 0:05:29 | 0:05:32 | |
-Where do we keep them? -No, I mean, what are you doing HERE? | 0:05:32 | 0:05:35 | |
-Aren't you meant to be getting married? -Um, that's this evening. | 0:05:35 | 0:05:38 | |
And you have nothing better to do than look for staples? | 0:05:38 | 0:05:40 | |
Well, Ruhma and Mrs Tembe are covering all the bases. | 0:05:40 | 0:05:43 | |
I think I'm much more useful here as a doctor. | 0:05:43 | 0:05:45 | |
-So, staples? -No idea. Look, I'm sorry I can't be with you this | 0:05:45 | 0:05:48 | |
evening. I've got an impossible rota at the station. | 0:05:48 | 0:05:51 | |
Duty calls. We'll save you a slice of cake. | 0:05:51 | 0:05:53 | |
Morning, Heston. Shouldn't you be somewhere? | 0:05:56 | 0:05:58 | |
Not until this evening. | 0:05:58 | 0:06:00 | |
-How's things? -Actually, it's all good. | 0:06:03 | 0:06:06 | |
-Mum's doing really well. -Good. | 0:06:06 | 0:06:08 | |
I hope she is. | 0:06:08 | 0:06:09 | |
Meaning you don't think she is. | 0:06:09 | 0:06:12 | |
No, that's not what I meant. | 0:06:12 | 0:06:14 | |
Well, she's seeing Debs tomorrow and Karl's coming over as soon | 0:06:14 | 0:06:17 | |
as he gets leave. | 0:06:17 | 0:06:18 | |
You might not like it, but she's sorting herself out. | 0:06:18 | 0:06:21 | |
And WE'RE a family. | 0:06:21 | 0:06:23 | |
Dr Carter! What are you doing here?! | 0:06:23 | 0:06:26 | |
Staples. | 0:06:26 | 0:06:28 | |
Last night, I sent you a long list of tasks. | 0:06:28 | 0:06:31 | |
-I know, but... -None of which includes staples or staplers. | 0:06:31 | 0:06:36 | |
None of which include you being in your consulting room. | 0:06:36 | 0:06:40 | |
-Well, I know, but... -You are about to be married in less than nine | 0:06:40 | 0:06:44 | |
hours. Dr Carter, are there not things that you should be doing? | 0:06:44 | 0:06:48 | |
Er, yes. Maybe the staples can wait. | 0:06:48 | 0:06:52 | |
-KNOCKS ON DOOR -Can I come in? | 0:07:05 | 0:07:07 | |
Sarge. | 0:07:07 | 0:07:09 | |
Only I thought I'd ask, | 0:07:09 | 0:07:11 | |
seeing as you seem to think this is your office. | 0:07:11 | 0:07:13 | |
-Constable Watson. -Yes, Sarge. | 0:07:20 | 0:07:22 | |
Well, you and I will get on like a house on fire, | 0:07:22 | 0:07:25 | |
just as long as you remember which side of the desk is mine and | 0:07:25 | 0:07:29 | |
which side of the desk is yours. | 0:07:29 | 0:07:33 | |
-Yes, Sarge. -Right. | 0:07:33 | 0:07:35 | |
Well, in that case, I have just the thing for you to get your teeth into | 0:07:35 | 0:07:39 | |
- a spate of knocked off second-hand clocks. Welcome to Letherbridge. | 0:07:39 | 0:07:42 | |
Thank you, Sarge. | 0:07:42 | 0:07:44 | |
HE SIGHS | 0:07:49 | 0:07:51 | |
Here you go. | 0:07:53 | 0:07:55 | |
Erm, leave it. | 0:07:55 | 0:07:57 | |
Yeah, I'm sure he'll be down in a minute. | 0:07:58 | 0:08:01 | |
-DOOR SLAMS -Only me! | 0:08:01 | 0:08:04 | |
You can't come in! | 0:08:04 | 0:08:05 | |
Why not? | 0:08:05 | 0:08:07 | |
You're not supposed to see each other on your wedding day. | 0:08:07 | 0:08:09 | |
-Well, not until the wedding. -What are you doing back? | 0:08:09 | 0:08:12 | |
Well, can we talk to each other? | 0:08:12 | 0:08:14 | |
Yes, as long as you don't look at her. | 0:08:14 | 0:08:16 | |
-Mrs tembe sent me home with a list of chores. -Right. | 0:08:16 | 0:08:18 | |
-Well, you can't do them in here. This is our place. -Are you serious? | 0:08:18 | 0:08:22 | |
-Yep. -Absolutely. | 0:08:22 | 0:08:23 | |
HORN BEEPS | 0:08:37 | 0:08:39 | |
Are you OK? | 0:08:45 | 0:08:47 | |
Just a bit dizzy. I'm fine. | 0:08:47 | 0:08:49 | |
Thank you. | 0:08:49 | 0:08:51 | |
CENTRAL LOCKING BLEEPS | 0:08:52 | 0:08:55 | |
-Make sure you keep it dry. -OK. -Thanks, bye. | 0:08:55 | 0:08:57 | |
'Ayesha.' | 0:09:08 | 0:09:10 | |
Hi, Amber. What's up? | 0:09:10 | 0:09:11 | |
-She's in a bit of a state. -'Where is she? Amber, is she with you?' | 0:09:11 | 0:09:15 | |
Yeah, she's just not coping. | 0:09:15 | 0:09:17 | |
'It's all been too much, too soon.' | 0:09:17 | 0:09:20 | |
She's agitated, you know? | 0:09:20 | 0:09:23 | |
What, like manic? | 0:09:23 | 0:09:25 | |
Can you come? | 0:09:25 | 0:09:26 | |
I'm at work. | 0:09:26 | 0:09:27 | |
-'I know.' -Well, I can't just walk out. | 0:09:27 | 0:09:29 | |
OK, look, I'll um... I'll try. Just... OK, bye. | 0:09:31 | 0:09:36 | |
-Dr Vere. -Dr Sharma. | 0:09:47 | 0:09:48 | |
-Are you available for a consultation later? -Er, yeah. | 0:09:48 | 0:09:51 | |
-I think I can manage that. When were you thinking? -After the er... Um... | 0:09:51 | 0:09:54 | |
-Later? -Yeah, later. -OK. | 0:09:54 | 0:09:56 | |
-Yeah, I'm all yours. -OK. | 0:09:57 | 0:09:59 | |
Er, this way, please, Mr Jarvis. | 0:09:59 | 0:10:01 | |
Hi. Um, have you seen Mrs Tembe? | 0:10:03 | 0:10:05 | |
-Er, briefly. -Is she in a good mood? -I don't know. She seemed busy. | 0:10:05 | 0:10:09 | |
-My room is this way. -I don't normally like going to the doctor's. | 0:10:15 | 0:10:18 | |
I'm not that scary, am I? | 0:10:18 | 0:10:20 | |
-No, not at all. -After you. | 0:10:20 | 0:10:23 | |
-And does it make you feel sick? -No, just the spinning sensation. | 0:10:27 | 0:10:31 | |
Right. And how long does that last? | 0:10:31 | 0:10:34 | |
Not long. A few seconds, maybe. | 0:10:34 | 0:10:37 | |
-The whole world seems to just... -SID LAUGHS | 0:10:37 | 0:10:40 | |
But that only happens when you look up or over your shoulder, right? | 0:10:40 | 0:10:43 | |
And when I lie down. | 0:10:43 | 0:10:45 | |
-And have you noticed anything else? Any loss of hearing? -No. | 0:10:45 | 0:10:48 | |
No tinnitus, ringing in your ears? | 0:10:48 | 0:10:50 | |
-A constant humming, anything like that? -No. | 0:10:50 | 0:10:53 | |
OK. And you said there was no pain. No headaches. | 0:10:53 | 0:10:56 | |
That's right. | 0:10:56 | 0:10:57 | |
OK. | 0:10:57 | 0:10:58 | |
Mysterious. | 0:11:00 | 0:11:01 | |
-No, I do not think so. -Mrs T. | 0:11:05 | 0:11:08 | |
It would not be fair on the other nursing staff. | 0:11:08 | 0:11:11 | |
-OK, but I... -You have already started your shift. | 0:11:11 | 0:11:14 | |
I cannot call someone in at short notice, expect them to cover, | 0:11:14 | 0:11:18 | |
just so that you can have the afternoon off. | 0:11:18 | 0:11:20 | |
Again. | 0:11:20 | 0:11:21 | |
I need to...do something. | 0:11:21 | 0:11:24 | |
Are you ill? | 0:11:24 | 0:11:27 | |
No. | 0:11:27 | 0:11:30 | |
Is this to do with your mother? | 0:11:30 | 0:11:32 | |
Nurse Lee, we have made so much progress since... | 0:11:35 | 0:11:40 | |
Since the bad old days. | 0:11:40 | 0:11:43 | |
You are more professional, more in control. | 0:11:43 | 0:11:47 | |
I really do not want you to revert back to... | 0:11:47 | 0:11:50 | |
-As you put it. -Fine. | 0:11:50 | 0:11:52 | |
-Now, it's only when you look over the one shoulder, isn't it? -Yeah. | 0:11:58 | 0:12:02 | |
-Just when I look over this side. -OK. Well, I'm pretty sure it's BPPV. | 0:12:02 | 0:12:06 | |
Is that good or bad? | 0:12:06 | 0:12:09 | |
Benign Paroxysmal Positional Vertigo. | 0:12:09 | 0:12:12 | |
-The "benign" bit sounds good. -It's fairly common. | 0:12:12 | 0:12:14 | |
More normal with older patients, but it's completely harmless, | 0:12:14 | 0:12:17 | |
-apart from the dizzy spells. -Can you do anything about it? | 0:12:17 | 0:12:20 | |
Well, BPPV usually clears up on its own eventually. | 0:12:20 | 0:12:23 | |
But in the meantime, it can be quite annoying. | 0:12:23 | 0:12:26 | |
-Very annoying. -THEY BOTH LAUGH | 0:12:26 | 0:12:28 | |
Well, there is this thing called the Epley Manoeuvre. | 0:12:28 | 0:12:31 | |
Now, I can make an appointment with the Ear, Nose and Throat team | 0:12:31 | 0:12:33 | |
at St Phil's, or I could just do it right here and now. | 0:12:33 | 0:12:37 | |
Do it. Whatever it is, do it now. | 0:12:37 | 0:12:40 | |
OK. | 0:12:40 | 0:12:41 | |
This... This is all just... | 0:12:45 | 0:12:48 | |
How many lawyers did they pay to write this? How much did THAT cost? | 0:12:49 | 0:12:54 | |
Bren... | 0:12:54 | 0:12:56 | |
Dear scumbags, we're knocking down your houses. | 0:12:56 | 0:12:59 | |
That's what they mean - why don't they just say it? | 0:12:59 | 0:13:02 | |
-Do you want a cup of tea? -No! I do not want a cup of tea! | 0:13:02 | 0:13:06 | |
This is your home! | 0:13:06 | 0:13:08 | |
All this, reference numbers, websites, citizens advice, | 0:13:08 | 0:13:13 | |
not going to happen! | 0:13:13 | 0:13:14 | |
Yeah, but we need a plan. A sensible plan. | 0:13:14 | 0:13:18 | |
-You sound like Ayesh. -Well? Maybe she's right. | 0:13:18 | 0:13:24 | |
She's coming over. | 0:13:24 | 0:13:26 | |
Here? | 0:13:26 | 0:13:28 | |
-When? -As soon as she can. | 0:13:28 | 0:13:30 | |
Oh, yeah(!) As soon as. | 0:13:30 | 0:13:32 | |
-(MOCKING): -As soon as, as soon as! | 0:13:32 | 0:13:34 | |
She's coming. She told me. | 0:13:34 | 0:13:36 | |
We need to make a start now. | 0:13:36 | 0:13:38 | |
We'll show them, these... | 0:13:38 | 0:13:41 | |
Sandersbrook people. | 0:13:41 | 0:13:44 | |
We'll show them! | 0:13:44 | 0:13:46 | |
-What are you doing? -Don't panic. | 0:13:47 | 0:13:50 | |
Just some mates. Got to get everyone together. | 0:13:50 | 0:13:54 | |
Why don't we wait for Ayesha? | 0:13:54 | 0:13:55 | |
Hm, go and hassle them, see how they like it! | 0:13:55 | 0:13:59 | |
Bren... | 0:13:59 | 0:14:01 | |
OK. What I need you to do for me is to turn your head, just your head, | 0:14:06 | 0:14:11 | |
and look into my eyes. | 0:14:11 | 0:14:13 | |
OK, now, what I'm going to do is I'm going to lower your head and | 0:14:13 | 0:14:16 | |
your shoulders back towards the end of the back, quite quickly, | 0:14:16 | 0:14:19 | |
so that your head is going to be hanging out over the end. | 0:14:19 | 0:14:22 | |
Don't worry. It's perfectly safe. I've got you, I'll support you. | 0:14:22 | 0:14:25 | |
All right? I just want to see if I can make you dizzy, all right? | 0:14:25 | 0:14:29 | |
-OK. -OK, here we go. | 0:14:29 | 0:14:30 | |
Keep looking in my eyes. And try not to blink. | 0:14:30 | 0:14:33 | |
Ready? | 0:14:33 | 0:14:34 | |
Whoa! | 0:14:34 | 0:14:37 | |
SID LAUGHS | 0:14:37 | 0:14:39 | |
-Dizzy? -Yeah. | 0:14:39 | 0:14:41 | |
Mm, yeah, I can see. | 0:14:41 | 0:14:43 | |
Your eyes are all flickering. That's nystagmus. | 0:14:43 | 0:14:45 | |
And that's a pretty firm diagnosis. | 0:14:45 | 0:14:47 | |
Right. | 0:14:47 | 0:14:48 | |
SHE SIGHS | 0:15:04 | 0:15:08 | |
-Still dizzy? -Erm, no. | 0:15:24 | 0:15:27 | |
-No, it's gone. -That's good. | 0:15:27 | 0:15:29 | |
OK, what I'm going to do now is I'm going to move your head, | 0:15:29 | 0:15:32 | |
just your head, smoothly and gently to the left. | 0:15:32 | 0:15:37 | |
OK? | 0:15:37 | 0:15:38 | |
-OK. -Here we go. | 0:15:38 | 0:15:39 | |
There we go. | 0:15:42 | 0:15:43 | |
OK? I'll just hold that there for a minute. | 0:15:43 | 0:15:46 | |
Try and lie as still as you can. | 0:15:46 | 0:15:48 | |
And in a moment, I'm going to roll you onto your left side, all right? | 0:15:48 | 0:15:52 | |
Visitor! Emma! | 0:15:55 | 0:15:56 | |
Oh, Emma, come in. | 0:15:56 | 0:15:58 | |
-What are you doing? -Alia doesn't want me to jinx the wedding. | 0:15:58 | 0:16:01 | |
Not even a peek! | 0:16:01 | 0:16:03 | |
-I will go back to my solitary tasks. -Quite right, too! | 0:16:03 | 0:16:06 | |
-Hello, Alia. How are you? -Good, thank you. -Are you excited? | 0:16:06 | 0:16:09 | |
Yeah, I can't wait. She's going to be so beautiful. | 0:16:09 | 0:16:11 | |
-Oh, well, I don't know about that. -You will. -Of course you will! | 0:16:11 | 0:16:15 | |
-Tea? -No, listen, I can't stop. | 0:16:15 | 0:16:17 | |
I just wanted to give you this in person. | 0:16:17 | 0:16:19 | |
I'm so sorry I can't be there this evening. | 0:16:19 | 0:16:22 | |
Aw, thank you so much! Ooh! Have you been bidding on the internet? | 0:16:22 | 0:16:25 | |
No, that was a one time only thing. I only did it to get the price up. | 0:16:25 | 0:16:29 | |
Yeah, well, it worked. Thank you. Got a nice little sum from that. | 0:16:29 | 0:16:32 | |
-Look, I'd better get to the station. -Yes, you'd better cos we've got | 0:16:32 | 0:16:35 | |
-loads to do before the stylist comes. -Ooh! | 0:16:35 | 0:16:38 | |
-Look, you have a great time tonight. -Thank you very much. -You're welcome. | 0:16:38 | 0:16:42 | |
-Just remember, you can always say no! -Hey, get out. | 0:16:42 | 0:16:45 | |
OK, now what I need you to do for me is to lower your chin on to | 0:16:48 | 0:16:51 | |
your chest. That's it. | 0:16:51 | 0:16:53 | |
And slowly, bring your legs off the bed and work up into the | 0:16:53 | 0:16:56 | |
sitting position. That's it. Gently though. | 0:16:56 | 0:16:59 | |
Gently. OK. | 0:16:59 | 0:17:01 | |
And now I just want you to hold that position for about 30 seconds. OK? | 0:17:01 | 0:17:05 | |
Nurse Lee! Where are you going? | 0:17:13 | 0:17:15 | |
It's a family emergency. You can't stop me. | 0:17:16 | 0:17:19 | |
Nurse Lee! | 0:17:19 | 0:17:21 | |
Nurse Lee! | 0:17:21 | 0:17:22 | |
What exactly was that all about? | 0:17:26 | 0:17:27 | |
Well, it might not have worked and even if it did, | 0:17:27 | 0:17:29 | |
it's not so much of a cure, more of a solution. | 0:17:29 | 0:17:33 | |
That makes no sense. | 0:17:33 | 0:17:34 | |
No, it doesn't. You're right. | 0:17:34 | 0:17:36 | |
OK, um, actually... | 0:17:36 | 0:17:39 | |
The inner ear. | 0:17:39 | 0:17:41 | |
Magnified a little bit. | 0:17:41 | 0:17:43 | |
That's balance and um...whatever. | 0:17:43 | 0:17:47 | |
That's it. Exactly. | 0:17:47 | 0:17:49 | |
Now, inside the ear, | 0:17:49 | 0:17:51 | |
you have these three tubes here and they're filled with liquid and hairs | 0:17:51 | 0:17:54 | |
and they basically detect movement whenever you move your head. | 0:17:54 | 0:17:57 | |
Now, with BPPV, | 0:17:57 | 0:17:59 | |
you have a tiny pellet of calcium that's come loose inside | 0:17:59 | 0:18:02 | |
those tubes and it's completely harmless but as it's rolling | 0:18:02 | 0:18:05 | |
-around inside the tubes, it's knocking the hairs and that is what's making you dizzy. -And...? | 0:18:05 | 0:18:10 | |
Do you remember those toys that we had as a kid? | 0:18:10 | 0:18:13 | |
With the little metal ball and you'd roll them around, trying to get them into the hole? | 0:18:13 | 0:18:17 | |
-Yeah... -Well, that's kind of what we've just done. | 0:18:17 | 0:18:20 | |
I've rolled your head around and so that that little tiny pellet | 0:18:20 | 0:18:23 | |
of calcium rolled down to the end of the tube and got lodged, | 0:18:23 | 0:18:26 | |
where it'll stay, unless it becomes loose again, | 0:18:26 | 0:18:29 | |
-but they usually just dissolve and stop being a problem. -Seriously? | 0:18:29 | 0:18:33 | |
-Yeah. -I'm cured? | 0:18:33 | 0:18:35 | |
Hopefully. | 0:18:35 | 0:18:37 | |
You're brilliant! | 0:18:37 | 0:18:39 | |
-What's the matter with her? -She's agitated. She can't settle. | 0:18:40 | 0:18:45 | |
-She keeps getting wound up about stuff. -About what? | 0:18:45 | 0:18:48 | |
Like, she wants to organise another protest, | 0:18:48 | 0:18:50 | |
but that just winds her up even more. | 0:18:50 | 0:18:52 | |
You're right. Stress is not good for her. | 0:18:52 | 0:18:55 | |
-Where is she? -In her room. | 0:18:55 | 0:18:57 | |
OK. | 0:18:59 | 0:19:00 | |
Mum? | 0:19:00 | 0:19:02 | |
Mum? | 0:19:02 | 0:19:04 | |
-She's not there. -What? | 0:19:06 | 0:19:08 | |
-How did you not notice? -I don't know. | 0:19:08 | 0:19:10 | |
She said something about the council offices. | 0:19:12 | 0:19:15 | |
You're the scum! You're the ones who should be kicked out! | 0:19:16 | 0:19:19 | |
See how you like it when we redevelop this! | 0:19:19 | 0:19:22 | |
Glass house! Glass house! Glass house! | 0:19:22 | 0:19:25 | |
Glass house! Glass house! Glass house! Glass house! | 0:19:25 | 0:19:29 | |
I'm going to huff! I'm going to puff! | 0:19:29 | 0:19:31 | |
I'm going to blow your house down! | 0:19:31 | 0:19:34 | |
Oi! | 0:19:34 | 0:19:36 | |
-THEY CHANT: -Glass house! Glass house! Glass house! | 0:19:36 | 0:19:39 | |
-KNOCKS ON DOOR -Sarge? | 0:19:39 | 0:19:41 | |
We have a tricky situation. A big disturbance on the Myers Estate. | 0:19:41 | 0:19:45 | |
Gang-related, by the sound of it. | 0:19:45 | 0:19:47 | |
-Knife injuries. Everyone we've got is up there. -Great, I'm on my way. | 0:19:47 | 0:19:50 | |
Hold your horses. You're not quite ready for that yet. | 0:19:50 | 0:19:52 | |
I need you to go to the council housing offices. | 0:19:52 | 0:19:54 | |
There's a demonstration. They're getting a bit noisy. | 0:19:54 | 0:19:57 | |
-I had to go up there myself the other day and talk them down. -Right. | 0:19:57 | 0:20:00 | |
So, just be there, just turn up, just be seen. They're not criminals. | 0:20:00 | 0:20:03 | |
Just make sure that they behave themselves. | 0:20:03 | 0:20:06 | |
Yes, Sarge. | 0:20:06 | 0:20:08 | |
KNOCK AT DOOR | 0:20:13 | 0:20:15 | |
It's safe. | 0:20:15 | 0:20:17 | |
Are you sure? I don't want to jinx anything. | 0:20:17 | 0:20:20 | |
Come here. | 0:20:21 | 0:20:24 | |
I won't tell Alia if you don't. | 0:20:24 | 0:20:26 | |
Well, Alia is not the problem. | 0:20:26 | 0:20:28 | |
Mm. Where is he? | 0:20:28 | 0:20:30 | |
In his room, been there all morning. | 0:20:30 | 0:20:33 | |
-Well, it is his room. -And it is our wedding day. | 0:20:33 | 0:20:36 | |
-Do you want me to have a word with him? -No, I'll do it in a bit. | 0:20:36 | 0:20:41 | |
Hey, open your mouth. | 0:20:41 | 0:20:42 | |
Don't tell. | 0:20:42 | 0:20:44 | |
-KNOCK AT DOOR -Hey. | 0:20:57 | 0:21:00 | |
-HE SIGHS -I'm doing something. | 0:21:00 | 0:21:03 | |
OK. | 0:21:03 | 0:21:04 | |
Do you want something to eat? | 0:21:06 | 0:21:08 | |
COMPUTER GAME MUSIC PLAYS | 0:21:08 | 0:21:11 | |
Why don't you pause it? | 0:21:15 | 0:21:18 | |
Oh, come on, Shak. Talk to me. | 0:21:18 | 0:21:21 | |
Do you realise how important you and Alia are to me? | 0:21:25 | 0:21:30 | |
You're the only family that I've got that are going to be there | 0:21:30 | 0:21:33 | |
at the wedding. | 0:21:33 | 0:21:35 | |
Shak? | 0:21:35 | 0:21:36 | |
Shak, I can't get married if you're not there to give me away. | 0:21:38 | 0:21:41 | |
Shak, please! | 0:21:43 | 0:21:45 | |
-You think they care? -No. -We're nothing to them! | 0:21:59 | 0:22:02 | |
We're like little ants and they just stamp, stamp, stamp, stamp! | 0:22:02 | 0:22:07 | |
-So, we stamp back, yeah? -Definitely. -We've got big boots! | 0:22:07 | 0:22:10 | |
And we all stamp together! Stamp with me! Come on! We're stamping! | 0:22:10 | 0:22:14 | |
-What's your name? -Fascist! | 0:22:45 | 0:22:48 | |
You're causing a disturbance and I've a right to know your name. | 0:22:48 | 0:22:51 | |
Fas-cist! | 0:22:51 | 0:22:52 | |
I don't want to arrest you. | 0:22:52 | 0:22:54 | |
-Fascist! -Mum! | 0:22:54 | 0:22:56 | |
-Do you know this woman? -He's a fascist communist pig! | 0:22:56 | 0:22:58 | |
-I can't be fascist AND a communist. -You can still be a pig! | 0:22:58 | 0:23:01 | |
-She's my mum. I'll sort it. -It's not quite that simple, is it? | 0:23:01 | 0:23:04 | |
-She's causing a disturbance. -Yeah, so I'll take her away. Come on, Mum. -What's her name? | 0:23:04 | 0:23:08 | |
-SHE WHSIPERS: She's got issues. -Damn right I got issues! | 0:23:08 | 0:23:10 | |
Issues with him! And issues with THEM! | 0:23:10 | 0:23:13 | |
-Oi, what are you doing? Get off her! -Step aside. | 0:23:13 | 0:23:16 | |
-No! -Step aside now! | 0:23:16 | 0:23:18 | |
Dr Vere. | 0:23:24 | 0:23:25 | |
Hello. | 0:23:25 | 0:23:27 | |
-Back again? -Yeah. | 0:23:28 | 0:23:30 | |
Are you all right? Are you still getting vertigo? | 0:23:30 | 0:23:33 | |
No. Look, I'm cured. | 0:23:33 | 0:23:35 | |
Hey, you've got to take it easy for a couple of days, remember? | 0:23:35 | 0:23:39 | |
You don't know your own powers, Dr Vere. | 0:23:39 | 0:23:41 | |
You're a magician. | 0:23:41 | 0:23:43 | |
No, I'm just a doctor. | 0:23:43 | 0:23:45 | |
How often do you go to the doctor and get cured there and then | 0:23:45 | 0:23:48 | |
-on the spot? -Yeah, I suppose, when you put it like that. | 0:23:48 | 0:23:51 | |
SHE GIGGLES | 0:23:51 | 0:23:53 | |
-Sorry. -Um... -GIGGLES | 0:23:56 | 0:23:59 | |
-What are you doing for lunch? -Er... -Dinner? | 0:23:59 | 0:24:02 | |
How about dinner? | 0:24:02 | 0:24:03 | |
We could go out, get something to eat, then...who knows? | 0:24:03 | 0:24:07 | |
OK, look, the thing is, I'm a doctor and you're one of my patients. | 0:24:09 | 0:24:13 | |
-So... -So? | 0:24:13 | 0:24:15 | |
That's just a coincidence. That's just how we happened to meet. | 0:24:15 | 0:24:19 | |
You could have been a bus driver and I was your passenger, | 0:24:19 | 0:24:22 | |
or an AA man who fixed my car. | 0:24:22 | 0:24:25 | |
Yeah, but I wasn't, was I? | 0:24:25 | 0:24:27 | |
We had a connection. | 0:24:29 | 0:24:30 | |
There was something, wasn't there? | 0:24:30 | 0:24:32 | |
I don't think there was. | 0:24:34 | 0:24:37 | |
I felt it. I...knew it. | 0:24:37 | 0:24:39 | |
I didn't. I mean, I would never see a patient like that, so... | 0:24:41 | 0:24:44 | |
-You like me. -No, not like that, anyway. | 0:24:47 | 0:24:51 | |
Well, I like you. | 0:24:52 | 0:24:55 | |
And that is very, very flattering, | 0:24:55 | 0:24:57 | |
but it's probably not as true as you think it is. | 0:24:57 | 0:25:00 | |
Sometimes, these feelings can happen when... It's called transference. | 0:25:00 | 0:25:04 | |
-OK? The patient misinterprets the intimacy... -Very clinical. | 0:25:04 | 0:25:10 | |
Yeah, it is. | 0:25:10 | 0:25:11 | |
Look, well, it would just be inappropriate and unethical. | 0:25:11 | 0:25:14 | |
I could get disciplined, even struck off. | 0:25:14 | 0:25:17 | |
OK. | 0:25:17 | 0:25:19 | |
Your loss. | 0:25:19 | 0:25:21 | |
Yeah. | 0:25:21 | 0:25:23 | |
But I still think you're a magician and I still think there was | 0:25:23 | 0:25:26 | |
magic in the air. | 0:25:26 | 0:25:28 | |
There wasn't. | 0:25:28 | 0:25:30 | |
-SHE WHISPERS: Yeah, there was. -GIGGLES | 0:25:30 | 0:25:34 | |
Thank you. | 0:25:34 | 0:25:35 | |
For the ear thing. | 0:25:35 | 0:25:36 | |
My pleasure. | 0:25:36 | 0:25:38 | |
-I'll take you both in. -Ho-ho! You and whose army? | 0:25:54 | 0:25:56 | |
Come on, Mum. Please. Let's just go! | 0:25:56 | 0:25:59 | |
-Right. -Whoa, whoa, whoa! What's the matter with you? | 0:25:59 | 0:26:02 | |
-Stay out of this, please! -You leave her! That's my girl! | 0:26:02 | 0:26:04 | |
You are under arrest for assaulting a police officer! | 0:26:04 | 0:26:07 | |
-She hardly even touched you! -And you stay exactly where you are, or you'll be joining her! | 0:26:07 | 0:26:11 | |
She's ill. She didn't mean any of it! | 0:26:11 | 0:26:13 | |
-I meant every damn word! -Mum! | 0:26:13 | 0:26:15 | |
-Pig! -She's under arrest and if you don't want to join her, | 0:26:15 | 0:26:18 | |
you'll step back and you'll keep away! | 0:26:18 | 0:26:21 | |
-Pig! -Get in! | 0:26:21 | 0:26:24 | |
Police brutality! | 0:26:24 | 0:26:26 | |
-Get that cell door closed! -I'm going to sue you! | 0:26:45 | 0:26:48 | |
I'm done waiting! Get someone out here to speak to me now! | 0:26:48 | 0:26:51 | |
-Looks like I'm not going to be able to make the wedding. -What?! | 0:26:51 | 0:26:54 | |
-Shak is not here! -Really? -We need to find somebody else! | 0:26:54 | 0:26:57 | |
Why can't things go right just for once? | 0:26:57 | 0:26:59 | |
You're going to miss the wedding to do a double shift with Bren? | 0:26:59 | 0:27:01 | |
It's our lucky day(!) | 0:27:01 | 0:27:03 | |
-Don't push it! She WILL bite! -I will arrest you for obstruction. | 0:27:03 | 0:27:07 |