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England's stunning South West coast. | 0:00:07 | 0:00:10 | |
-# In Brixham I was born -Bring 'em down! | 0:00:12 | 0:00:14 | |
# But Exmouth is me home from home... # | 0:00:14 | 0:00:17 | |
Boatmen know this shore better than most, and we're here to join them. | 0:00:17 | 0:00:20 | |
# We're never a day behind the tide | 0:00:20 | 0:00:22 | |
# Around Cape Horn we'll go... # | 0:00:22 | 0:00:25 | |
Bring 'em down! | 0:00:25 | 0:00:26 | |
We're embarking on a voyage of discovery in boats - | 0:00:26 | 0:00:30 | |
both big and small! | 0:00:30 | 0:00:32 | |
I'm not the only one of the Coast crew who's taken to the water. | 0:00:32 | 0:00:37 | |
Alice makes a splash as she encounters the power of the waves. | 0:00:41 | 0:00:46 | |
There we go! | 0:00:47 | 0:00:49 | |
Full steam ahead for Dick, with an engineering revolution | 0:00:49 | 0:00:53 | |
that rolled out of Cornwall around the world. | 0:00:53 | 0:00:56 | |
And I hit the high seas - head on! | 0:00:57 | 0:01:01 | |
Bring 'em down! | 0:01:01 | 0:01:02 | |
-# This is now your home, my boy -Bring 'em down! # | 0:01:02 | 0:01:05 | |
This is Coast. | 0:01:05 | 0:01:07 | |
Our journey takes us along Devon's coast and into Cornwall, | 0:01:33 | 0:01:37 | |
out to the Isles of Scilly, | 0:01:37 | 0:01:39 | |
then back to the mainland to drop anchor near Bideford. | 0:01:39 | 0:01:43 | |
But we begin at Brixham. | 0:01:43 | 0:01:45 | |
This small harbour has a big story to tell. | 0:01:49 | 0:01:52 | |
It's the birthplace of this beautiful class of sailing craft, | 0:01:52 | 0:01:57 | |
the famous Brixham Trawler. | 0:01:57 | 0:01:59 | |
I'm on board one of the last that's left afloat. | 0:02:01 | 0:02:04 | |
But this quayside - and many others around Britain - | 0:02:06 | 0:02:08 | |
used to bustle with Brixham Trawlers. | 0:02:08 | 0:02:12 | |
How did this port come to pioneer a trawling revolution that spread around our shores? | 0:02:12 | 0:02:19 | |
The old fish market is quiet today, | 0:02:20 | 0:02:23 | |
but 100 years ago, this place was swimming in fish. | 0:02:23 | 0:02:26 | |
I'm meeting up with veteran Brixham fisherman, Bill Wakeham. | 0:02:27 | 0:02:31 | |
What would the atmosphere have been like where we're standing? | 0:02:31 | 0:02:34 | |
It would be like a main street of London, | 0:02:34 | 0:02:36 | |
people would be going back and forth all day, | 0:02:36 | 0:02:38 | |
coming down picking up fish, there'd be boats taking stores on board to go away, | 0:02:38 | 0:02:43 | |
there'd be filleters, packers, people with horse and carts, | 0:02:43 | 0:02:47 | |
small lorries coming in and out all the time. | 0:02:47 | 0:02:50 | |
-What are these fish on the ground? -That'd be skate. | 0:02:50 | 0:02:52 | |
So these were trawled and brought into the market to be sold? | 0:02:52 | 0:02:55 | |
Yeah. But then in the 1860s, | 0:02:55 | 0:02:58 | |
they brought the railway into Brixham, and all of a sudden... | 0:02:58 | 0:03:01 | |
Manchester, Birmingham, London was open then overnight. | 0:03:01 | 0:03:05 | |
-The railway changed everything? -Everything. | 0:03:05 | 0:03:07 | |
The boats doubled in number in a matter of ten years. | 0:03:07 | 0:03:12 | |
Harbour towns like Brixham began to boom when the railways arrived. | 0:03:12 | 0:03:17 | |
Before then, there was little point catching more fish than the locals could eat. | 0:03:17 | 0:03:21 | |
But rapid transport by train meant fish could now be sold fresh in the big cities. | 0:03:21 | 0:03:27 | |
Brixham seized the initiative, taking the ancient art of trawling to a new level. | 0:03:29 | 0:03:35 | |
Large, fast sailing craft capable of dragging big, heavy nets were commissioned. | 0:03:36 | 0:03:42 | |
Their purpose? | 0:03:42 | 0:03:43 | |
To catch more fish than ever before. | 0:03:43 | 0:03:47 | |
Only when you get close you realise how big these sailing trawlers are. | 0:03:51 | 0:03:54 | |
Yeah, some size, aren't they? Everything's solidly built with it. | 0:03:54 | 0:03:57 | |
The Keewaydin is one of the few Brixham Trawlers still sailing. | 0:03:57 | 0:04:02 | |
100 years ago, they went out in waters teeming with fish. | 0:04:04 | 0:04:08 | |
Trawlers like this one landing up to a ton a day. | 0:04:08 | 0:04:12 | |
But could they manage that now? | 0:04:12 | 0:04:14 | |
We're on a mission to see what impact these boats have had on the seas they once sailed. | 0:04:14 | 0:04:20 | |
'Beam trawlers like this used a massive net, | 0:04:20 | 0:04:23 | |
'held open by a wooden beam, cast over the side of the boat.' | 0:04:23 | 0:04:27 | |
-All right? -Yeah. | 0:04:27 | 0:04:29 | |
100 years on, the concept's still the same. | 0:04:31 | 0:04:35 | |
This 1988 footage shows how trawl nets scour the seabed | 0:04:37 | 0:04:42 | |
for bottom-feeding fish, like cod and plaice. | 0:04:42 | 0:04:46 | |
It's a simple - and brutally effective - form of fishing. | 0:04:46 | 0:04:51 | |
The technique was pioneered by boats like this, | 0:04:51 | 0:04:54 | |
with big sails to drag the heavy nets. | 0:04:54 | 0:04:57 | |
Brixham Trawlers were adopted all along our coast, | 0:04:57 | 0:05:00 | |
'opening up the seas of Britain to trawling like never before.' | 0:05:00 | 0:05:04 | |
A century on, we are counting the cost. | 0:05:06 | 0:05:09 | |
Ruth Thurstan, from the University of York, | 0:05:12 | 0:05:14 | |
has analysed records of UK catches going back to 1889. | 0:05:14 | 0:05:19 | |
So we can see the effect of the trawling revolution started by these boats. | 0:05:20 | 0:05:25 | |
Throughout the late 19th century, fish landings were increasing - | 0:05:27 | 0:05:31 | |
this was because vessels were getting bigger and more seaworthy | 0:05:31 | 0:05:35 | |
and could go further out to sea to fish. | 0:05:35 | 0:05:37 | |
And then, once you get to really the 1970s, you get this big drop. | 0:05:37 | 0:05:42 | |
It just goes over the edge of a cliff, doesn't it? | 0:05:42 | 0:05:45 | |
Yes. You can see from that point, it keeps dropping. | 0:05:45 | 0:05:47 | |
However, fishing vessels have been getting more sophisticated, | 0:05:47 | 0:05:51 | |
and their ability to catch fish has been increasing and increasing over this entire period of time. | 0:05:51 | 0:05:56 | |
-So you'd think landings would continue to go up and up. -Yeah, exactly. Yeah. | 0:05:56 | 0:06:00 | |
And of course, they haven't, because the stocks couldn't take that pressure. | 0:06:00 | 0:06:04 | |
The impact of beam trawling on fish like cod and plaice has been immense. | 0:06:05 | 0:06:10 | |
The research indicates that nine out of ten | 0:06:10 | 0:06:14 | |
of these bottom-feeding fish have been scooped from our seas. | 0:06:14 | 0:06:19 | |
So if stocks are down to just a tenth of what they were, | 0:06:19 | 0:06:22 | |
our chance of a bumper catch looks slim. | 0:06:22 | 0:06:25 | |
They're pinned down, are they? Pinned down. | 0:06:26 | 0:06:29 | |
'And there's another setback to contend with.' | 0:06:29 | 0:06:32 | |
We put the beam over the side with a net, but it's snagged on a rock. | 0:06:34 | 0:06:39 | |
So the ship is stuck fast. | 0:06:40 | 0:06:43 | |
So they're now using a diesel winch to try and drag the net up. | 0:06:43 | 0:06:48 | |
One of the hazards of trying to trawl using a sailing boat. | 0:06:48 | 0:06:53 | |
After striking a rock, our wooden beam has snapped in two. | 0:06:53 | 0:06:58 | |
Well, we tried... | 0:06:58 | 0:07:00 | |
but failed. | 0:07:00 | 0:07:02 | |
So the beam trawl is busted. | 0:07:02 | 0:07:05 | |
And there won't even be a minnow stuck in that net. | 0:07:06 | 0:07:09 | |
Fishing has always been tough, | 0:07:11 | 0:07:13 | |
but with dwindling fish stocks, today's fishermen have to work even harder. | 0:07:13 | 0:07:18 | |
Research into the history of catches reached a staggering conclusion. | 0:07:19 | 0:07:24 | |
Fishing vessels today are having to work 17 times as hard | 0:07:24 | 0:07:28 | |
in order to catch the same amount of fish that they were catching in 1889. | 0:07:28 | 0:07:31 | |
-17 times harder to get the same number of fish? -Yes. | 0:07:31 | 0:07:36 | |
We're chasing some of the last fish in the sea. | 0:07:38 | 0:07:41 | |
Decent catches are only possible because of the technology in today's trawlers. | 0:07:41 | 0:07:46 | |
Fishermen work more effectively than their grandfathers, | 0:07:48 | 0:07:51 | |
but some fish stocks are much lower. | 0:07:51 | 0:07:54 | |
Nine out of ten cod, plaice and haddock have been taken in just over a century. | 0:07:54 | 0:07:59 | |
The Brixham Trawlers began a boom that fed the appetite of Britain. | 0:07:59 | 0:08:05 | |
Now these boats have gone... | 0:08:05 | 0:08:06 | |
and so has their catch. | 0:08:06 | 0:08:09 | |
We're leaving Devon behind as we cross the Tamar Estuary, the gateway to Cornwall. | 0:08:15 | 0:08:21 | |
It's not hard to see why more than five million tourists flock here every year. | 0:08:29 | 0:08:35 | |
Some are lucky enough to own a stretch of this coastline, | 0:08:36 | 0:08:39 | |
but a fortunate few get an entire island to themselves. | 0:08:39 | 0:08:44 | |
What's it like living the dream on tiny St George's Island? | 0:08:49 | 0:08:55 | |
The only full-time residents are Gus and Sheila Ravine. | 0:08:55 | 0:08:59 | |
The first time I saw the island, | 0:09:01 | 0:09:04 | |
my tummy just did a flip, and that was it. | 0:09:04 | 0:09:09 | |
There we are. | 0:09:09 | 0:09:11 | |
We've actually lived here permanently now for 13 years. | 0:09:12 | 0:09:17 | |
Through the winter time, we get our shopping and our post every two or three weeks, | 0:09:19 | 0:09:26 | |
depending on the weather. | 0:09:26 | 0:09:28 | |
Through the summertime, we still have groceries every two or three weeks, | 0:09:28 | 0:09:33 | |
but we perhaps get the post every week. | 0:09:33 | 0:09:37 | |
Main difficulty is, of course, getting ashore when you need to get ashore. | 0:09:38 | 0:09:42 | |
The weather is invariably bad. | 0:09:42 | 0:09:45 | |
We've had some really nasty storms, but they're quite interesting to watch. | 0:09:45 | 0:09:51 | |
But at the back of minds, we know we've to leave, don't we? | 0:09:53 | 0:09:57 | |
One day... | 0:09:57 | 0:09:58 | |
When we can't climb on and off boat, we'll have to go. | 0:09:58 | 0:10:03 | |
It's just so special, just so special. | 0:10:05 | 0:10:09 | |
Like many historic ports along the Cornish coastline, | 0:10:15 | 0:10:19 | |
the harbour at Charlestown was once packed with cargo ships. | 0:10:19 | 0:10:23 | |
150 years ago, the town was a hub for the booming china clay industry. | 0:10:23 | 0:10:30 | |
Now Charlestown has re-invented itself for the heritage industry. | 0:10:30 | 0:10:34 | |
It's the home port for a fleet of square riggers that often star on our TV screens. | 0:10:34 | 0:10:40 | |
'The ships and harbour have had cameos in many films and TV series.' | 0:10:40 | 0:10:47 | |
One of the best-known being a starring role in the classic series, The Onedin Line. | 0:10:49 | 0:10:55 | |
The biggest star of all along this coastline, though, | 0:11:05 | 0:11:09 | |
is the coast itself. | 0:11:09 | 0:11:12 | |
The mouth of the River Fal offers a deep, natural harbour - | 0:11:23 | 0:11:27 | |
a safe haven for shipping and a prime target for invasion. | 0:11:27 | 0:11:32 | |
Guarding the eastern side of the Fal estuary is the Tudor castle of St Mawes. | 0:11:32 | 0:11:38 | |
Its original role as a military fort is long over. | 0:11:38 | 0:11:41 | |
Now, as well as a tourist attraction, | 0:11:41 | 0:11:44 | |
it's also a popular venue for weddings. | 0:11:44 | 0:11:47 | |
But ironically, St Mawes Castle was built because of a famous divorce. | 0:11:48 | 0:11:53 | |
Back in 1533, Henry VIII divorced his first wife, Catherine of Aragon. | 0:11:55 | 0:12:02 | |
This act enraged the Pope and all countries faithful to Rome. | 0:12:02 | 0:12:07 | |
Fearing an invasion, Henry thought the coast needed new fortifications, | 0:12:07 | 0:12:12 | |
but where was best to build them? | 0:12:12 | 0:12:15 | |
In 1538, maps were few and far between, | 0:12:16 | 0:12:21 | |
so Henry VIII commissioned his own, | 0:12:21 | 0:12:23 | |
creating the first detailed map of England's south coast. | 0:12:23 | 0:12:28 | |
Henry's divorce had become a contributor to the birth of modern cartography. | 0:12:28 | 0:12:33 | |
This is a full-size replica. | 0:12:34 | 0:12:36 | |
So here's Exeter... | 0:12:36 | 0:12:39 | |
and here's the coastline all the way down here to Land's End here. | 0:12:39 | 0:12:43 | |
Now, this is not a geographically accurate map. | 0:12:43 | 0:12:46 | |
In fact, it's not really a map at all. | 0:12:46 | 0:12:47 | |
It's a view - an oblique view - of the coastline, | 0:12:47 | 0:12:50 | |
intent to draw the viewer's eye to two geographical features... | 0:12:50 | 0:12:55 | |
cliffs, which were natural defences and impregnable, | 0:12:55 | 0:12:59 | |
and beaches, which were exposed to invasion. | 0:12:59 | 0:13:03 | |
Using these views of the coast, Henry and his military advisors | 0:13:06 | 0:13:09 | |
picked prime locations to build a new chain of defences. | 0:13:09 | 0:13:14 | |
They built not only St Mawes, | 0:13:14 | 0:13:17 | |
but also Pendennis on the opposing headland, | 0:13:17 | 0:13:21 | |
as well as constructing 26 other forts from Cornwall to Kent. | 0:13:21 | 0:13:25 | |
Over four centuries, many of these fortifications | 0:13:27 | 0:13:30 | |
were carefully maintained as the first line of defence against invasion. | 0:13:30 | 0:13:35 | |
A testament to the strategic vision of Henry VIII, | 0:13:35 | 0:13:39 | |
brought about by his infamous divorce. | 0:13:39 | 0:13:42 | |
We're continuing our journey south. | 0:13:48 | 0:13:51 | |
When it comes to the British mainland, as far south as you can go, Lizard Point. | 0:13:51 | 0:13:57 | |
This peninsula is often pounded by big Atlantic seas, | 0:13:58 | 0:14:02 | |
but what drives those waves to our shore? | 0:14:02 | 0:14:06 | |
Arriving on the golden sands of Porthcurno, | 0:14:09 | 0:14:13 | |
on a mission to discover how waves are born, is Alice. | 0:14:13 | 0:14:16 | |
'As an island nation, we're surrounded by the restless shifting of the sea. | 0:14:18 | 0:14:24 | |
'Stroll along a beach, and it looks like the entire ocean is advancing towards you. | 0:14:26 | 0:14:32 | |
'But it's not the water that's moving - | 0:14:32 | 0:14:35 | |
'it's something moving through the water.' | 0:14:35 | 0:14:38 | |
So these waves certainly look as if they're moving towards the shore, | 0:14:38 | 0:14:43 | |
but the water isn't - it's moving in a very particular way. | 0:14:43 | 0:14:46 | |
If you imagine yourself swimming in the sea, | 0:14:46 | 0:14:49 | |
facing the shore, and a wave coming up behind you, | 0:14:49 | 0:14:52 | |
you get dragged backwards towards it, lifted up in the air | 0:14:52 | 0:14:56 | |
and then come back down forwards again. | 0:14:56 | 0:14:58 | |
So you're travelling in a circular motion. | 0:14:58 | 0:15:00 | |
And that's what all of the water is doing as the waves pass through it. | 0:15:00 | 0:15:04 | |
So the water itself isn't travelling towards the shore - | 0:15:04 | 0:15:08 | |
what's moving towards us is energy. | 0:15:08 | 0:15:12 | |
So where does that wave energy come from? | 0:15:13 | 0:15:17 | |
I'm meeting up with Gavin Pretor-Pinney, | 0:15:17 | 0:15:20 | |
a wave-watcher extraordinaire, who's made a study of the sea. | 0:15:20 | 0:15:24 | |
Gavin, where do waves come from, where does this energy come from? | 0:15:25 | 0:15:29 | |
Well, waves like this, the energy comes from winds out at sea, | 0:15:29 | 0:15:33 | |
maybe storms out at sea, which have long since dissipated. | 0:15:33 | 0:15:37 | |
They gave this energy to the water's surface, | 0:15:37 | 0:15:40 | |
and then the wind dies down, and the waves roll on | 0:15:40 | 0:15:42 | |
and eventually they crash ashore like here. | 0:15:42 | 0:15:45 | |
'It's remarkable to think that all these waves are made by winds way out at sea.' | 0:15:45 | 0:15:52 | |
So how far can waves travel? | 0:15:52 | 0:15:54 | |
They have been measured travelling 7,000 miles | 0:15:54 | 0:15:58 | |
from storms off Antarctica, right up through the Pacific to Alaska. | 0:15:58 | 0:16:03 | |
So it doesn't need the wind... once the waves have been formed, | 0:16:03 | 0:16:06 | |
-they don't need the wind to keep them going? -No. | 0:16:06 | 0:16:08 | |
The energy's been given to the water and it just keeps rolling. | 0:16:08 | 0:16:11 | |
So it's the wind that whips up the seas. | 0:16:13 | 0:16:15 | |
That energy then travels in waves huge distances to our shores. | 0:16:15 | 0:16:22 | |
We're going to try to make waves by creating our own perfect storm | 0:16:25 | 0:16:31 | |
on a much, much smaller scale. | 0:16:31 | 0:16:34 | |
This swimming pool is our Atlantic Ocean, | 0:16:36 | 0:16:40 | |
and we've bought in some big fans to make a miniature storm. | 0:16:40 | 0:16:44 | |
Here to help me whip up the calm waters of our small-scale sea | 0:16:45 | 0:16:49 | |
is Dr Simon Boxhall of the National Oceanography Centre. | 0:16:49 | 0:16:53 | |
-So these fans are going to give us 100mph winds at this end of the pool. -Right. | 0:16:53 | 0:16:58 | |
They'll create a confused sea, with waves going in different directions. | 0:16:58 | 0:17:01 | |
And what we should see is, as we move down the pool, | 0:17:01 | 0:17:05 | |
the longer waves move faster than the shorter waves, so the waves spread out. | 0:17:05 | 0:17:09 | |
We're taking a scale model of the Atlantic and putting into this pool in the middle of Cornwall. | 0:17:10 | 0:17:15 | |
Time to power up our perfect storm. | 0:17:18 | 0:17:21 | |
There's a bit of a delay, but it's started to... | 0:17:27 | 0:17:30 | |
ripple across the surface now. | 0:17:30 | 0:17:32 | |
The wind area is just in front of us, | 0:17:32 | 0:17:34 | |
probably the first two or three metres, but as you move away, | 0:17:34 | 0:17:38 | |
you can start to see a more sort of directional, more ordered wave train | 0:17:38 | 0:17:42 | |
going down the pool, which is extending further and further. | 0:17:42 | 0:17:47 | |
Even on this tiny scale, you can see how seemingly chaotic waves, | 0:17:47 | 0:17:52 | |
created in a storm far out at sea, | 0:17:52 | 0:17:55 | |
sort themselves out into the rhythmic, regular waves that hit our coastline. | 0:17:55 | 0:18:00 | |
As we get to sort of the beach that's square onto the waves, | 0:18:00 | 0:18:05 | |
you can see how the waves are crashing straight into the beach. | 0:18:05 | 0:18:08 | |
This is a sort of a perfect surf beach. | 0:18:08 | 0:18:11 | |
Yeah, if I was a miniature little surfer, I would be very happy with those waves. | 0:18:11 | 0:18:15 | |
OK, our waves may look a little puny, but this pool is supposed to represent the size of the Atlantic, | 0:18:16 | 0:18:22 | |
and on that scale, our piddly little waves would actually be as big as houses. | 0:18:22 | 0:18:28 | |
So we've seen how the rhythmic waves that cascade onto our coast | 0:18:29 | 0:18:34 | |
are created from that chaos whipped up by winds far out at sea. | 0:18:34 | 0:18:38 | |
But what happens when a wave that's travelled 1,000 miles finally hits the shore? | 0:18:40 | 0:18:47 | |
So, Gavin, this is it, the end of the wave as it hits the beach. | 0:18:48 | 0:18:52 | |
What's going on is that the wave is slowed down as it enters shallower water, | 0:18:52 | 0:18:57 | |
and the bottom of the wave becomes slower than the top of the wave, | 0:18:57 | 0:19:01 | |
and the top therefore tumbles over. | 0:19:01 | 0:19:04 | |
And that's what produces this white water. | 0:19:04 | 0:19:06 | |
When the wave tumbles over and its energy is released into the environment, | 0:19:06 | 0:19:11 | |
some of it goes into the sand that we can hear. | 0:19:11 | 0:19:14 | |
So water waves into sound waves? | 0:19:14 | 0:19:16 | |
Into sound waves but other waves as well. | 0:19:16 | 0:19:18 | |
When you have strong surf, you feel the vibrations through the ground, | 0:19:18 | 0:19:21 | |
so the energy arrives here, the wave breaks, | 0:19:21 | 0:19:24 | |
it's released and then it carries on in other forms. | 0:19:24 | 0:19:28 | |
So the wave never really dies. | 0:19:28 | 0:19:31 | |
Never dies. | 0:19:31 | 0:19:32 | |
I've discovered how waves get their energy. | 0:19:34 | 0:19:38 | |
Later on, I'll try to capture that raw power with a snapshot. | 0:19:38 | 0:19:44 | |
On our journey around the South West, | 0:19:51 | 0:19:54 | |
I'm heading out to the edge of the Atlantic - | 0:19:54 | 0:19:56 | |
the Isles of Scilly. | 0:19:56 | 0:19:59 | |
It takes around two and a half hours to reach the islands aboard the Scillonian ferry. | 0:20:03 | 0:20:09 | |
The Atlantic swell and rolling waves make this one of Britain's great voyages. | 0:20:09 | 0:20:14 | |
Believe it or not... | 0:20:22 | 0:20:24 | |
this is a fairly mild day! | 0:20:24 | 0:20:27 | |
This passage of water is notorious for its heaving seas, | 0:20:27 | 0:20:34 | |
a reputation which has given this little ship the nickname... | 0:20:34 | 0:20:40 | |
The Great White Stomach Pump. | 0:20:40 | 0:20:43 | |
And I'm beginning to know why. | 0:20:45 | 0:20:47 | |
The ferry fights with fierce tidal currents off Land's End. | 0:20:49 | 0:20:53 | |
'And we passengers have to roll with the Atlantic's punches. | 0:20:53 | 0:20:58 | |
'At the ship's helm is Captain Dave Redgrave.' | 0:21:01 | 0:21:04 | |
Oh, my goodness, look at that! | 0:21:06 | 0:21:08 | |
This is... | 0:21:09 | 0:21:11 | |
This is a calm day, isn't it? It feels like the perfect storm already. | 0:21:12 | 0:21:15 | |
No, this is a normal day. | 0:21:15 | 0:21:18 | |
On a scale of one to ten, this would be a five. | 0:21:18 | 0:21:21 | |
How bad can it get out here, when it's really blowing? | 0:21:21 | 0:21:24 | |
As we go down on a wave, the next wave would be the same height as us. | 0:21:24 | 0:21:29 | |
-As the wheelhouse? -Yeah. | 0:21:29 | 0:21:31 | |
-Does that not bother you? -A little bit, yes. | 0:21:31 | 0:21:34 | |
-And do you suffer from sea sickness, Dave? -I have been, yes. | 0:21:34 | 0:21:37 | |
When I first went to sea, I had bouts that lasted... | 0:21:37 | 0:21:41 | |
-sometimes five days. -You're kidding! | 0:21:41 | 0:21:44 | |
-Any tips? -Focus on something else, anything! | 0:21:44 | 0:21:47 | |
This vital link between the Isles of Scilly | 0:21:50 | 0:21:52 | |
keeps going through all weather and it's an unforgettable journey. | 0:21:52 | 0:21:57 | |
The Scillies are an archipelago with over 100 islands of all shapes and sizes. | 0:22:01 | 0:22:07 | |
Getting around means hopping off one boat and straight onto another. | 0:22:10 | 0:22:14 | |
'Only five of the isles in the Scillies are inhabited.' | 0:22:18 | 0:22:21 | |
The most northerly is St Martin's. | 0:22:23 | 0:22:25 | |
It may be a small community with a slow pace of life, | 0:22:29 | 0:22:33 | |
but you can still get fast food. | 0:22:33 | 0:22:36 | |
Here on St Martin's is one of the most remote fish and chip shops in the UK, | 0:22:36 | 0:22:42 | |
but that's not the only reason it's unusual. | 0:22:42 | 0:22:47 | |
Unlike other chippies, this one doesn't rely on a delivery van for its ingredients. | 0:22:47 | 0:22:52 | |
Islanders have to be resourceful. | 0:22:52 | 0:22:55 | |
To get the catch of the day, | 0:22:57 | 0:22:58 | |
I'm meeting up with the restaurant's fisherman, cook and owner, Adam Morton. | 0:22:58 | 0:23:04 | |
What made you open a fish and chip shop on a tiny island in the Atlantic? | 0:23:04 | 0:23:09 | |
I needed an outlet to sell my fish. | 0:23:09 | 0:23:11 | |
There was nothing of that nature on the island, | 0:23:11 | 0:23:15 | |
so I gave it a try and haven't looked back since. | 0:23:15 | 0:23:17 | |
When Adam goes out, he only takes enough fish for a night's serving. | 0:23:19 | 0:23:24 | |
He uses a line to catch pollock. | 0:23:24 | 0:23:27 | |
-There's definitely one on there. -You got one? -Yeah. -Got a fish! | 0:23:27 | 0:23:30 | |
-These... -That's a good-size fish. | 0:23:30 | 0:23:32 | |
-..will go in the restaurant. -That is beautiful. | 0:23:32 | 0:23:35 | |
I think we might just have another one - can you feel that? | 0:23:35 | 0:23:39 | |
Yeah. | 0:23:39 | 0:23:40 | |
OK, that will do us for today. That's all I need for tonight in the restaurant. | 0:23:42 | 0:23:46 | |
'A fish supper wouldn't be complete without chips. | 0:23:47 | 0:23:50 | |
'Adam's brother James looks after the spuds.' | 0:23:50 | 0:23:54 | |
Quite a family team - one brother catching the fresh fish and the other one... | 0:23:55 | 0:23:59 | |
growing the organic potatoes. | 0:23:59 | 0:24:03 | |
Yeah, well, over here, you know, | 0:24:03 | 0:24:04 | |
there's only a 100 people on the island in total, | 0:24:04 | 0:24:07 | |
so you do tend to end up working with family most of the time. | 0:24:07 | 0:24:12 | |
Within half an hour, the spuds are sizzling, | 0:24:14 | 0:24:17 | |
along with the pollock plucked this afternoon from the sea. | 0:24:17 | 0:24:21 | |
A small-scale, sustainable operation. | 0:24:21 | 0:24:25 | |
Fiona, thank you very much indeed. That looks fantastic, thank you. | 0:24:25 | 0:24:29 | |
This is the freshest plate of fish and chips I've ever been served - it's barely two hours old. | 0:24:29 | 0:24:35 | |
The pollock... | 0:24:37 | 0:24:38 | |
A bit sad, given it was such a beautiful fish, but look at that. | 0:24:38 | 0:24:42 | |
Just around the corner from Land's End | 0:24:49 | 0:24:52 | |
is one of Cornwall's most popular spots - Sennen Cove. | 0:24:52 | 0:24:56 | |
During the summer, thousands of visitors pack onto the beach | 0:24:58 | 0:25:01 | |
and spill out into the water. | 0:25:01 | 0:25:05 | |
The lifeguards are never far away. | 0:25:05 | 0:25:08 | |
The RNLI watch over those who venture out to sea - | 0:25:13 | 0:25:17 | |
whoever they may be. | 0:25:17 | 0:25:19 | |
When it comes to swimming, | 0:25:23 | 0:25:24 | |
Newfoundlands like Bilbo are in a class of their own. | 0:25:24 | 0:25:28 | |
Elsewhere in the world, with the right training, they've been known to save lives at sea. | 0:25:28 | 0:25:34 | |
But Bilbo's in it just for the fun. | 0:25:34 | 0:25:36 | |
What makes these shaggy dogs such strong swimmers? | 0:25:39 | 0:25:44 | |
Bilbo's owner is Steve Jamieson. | 0:25:44 | 0:25:47 | |
Coming from Newfoundland, the water around... | 0:25:47 | 0:25:50 | |
Newfoundland is really cold, | 0:25:50 | 0:25:51 | |
with the Labrador current and what have you. | 0:25:51 | 0:25:54 | |
So these dogs are adapted for that. They have a double coat. | 0:25:54 | 0:25:57 | |
The top coat is a really efficient waterproof coat - the small hairs underneath never get wet. | 0:25:57 | 0:26:02 | |
-He's got his own wetsuit on, in effect. -How much does Bilbo weigh? | 0:26:02 | 0:26:05 | |
He's almost 12 stone. He's pure muscle, a very strong boy in the water. | 0:26:05 | 0:26:10 | |
If you can see here, he's got very ticklish feet, | 0:26:10 | 0:26:12 | |
-but if you spread his feet out, he's got webs that goes right down to his toes. -He's a natural-born swimmer. | 0:26:12 | 0:26:17 | |
When he spreads his feet, he's got massive paddles to push him through the sea. | 0:26:17 | 0:26:21 | |
-You're a duck. -He's got extra-large lungs for long-distance swimming as well, | 0:26:21 | 0:26:25 | |
so he's really adapted for water work. | 0:26:25 | 0:26:27 | |
And, of course, he uses his big tail as a rudder to steer him through the water. | 0:26:27 | 0:26:31 | |
You intelligent dog. | 0:26:32 | 0:26:34 | |
It's fantastic to see him going into the sea, | 0:26:34 | 0:26:36 | |
because he just loves it so much. | 0:26:36 | 0:26:38 | |
Bilbo doesn't work as a lifeguard at Sennen Cove, | 0:26:40 | 0:26:43 | |
but he does have a roll promoting beach safety to local children. | 0:26:43 | 0:26:49 | |
The northern coastline of Cornwall sits on the edge of a mighty sea. | 0:26:56 | 0:27:01 | |
The Atlantic Ocean battering Fistral Beach | 0:27:02 | 0:27:05 | |
produces some of the best surf in Europe. | 0:27:05 | 0:27:09 | |
It's the perfect place to marvel at the power of the waves, | 0:27:14 | 0:27:19 | |
a mystery that's become a mission for Alice. | 0:27:19 | 0:27:22 | |
Earlier, I discovered how the waves that perpetually pound our coast | 0:27:24 | 0:27:27 | |
are formed miles out to sea by storms. | 0:27:27 | 0:27:31 | |
Ocean winds drive the rolling surf. | 0:27:32 | 0:27:35 | |
The artist in me yearns to capture the power of those seas in a split-second image. | 0:27:35 | 0:27:43 | |
'Capturing that perfect wave isn't easy, | 0:27:43 | 0:27:46 | |
'but professional photographer Lucia Griggi | 0:27:46 | 0:27:49 | |
'travels the world to do just that.' | 0:27:49 | 0:27:52 | |
It's obviously a very specialist type of photography. | 0:27:55 | 0:27:58 | |
What really excites you about it? | 0:27:58 | 0:28:00 | |
I love turning up to a destination where | 0:28:00 | 0:28:02 | |
I don't know about the culture, I don't know what waves to expect, | 0:28:02 | 0:28:06 | |
I don't know what the surf conditions will be like, | 0:28:06 | 0:28:08 | |
and you just have to go out there and deal with it, | 0:28:08 | 0:28:10 | |
and the excitement and anticipation of having to put all that together... | 0:28:10 | 0:28:14 | |
just excites me. | 0:28:14 | 0:28:15 | |
Being out there in the water with the best surfers in the world | 0:28:15 | 0:28:19 | |
is never the same, and that's what I love about it. | 0:28:19 | 0:28:22 | |
Every time is different, no wave is the same. Ever. | 0:28:22 | 0:28:25 | |
Is there a chance of a decent photograph in this sea? | 0:28:25 | 0:28:28 | |
Yeah, the conditions are medium today. The wind's onshore, | 0:28:28 | 0:28:31 | |
so it's a little bit choppy and messy, | 0:28:31 | 0:28:33 | |
but we can still do a lot in this, and it makes it even more fun, really. | 0:28:33 | 0:28:37 | |
The surf's up, and soon I'll be out there trying to take a picture. | 0:28:41 | 0:28:45 | |
'Lucia uses a digital SLR camera, cocooned in a waterproof case. | 0:28:47 | 0:28:53 | |
'Now it's time for my crash course in underwater photography.' | 0:28:53 | 0:28:58 | |
In order to get a good picture of the wave, will I have to be level with it? | 0:28:58 | 0:29:01 | |
Yeah, you need to be level with the surf or the wave, whatever you're shooting. | 0:29:01 | 0:29:05 | |
Right now, there's a wave coming, and you're going to get down, | 0:29:05 | 0:29:08 | |
hold onto the right-hand trigger point | 0:29:08 | 0:29:10 | |
and shoot as it starts curling towards you. | 0:29:10 | 0:29:12 | |
-OK. -And keep them down low, | 0:29:12 | 0:29:14 | |
and there you go, perfect. Like now! | 0:29:14 | 0:29:16 | |
'Are we having fun yet? | 0:29:18 | 0:29:20 | |
'Believe me, it's harder than it looks. | 0:29:20 | 0:29:23 | |
'The waves hit you with incredible force. | 0:29:25 | 0:29:27 | |
'In fact, a metre-high monster is roughly equivalent | 0:29:28 | 0:29:33 | |
'to a ton of weight walloping you. | 0:29:33 | 0:29:36 | |
'It's a real challenge to hold onto the camera as the waves hit me | 0:29:37 | 0:29:41 | |
'and try to take some decent snaps at the same time.' | 0:29:41 | 0:29:45 | |
Wow! That's brilliant. | 0:29:51 | 0:29:53 | |
And I love the super-wide angle of the fish-eye. | 0:29:53 | 0:29:56 | |
It's a great lens to shoot with when you want to get the landscape in. | 0:29:56 | 0:29:59 | |
Just water over the lens. | 0:30:01 | 0:30:03 | |
-These are the ones I like, cos you can see underwater. -Yeah. | 0:30:03 | 0:30:06 | |
And you can see above as well, so half and half, I love that kind of effect. | 0:30:06 | 0:30:11 | |
It's quite amazing to capture something as dynamic, | 0:30:11 | 0:30:13 | |
as moving, as a wave and just capture an image of it. | 0:30:13 | 0:30:16 | |
My pictures put me back in that moment, at one with the wave. | 0:30:19 | 0:30:23 | |
Worth getting wet for. | 0:30:23 | 0:30:26 | |
Along the north coast of Cornwall, | 0:30:38 | 0:30:40 | |
the pounding waves meet their match where the cliffs stand proud. | 0:30:40 | 0:30:45 | |
The debris of the war between land and sea litters the shore, | 0:30:47 | 0:30:52 | |
with some spectacular results, like the Bedruthan Steps. | 0:30:52 | 0:30:57 | |
Legend has it that a giant used these rock stacks as enormous stepping stones to cross the bay. | 0:30:58 | 0:31:05 | |
But people have been making giant strides to and from this coast for centuries. | 0:31:11 | 0:31:17 | |
Quaint harbours now were once thronging with a rich trade in travellers, | 0:31:17 | 0:31:22 | |
like here, at Padstow. | 0:31:22 | 0:31:24 | |
Engineer Dick Strawbridge is exploring some curious comings and going. | 0:31:25 | 0:31:31 | |
Today, Padstow harbour is full of tourists from all over the world, | 0:31:31 | 0:31:35 | |
but 150 years ago, | 0:31:35 | 0:31:37 | |
this quayside would have been full of people | 0:31:37 | 0:31:39 | |
who were leaving Cornwall for a new life abroad. | 0:31:39 | 0:31:42 | |
They were miners, emigrating from these shores in the early 19th century. | 0:31:44 | 0:31:49 | |
They chose to go, because their skills were wanted overseas. | 0:31:49 | 0:31:54 | |
Competitors around the globe envied Cornish mining technology, | 0:31:54 | 0:31:58 | |
so Cornish men were head-hunted to mine new seams in new worlds. | 0:31:58 | 0:32:03 | |
Look at this picture from Australia. | 0:32:08 | 0:32:10 | |
Mine workings from Down Under! | 0:32:10 | 0:32:12 | |
If you note, it's a stone building with an arch door and windows, | 0:32:14 | 0:32:17 | |
and beside it, there's a big chimney, obviously for the boiler. | 0:32:17 | 0:32:20 | |
This is the Cornish original, built 50 years earlier. | 0:32:20 | 0:32:23 | |
From Australia...to North America, | 0:32:23 | 0:32:28 | |
you'll see copies of the Cornish engine houses throughout the world. | 0:32:28 | 0:32:32 | |
The buildings all look alike, | 0:32:34 | 0:32:36 | |
because they were made to accommodate similar steam engines, | 0:32:36 | 0:32:39 | |
used to pump water from the mines. | 0:32:39 | 0:32:42 | |
'Anthony Power, from the Botallack mine, | 0:32:45 | 0:32:48 | |
'is going to show me how a steam engine fitted snugly inside its engine house.' | 0:32:48 | 0:32:53 | |
Look at this - they're solid old buildings, aren't they? | 0:32:53 | 0:32:56 | |
Fantastic, aren't they? You can see why they've lasted such a long time! | 0:32:56 | 0:33:00 | |
It's amazing. What's the layout in here? | 0:33:00 | 0:33:02 | |
Well, we've got cylinder here - you can see these four bolts - | 0:33:02 | 0:33:05 | |
you've got a massive great cylinder here. | 0:33:05 | 0:33:07 | |
Steam pumped into that, activating piston inside, | 0:33:07 | 0:33:10 | |
piston rod going up and down. | 0:33:10 | 0:33:12 | |
And then attached to this end of it, is the beam. | 0:33:12 | 0:33:14 | |
The beam pivots on the wall in front of us, massive wall in front of us. | 0:33:14 | 0:33:18 | |
Half the beam is on the outside of the wall, so the thing is rocking on that wall. | 0:33:18 | 0:33:22 | |
-That's why the walls are so chunky! -Absolutely. -They're solid. -Yeah. | 0:33:22 | 0:33:25 | |
These dramatic Cornish landmarks | 0:33:26 | 0:33:28 | |
are the tombstones of giant pumping engines | 0:33:28 | 0:33:31 | |
that proudly epitomised the age of steam. | 0:33:31 | 0:33:33 | |
But the engines had to be big, | 0:33:35 | 0:33:37 | |
because, surprisingly, early steam power wasn't very powerful at all. | 0:33:37 | 0:33:42 | |
Most of the work was done using the pressure of the atmosphere. | 0:33:42 | 0:33:46 | |
To see how, I've cooked up an experiment. | 0:33:46 | 0:33:50 | |
This is a tin can with some boiling water, which means it's full of steam. | 0:33:50 | 0:33:54 | |
When I put the lid on it and quench it, | 0:33:54 | 0:33:56 | |
what'll happen is the air in the atmosphere is going to squish it, | 0:33:56 | 0:33:59 | |
as the steam will have condensed inside. | 0:33:59 | 0:34:01 | |
There you can see the power of the atmosphere, | 0:34:15 | 0:34:17 | |
but the problem they had was harnessing it. | 0:34:17 | 0:34:20 | |
When I cooled the can, the steam trapped inside started to shrink. | 0:34:22 | 0:34:27 | |
It condensed into water, creating a vacuum. | 0:34:27 | 0:34:30 | |
Air pressure then crushed the can. | 0:34:30 | 0:34:33 | |
The trick was to make that destructive power do constructive work. | 0:34:34 | 0:34:37 | |
The early engines used a cylinder, a super-sized version of my can. | 0:34:39 | 0:34:44 | |
But inside, they put a piston that was connected to the beam. | 0:34:46 | 0:34:50 | |
Steam came in at the bottom, pushing the piston up. | 0:34:50 | 0:34:54 | |
Then a jet of water cooled the steam down, | 0:34:56 | 0:35:00 | |
so the steam condensed, creating a vacuum. | 0:35:00 | 0:35:03 | |
The air pressure pushed on the top of the piston, forcing it back down. | 0:35:06 | 0:35:10 | |
As the steam comes in again, the cycle repeats, | 0:35:11 | 0:35:14 | |
rocking the beam back and forward to pump water from the mine. | 0:35:14 | 0:35:18 | |
The designs did improve, | 0:35:21 | 0:35:23 | |
but the engines were so low-power, because they used low-pressure steam. | 0:35:23 | 0:35:27 | |
But at the start of the 19th century, | 0:35:27 | 0:35:29 | |
a Cornishman unleashed the full power of high-pressure steam. | 0:35:29 | 0:35:34 | |
Maverick engineer Richard Trevithick had a passion to harness "strong steam". | 0:35:34 | 0:35:40 | |
Trevithick invented this, a high-pressure steam engine. | 0:35:45 | 0:35:49 | |
To show off its power, he built his boiler into a remarkable locomotive, | 0:35:54 | 0:35:59 | |
just like this replica. | 0:35:59 | 0:36:01 | |
How fast does this thing go? | 0:36:02 | 0:36:04 | |
It will do 15mph if we open her up. | 0:36:04 | 0:36:08 | |
Here we go! | 0:36:08 | 0:36:09 | |
That's it! Hang on, Dick, we are going to hit the sound barrier soon! | 0:36:09 | 0:36:15 | |
Richard Trevithick's high-pressure steam | 0:36:16 | 0:36:18 | |
created the first passenger-pulling, self-propelled vehicle - | 0:36:18 | 0:36:22 | |
The Puffing Devil. | 0:36:22 | 0:36:24 | |
'Kingsley Rickard helped bring The Devil back to life.' | 0:36:26 | 0:36:30 | |
This is phenomenal! | 0:36:30 | 0:36:33 | |
We're talking 210 years ago, | 0:36:33 | 0:36:35 | |
the old Puffing Devil must have been a sight! | 0:36:35 | 0:36:37 | |
It was absolutely fantastic and a huge step forward. So exciting! | 0:36:37 | 0:36:41 | |
Nobody had seen anything like this, had they? | 0:36:41 | 0:36:44 | |
-This is high-powered steam in action. -Much more power, cheaper to run, smaller than the old engine. | 0:36:44 | 0:36:49 | |
It was a marvellous thing at the time, it really was. | 0:36:49 | 0:36:54 | |
Sadly, The Puffing Devil wasn't reliable enough to beat horse power, | 0:36:55 | 0:36:59 | |
but it proved that high-pressure steam was the way forward. | 0:36:59 | 0:37:03 | |
The mines of Cornwall kept their big, old-style engines pumping for a while, | 0:37:04 | 0:37:09 | |
but by the mid 1800s, these dinosaurs had begun to shut down. | 0:37:09 | 0:37:13 | |
The power of high-pressure steam, | 0:37:15 | 0:37:17 | |
pioneered in The Puffing Devil, | 0:37:17 | 0:37:20 | |
helped open up deep mines all over the world. | 0:37:20 | 0:37:24 | |
The boom that began in Cornwall eventually caused her mines to close, | 0:37:24 | 0:37:29 | |
as competition took its toll. | 0:37:29 | 0:37:31 | |
Cornwall became a victim of its own success, | 0:37:32 | 0:37:35 | |
exporting its expertise and making mining a global industry. | 0:37:35 | 0:37:40 | |
In the century leading up to the First World War, | 0:37:40 | 0:37:42 | |
it's reckoned that up to 500,000 people left the county of Cornwall. | 0:37:42 | 0:37:46 | |
That was more than half the population at that time. | 0:37:46 | 0:37:49 | |
The emigration of miners from Padstow that began with the promise of rich rewards abroad | 0:37:50 | 0:37:55 | |
ended with families fleeing poverty at home. | 0:37:55 | 0:37:58 | |
People desperate to leave this coast, while pining for its beauty. | 0:37:58 | 0:38:03 | |
In a quiet back alley of Bideford, | 0:38:11 | 0:38:14 | |
the age-old tradition of carving figureheads is being kept alive... | 0:38:14 | 0:38:18 | |
by woodworker John Butler. | 0:38:18 | 0:38:23 | |
'This is a little ship's figurehead that I'm working on. | 0:38:28 | 0:38:31 | |
'I'm very fond of figureheads. | 0:38:31 | 0:38:34 | |
'I just love the power of them | 0:38:34 | 0:38:35 | |
'and I like the idea also of female figureheads being on the front of a ship - | 0:38:35 | 0:38:40 | |
'the idea of the sailors having an image of their favourite barmaid | 0:38:40 | 0:38:44 | |
'attached to the front of their vessel seems rather pleasing to me.' | 0:38:44 | 0:38:48 | |
So using a few separate pieces... | 0:38:51 | 0:38:54 | |
These are the trail boards that are going sit either side to suggest... | 0:38:57 | 0:39:01 | |
motion through the water, really, I suppose. | 0:39:01 | 0:39:05 | |
And then her arms... | 0:39:05 | 0:39:07 | |
One hand on her heart and the other... | 0:39:08 | 0:39:11 | |
..down there like that. | 0:39:13 | 0:39:14 | |
I live right by the river in Riverbank Cottages | 0:39:22 | 0:39:25 | |
and I've walked up and down the River Torridge every day for the last 30 or so years. | 0:39:25 | 0:39:31 | |
When I started carving, I tended to use driftwood. | 0:39:31 | 0:39:35 | |
We get a surprising range of timber washed down the River Torridge. | 0:39:35 | 0:39:40 | |
Alder wood, sycamore, oak. | 0:39:40 | 0:39:42 | |
I love living in Bideford | 0:39:45 | 0:39:47 | |
and I love looking at the characters that are wandering around. | 0:39:47 | 0:39:51 | |
One of my carvings was of a couple that I saw at the bus stop, | 0:39:51 | 0:39:55 | |
and he was very tall, and she was very short. | 0:39:55 | 0:39:58 | |
They were a little bit gormless but very much in love. | 0:39:58 | 0:40:01 | |
I also saw a couple of older ladies gossiping in the Pannier Market, | 0:40:01 | 0:40:08 | |
and they were just a gift to the woodcarver's art. | 0:40:08 | 0:40:12 | |
Trying to capture the whole range of human emotion, really, | 0:40:12 | 0:40:17 | |
as best one can with a chisel. | 0:40:17 | 0:40:19 | |
Bideford's link to the sea is the River Torridge, | 0:40:26 | 0:40:30 | |
which opens into a peaceful estuary... | 0:40:30 | 0:40:33 | |
..with skeletal remains concealed in the mud. | 0:40:36 | 0:40:40 | |
This is like an elephant's graveyard for ships. | 0:40:40 | 0:40:43 | |
It's where old boats come to die. | 0:40:43 | 0:40:46 | |
It might look like the maritime heritage here is dying, | 0:40:46 | 0:40:51 | |
but these wrecks litter the lair of a much bigger beast. | 0:40:51 | 0:40:55 | |
That'll be the shipyard, then. | 0:40:55 | 0:40:57 | |
This sleepy corner of Devon | 0:41:00 | 0:41:03 | |
is the unlikely home of a ship-building industry dating back over 500 years. | 0:41:03 | 0:41:10 | |
The Appledore Shipyard has built more than 350 vessels - | 0:41:10 | 0:41:15 | |
among them, the Scillonian ferry | 0:41:15 | 0:41:17 | |
that took me to the Isles of Scilly earlier. | 0:41:17 | 0:41:20 | |
They've also worked on some of the Navy's biggest ships. | 0:41:23 | 0:41:27 | |
Gerald Lee was here when this building was opened 40 years ago. | 0:41:27 | 0:41:33 | |
We've built tankers, gas carriers, platform support vessels, | 0:41:33 | 0:41:37 | |
ferries, tugs. You name it, we've had a go at it. | 0:41:37 | 0:41:41 | |
What are you particularly proud of? | 0:41:41 | 0:41:43 | |
HMS Scott has got to be up amongst it, for the Royal Navy. | 0:41:43 | 0:41:49 | |
When you think that she was 128 metres long, and the dock is only... | 0:41:49 | 0:41:53 | |
124, it takes some working out. | 0:41:53 | 0:41:57 | |
Did you build her without a front? How did she fit? | 0:41:57 | 0:41:59 | |
We fitted her in diagonally, and the bowsprit came right out over the dock head, | 0:41:59 | 0:42:03 | |
so it was an achievement, yes. | 0:42:03 | 0:42:05 | |
My journey around the south west coast has taken me onto the water in boats of all shapes and sizes. | 0:42:30 | 0:42:37 | |
Oh, my goodness, look at that! | 0:42:40 | 0:42:42 | |
Here, the call of the open sea is very much alive. | 0:42:44 | 0:42:49 | |
In the ebb and flow of history, industries come and go, | 0:42:58 | 0:43:01 | |
empires come and go. | 0:43:01 | 0:43:03 | |
But there are some traditions, some ways of life - | 0:43:03 | 0:43:06 | |
boat-building, fishing, sailing - | 0:43:06 | 0:43:08 | |
that are so much a part of what it means to be an islander that they'll never disappear. | 0:43:08 | 0:43:14 | |
And here in the West Country, they seem to be thriving. | 0:43:14 | 0:43:17 | |
Subtitles by Red Bee Media Ltd | 0:43:37 | 0:43:40 |