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I'm just heading off. | 0:00:30 | 0:00:31 | |
Yes, I know it's a 2½ hour drive. | 0:00:31 | 0:00:33 | |
Yes. I've got everything I need. | 0:00:35 | 0:00:38 | |
OK, see you about 10:30. Bye. | 0:00:38 | 0:00:42 | |
-Sure you want to spend the night? -He'll have to. It's a 2½ hour drive. | 0:00:42 | 0:00:45 | |
"The brilliant, incisive and dashingly handsome King's Counsel, Oliver Nash..." | 0:00:45 | 0:00:50 | |
Sound like anyone you know? | 0:00:50 | 0:00:52 | |
-Someone die? -No such luck. | 0:00:52 | 0:00:55 | |
He's staying at Auntie Ag's tonight. | 0:00:55 | 0:00:56 | |
Give her my love. | 0:00:56 | 0:00:59 | |
-Bye, then. -Bye. | 0:00:59 | 0:01:01 | |
Can't wait to get rid of me, can she? | 0:01:01 | 0:01:03 | |
Bye-bye. | 0:01:03 | 0:01:05 | |
And good luck. | 0:01:05 | 0:01:07 | |
-How do you feel about someone staying the night tonight? -A boyfriend? | 0:01:11 | 0:01:14 | |
-Friend. -Male or female? -Male. | 0:01:14 | 0:01:17 | |
-But a friend? -Yes. -Who? -Perry Ace. | 0:01:17 | 0:01:20 | |
-Oh! That lovely lad you went to infants school with? -Yeah. | 0:01:20 | 0:01:24 | |
When did you get back in touch with him? | 0:01:24 | 0:01:27 | |
When is Mummy coming back? | 0:01:29 | 0:01:30 | |
Community payback? You said he was lovely. | 0:01:34 | 0:01:36 | |
YOU said he was lovely. | 0:01:36 | 0:01:39 | |
-When he was five. -He just needs somewhere to stay. | 0:01:39 | 0:01:42 | |
Why can't he stop at his mum and dad's? | 0:01:42 | 0:01:44 | |
Cos they're the problem. His dad's a nutter. | 0:01:44 | 0:01:46 | |
-Beats them. Now he says Perry attacked him. -Why can't his mum tell them what happened? -She's gone AWOL. | 0:01:46 | 0:01:52 | |
-What do you mean AWOL? -She goes off sometimes. | 0:01:52 | 0:01:55 | |
You know, with other blokes. | 0:01:55 | 0:01:58 | |
-Really? -All he needs is another address to be bailed to. | 0:01:58 | 0:02:00 | |
-Bailed?! -Not money, just someone who'll vouch for him. | 0:02:00 | 0:02:05 | |
Based on what - that he was quite helpful when he was five? | 0:02:05 | 0:02:08 | |
Based on if you don't, they'll lock him up till his mum gets back, on remand, in prison. | 0:02:08 | 0:02:13 | |
-What will your dad say? -Perry'll be gone by the time he gets back. -How do you know that? | 0:02:13 | 0:02:17 | |
-His mum only ever stays away one night. -Why can't he go and stay in prison for one night? | 0:02:17 | 0:02:22 | |
-Do you know what it's like in there? -Do YOU? | 0:02:22 | 0:02:26 | |
-No. I'm not having him stop the night. -But he's scared and he's sensitive. | 0:02:26 | 0:02:31 | |
If they lock him up in prison... | 0:02:31 | 0:02:33 | |
who knows what'll happen. | 0:02:33 | 0:02:35 | |
No. I'm sorry, I'm going to say no. | 0:02:35 | 0:02:37 | |
-You can't. -Excuse me? | 0:02:37 | 0:02:40 | |
-Someone came round from the police station yesterday to check it was OK. -Who? -A new PC. | 0:02:40 | 0:02:45 | |
-You don't know him. -And? | 0:02:45 | 0:02:47 | |
And I told him we'd look after Perry. | 0:02:47 | 0:02:50 | |
And I'm telling you we won't. | 0:02:50 | 0:02:53 | |
DOORBELL RINGS I told him that I was you. | 0:02:53 | 0:02:55 | |
You what?! | 0:02:55 | 0:02:57 | |
I said I was Mrs Hollins. | 0:02:57 | 0:02:59 | |
Ladies and gentlemen of the jury... | 0:03:02 | 0:03:06 | |
Killing her own child, how could she do that? | 0:03:14 | 0:03:18 | |
-Maybe he deserved it? -Perry? -Yeah. -What you doing here? | 0:03:18 | 0:03:23 | |
You're not going to tell Dad, are you? | 0:03:23 | 0:03:27 | |
Mum? Perry needs us. | 0:03:27 | 0:03:29 | |
He's not stopping here the night. | 0:03:33 | 0:03:36 | |
What if his mum doesn't turn up? | 0:03:36 | 0:03:37 | |
He'll have to go back inside. | 0:03:37 | 0:03:39 | |
Mum! | 0:03:39 | 0:03:42 | |
And I don't want him here on his own. | 0:03:42 | 0:03:44 | |
-You going to take him to work? -No. You're going to take him with you. | 0:03:44 | 0:03:48 | |
What about my presentation? | 0:03:48 | 0:03:50 | |
Don't tell Dad. | 0:03:50 | 0:03:53 | |
I'm not going to tell your dad. | 0:03:57 | 0:04:00 | |
You are...Mrs Hollins. | 0:04:02 | 0:04:04 | |
It was a breath of fresh air. | 0:04:09 | 0:04:11 | |
Batteries recharged. Enthusiasm. | 0:04:11 | 0:04:13 | |
You look fantastic on it. | 0:04:13 | 0:04:14 | |
-Doesn't she? -Yeah, brilliant. | 0:04:14 | 0:04:16 | |
It wasn't all work. I did go to the hotel gym. | 0:04:16 | 0:04:19 | |
Treat myself to a couple of massages. You have no idea how guilty I feel. | 0:04:19 | 0:04:23 | |
But...maybe feeling re-invigorated worked. | 0:04:23 | 0:04:28 | |
I got taken aside by the Birmingham head of education. He definitely wants me to apply. | 0:04:28 | 0:04:34 | |
-Getting a job here, moving - it's all starting to feel real. -It's perfect for the whole family. | 0:04:34 | 0:04:38 | |
She hasn't even applied yet, let alone got it. | 0:04:38 | 0:04:43 | |
But she will. And she will. | 0:04:43 | 0:04:44 | |
-And we're all 100% behind her, aren't we? -Yeah! | 0:04:44 | 0:04:48 | |
-Jack thinks I'm mad. -That's good. | 0:04:52 | 0:04:54 | |
But after everything he's been through, it's probably the last thing he needs. | 0:04:54 | 0:04:59 | |
-This lad's mum just up and left him. What else could I do? -What indeed? | 0:04:59 | 0:05:04 | |
Hopefully it won't effect him too much. He can just throw his energy into this court case thing. | 0:05:04 | 0:05:10 | |
-What court case? -Something that health visitor's come up with, Marina what's-her-face. | 0:05:10 | 0:05:14 | |
-Marina Bonnaire? -Been here five minutes and she's got him involved in some nutty reconstruction. | 0:05:14 | 0:05:20 | |
He was up all last night studying the papers. Might not be that bad cos at least he's going to win. | 0:05:20 | 0:05:27 | |
What are you going to do for money? | 0:05:29 | 0:05:31 | |
-Just what I get, and what my dad gives me. -Your dad gives you money? | 0:05:31 | 0:05:35 | |
He gives me a kicking, | 0:05:35 | 0:05:37 | |
-then gives me money when he's sobered up. -That's awful. | 0:05:37 | 0:05:41 | |
Are you doing art? | 0:05:41 | 0:05:43 | |
-Yeah. I've got a presentation this afternoon. -What on? -I'll think of something. | 0:05:43 | 0:05:48 | |
Don't think about it too much, cos sometimes when you do | 0:05:48 | 0:05:51 | |
-you won't be able to figure out how to finish it off. -I know. | 0:05:51 | 0:05:54 | |
You shouldn't be getting locked up because your dad's beating you. | 0:05:54 | 0:05:58 | |
That's what they don't get. | 0:05:58 | 0:05:59 | |
Once they put you inside, it makes you a criminal. | 0:05:59 | 0:06:02 | |
I appreciate it, honestly. Especially with your dad... | 0:06:02 | 0:06:05 | |
-I haven't told him. -Really? -Why should I? | 0:06:05 | 0:06:08 | |
We paid for what we did. | 0:06:08 | 0:06:11 | |
Why should we be picked on for it afterwards? One mistake. That's all. | 0:06:11 | 0:06:15 | |
Thing is... I might have made more than one. | 0:06:15 | 0:06:18 | |
He's right. I'm obsessed. | 0:06:40 | 0:06:43 | |
He didn't actually say that. | 0:06:43 | 0:06:45 | |
Maybe I am just thinking of myself, not them. | 0:06:45 | 0:06:48 | |
Sally, come on, you know that's not true. | 0:06:48 | 0:06:51 | |
It's easy to be selfish though, forget what's important. | 0:06:51 | 0:06:55 | |
The course was great. The job. | 0:06:55 | 0:06:58 | |
Possibility of a job. | 0:06:58 | 0:07:01 | |
But being away from Patrick and Chloe... | 0:07:01 | 0:07:05 | |
I don't know, family first. | 0:07:05 | 0:07:08 | |
Then career. | 0:07:09 | 0:07:11 | |
Sorry. It's Patrick I should be apologising to. | 0:07:13 | 0:07:16 | |
So, what did I miss? | 0:07:19 | 0:07:22 | |
-Sorry? -While I was gone. | 0:07:22 | 0:07:25 | |
Did I miss anything? | 0:07:25 | 0:07:26 | |
No. | 0:07:26 | 0:07:29 | |
What about the car crash, Daddy? | 0:07:29 | 0:07:31 | |
-Ah, the esteemed Mr Templeton. -Sorry? | 0:07:35 | 0:07:38 | |
-Counsel for the defence. -I wanted to have a word with you. | 0:07:38 | 0:07:41 | |
Be quick. I'm off on a visit. | 0:07:41 | 0:07:42 | |
-You didn't tell me I was going to lose. -I gave you the brief. -I thought that was for show. | 0:07:42 | 0:07:47 | |
-No, it's got all the details of the case in it. -Yes, but I lose? | 0:07:47 | 0:07:51 | |
Not necessarily. | 0:07:51 | 0:07:52 | |
There's going to be a jury. | 0:07:52 | 0:07:55 | |
-In the original trial... -Yes, in the original trial, the defence fails. | 0:07:55 | 0:08:00 | |
But they were very different times. That's the whole point of the experiment. | 0:08:00 | 0:08:04 | |
-So I'm supposed to succeed where the esteemed Mr Templeton failed? -That's the idea. -Up against Jack Hollins? | 0:08:04 | 0:08:10 | |
-What difference does that make? -He's a law student and local celebrity. Everyone will be on his side. | 0:08:10 | 0:08:15 | |
To be an advocate requires intellect and theatre. | 0:08:15 | 0:08:18 | |
And knowing the law. | 0:08:18 | 0:08:20 | |
But you look like a barrister. | 0:08:20 | 0:08:22 | |
Heston, you've got such presence and you command real respect. | 0:08:22 | 0:08:26 | |
In my own field of expertise, of course. | 0:08:26 | 0:08:28 | |
-What are you doing for lunch? -Don't know, I hadn't thought about that. | 0:08:28 | 0:08:32 | |
-Meet me at 2:10pm. Give you chance to go through all the papers. -Marina? | 0:08:32 | 0:08:36 | |
Then we can decide whether you're up to it or not. | 0:08:36 | 0:08:38 | |
-You were in a car crash? -I just ran into someone. | 0:08:41 | 0:08:44 | |
And had to go to hospital? | 0:08:44 | 0:08:45 | |
-It was a precaution. -When were you going to tell me? | 0:08:45 | 0:08:48 | |
-When we were on our own. -Why didn't you just say? | 0:08:48 | 0:08:52 | |
I feel stupid. | 0:08:52 | 0:08:54 | |
-But the car... I was bound to find out. -I know. | 0:08:54 | 0:08:58 | |
Where were you going? | 0:08:58 | 0:09:00 | |
-Just for a drive. -A drive. Where to? | 0:09:00 | 0:09:03 | |
Nowhere, really. | 0:09:03 | 0:09:05 | |
Is everything all right? | 0:09:06 | 0:09:09 | |
Yeah, fine. Everything's fine. | 0:09:09 | 0:09:12 | |
Maybe it's knocked some sense into me. | 0:09:12 | 0:09:14 | |
Why do you need sense knocking into you? | 0:09:14 | 0:09:16 | |
I still don't understand why you didn't tell me. | 0:09:16 | 0:09:20 | |
Yeah, I agree with you. I told him to. | 0:09:20 | 0:09:23 | |
But you know the male pride thing. | 0:09:23 | 0:09:25 | |
-You sure you're OK? -Yeah, fine. | 0:09:28 | 0:09:30 | |
You can tell me anything. | 0:09:31 | 0:09:35 | |
You know that. | 0:09:35 | 0:09:36 | |
Thanks a lot. Bye. | 0:09:39 | 0:09:42 | |
-So you've already been to prison? -Just on remand. | 0:09:43 | 0:09:46 | |
-Longest two week of my life. -Two weeks? -I can't go back. | 0:09:46 | 0:09:50 | |
-Why were you there that long on remand? -Same thing. | 0:09:50 | 0:09:54 | |
-Scrap with my dad. Mum ran off. -Your mum and dad left you there? -Teach me a lesson, I suppose. | 0:09:54 | 0:09:58 | |
What was it like? | 0:09:58 | 0:10:00 | |
-In prison? -Yeah. | 0:10:00 | 0:10:02 | |
-You really want to know? -TELEPHONE RINGS | 0:10:02 | 0:10:05 | |
Campus Health Centre. | 0:10:05 | 0:10:06 | |
Yeah, sure, I'll just have a look. | 0:10:06 | 0:10:10 | |
What are you doing? | 0:10:11 | 0:10:13 | |
The judge is going to be sitting up there. | 0:10:15 | 0:10:17 | |
I thought we were going for lunch. | 0:10:17 | 0:10:19 | |
You can pick up a sandwich at the supermarket. | 0:10:19 | 0:10:22 | |
And you're going to be down here. | 0:10:22 | 0:10:24 | |
You don't believe she deserves a second crack of the whip, do you? | 0:10:25 | 0:10:29 | |
-No, of course. She was absurdly treated. -Exactly. | 0:10:29 | 0:10:34 | |
I just don't think I'm the right man to present the case. | 0:10:34 | 0:10:37 | |
Heston, it's about handling the emotions. | 0:10:37 | 0:10:39 | |
And I'm best suited to do that? | 0:10:39 | 0:10:42 | |
Yes, you're a man of the world, you won't personalise the proceedings. | 0:10:42 | 0:10:47 | |
Bring all my buttoned-up repression to bear? | 0:10:47 | 0:10:50 | |
I don't know you very well but that's not how I'd describe you. | 0:10:50 | 0:10:53 | |
I don't know YOU very well. | 0:10:53 | 0:10:55 | |
I thought it was going to be a bit of fun, centenary celebrations, a performance. | 0:10:55 | 0:11:00 | |
Who is the judge? | 0:11:03 | 0:11:05 | |
The Head of Law. Allan Dorman. | 0:11:05 | 0:11:09 | |
Sir Allan Dorman? | 0:11:09 | 0:11:10 | |
Yes, don't let that intimidate you. | 0:11:10 | 0:11:13 | |
As far as I can see, all the evidence points one way. | 0:11:13 | 0:11:17 | |
Oh, you've roped Jack in as well. | 0:11:17 | 0:11:20 | |
A mother killing her baby. | 0:11:20 | 0:11:22 | |
Who's to say what happened? | 0:11:22 | 0:11:25 | |
-The jury did. -Social mores of the day. -Right and wrong doesn't change. | 0:11:25 | 0:11:29 | |
But attitudes can. | 0:11:29 | 0:11:30 | |
Not to murder. Murder's murder. | 0:11:30 | 0:11:32 | |
Let's not use our big guns in rehearsal, eh? | 0:11:32 | 0:11:36 | |
I thought we were going to get some lunch? | 0:11:36 | 0:11:38 | |
I agree, let's get out of here. | 0:11:38 | 0:11:41 | |
Can all be a bit daunting when you're not used to it. | 0:11:41 | 0:11:45 | |
Oh, I don't think so. | 0:11:45 | 0:11:46 | |
-When you've performed life-saving surgery on the Head of Law. -Really? | 0:11:46 | 0:11:52 | |
Allan did say, if there was ever anything he could do to help... Come on, Jack. | 0:11:52 | 0:11:58 | |
Why? If your parents were the reason you were in there in the first place? | 0:12:00 | 0:12:04 | |
-You still love 'em, no matter what they do. -What about that one? -That's Sanskrit. | 0:12:04 | 0:12:09 | |
-What's it mean? -"First love". | 0:12:09 | 0:12:12 | |
-Why not just write her name? -Have you got any? | 0:12:12 | 0:12:16 | |
-I wouldn't do that to myself. -Why not? | 0:12:16 | 0:12:18 | |
-Why would I? -Cos we're different. -I don't need to write it on my skin. | 0:12:18 | 0:12:22 | |
You know it's going to last. | 0:12:22 | 0:12:25 | |
My mum and dad are going to be there for me anyway. | 0:12:25 | 0:12:28 | |
Lucky you. I want people to know who I am. | 0:12:28 | 0:12:31 | |
-So do I, but through my art. -What do you think these are? | 0:12:31 | 0:12:34 | |
-Yeah, but you didn't do them. -I did these. -In prison? -Yeah. | 0:12:34 | 0:12:37 | |
Why? If you were only in two weeks. | 0:12:37 | 0:12:39 | |
It makes you realise what's important. | 0:12:39 | 0:12:42 | |
-I thought you were from Letherbridge 8? -Bit posh for prison. | 0:12:42 | 0:12:46 | |
So you did it to fit in? | 0:12:46 | 0:12:48 | |
More to belong. Say, "This is what I am." | 0:12:48 | 0:12:51 | |
-I'm not going to hide away cos I'm some criminal. -You're not a criminal. -I've got a record. | 0:12:51 | 0:12:56 | |
-So have I. -But you're trying to hide it. -Cos I don't have a tattoo? | 0:12:56 | 0:13:00 | |
-Do you tell people? -The people who need to already know. | 0:13:00 | 0:13:03 | |
-What about the rest? -It's none of their business. | 0:13:03 | 0:13:05 | |
-I thought being an artist was about being honest. -Telling people I got caught shoplifting? | 0:13:05 | 0:13:10 | |
-No, being honest to yourself. Why are you denying it? -I'm not denying anything. | 0:13:10 | 0:13:15 | |
Sorry. Is Cherry around? | 0:13:15 | 0:13:17 | |
-On a house visit. -Right. | 0:13:17 | 0:13:20 | |
And yet I've still got to keep my head down? Not walk too close lest anyone sees? | 0:13:21 | 0:13:27 | |
-What about your college friends, your lecturer, do they know? -No. | 0:13:27 | 0:13:31 | |
But maybe you're right... | 0:13:31 | 0:13:33 | |
Maybe it's about time they did know. | 0:13:33 | 0:13:35 | |
-What do you think? -It's a great opportunity. | 0:13:37 | 0:13:40 | |
I'm going to apply. | 0:13:40 | 0:13:42 | |
See what happens. Even if nothing comes of it. | 0:13:42 | 0:13:44 | |
-Nothing ventured, nothing gained. -Exactly. | 0:13:44 | 0:13:47 | |
But if I do get it, we're going to need somewhere to live. | 0:13:47 | 0:13:50 | |
You can stay here, you know that. | 0:13:50 | 0:13:52 | |
Which will be lovely, but long term... | 0:13:52 | 0:13:54 | |
I just thought if anyone would know about property round here. | 0:13:54 | 0:13:58 | |
Well, there is one website which I've been keeping an eye on for Jimmi and Cherry at the Mill. | 0:13:58 | 0:14:05 | |
Oh, that looks nice. | 0:14:07 | 0:14:09 | |
It's got a swimming pool. | 0:14:09 | 0:14:11 | |
Think of the money you'd save on the gym. | 0:14:11 | 0:14:13 | |
What about that one? | 0:14:17 | 0:14:19 | |
I could walk to work from there. | 0:14:19 | 0:14:21 | |
Sounds great. | 0:14:21 | 0:14:23 | |
What about my work? | 0:14:23 | 0:14:25 | |
-You've wanted to leave for years. -Yeah, but not move. | 0:14:25 | 0:14:29 | |
-Don't you think we're getting a bit carried away? -It could be just what we need. | 0:14:29 | 0:14:34 | |
Don't you think we should discuss this first? | 0:14:36 | 0:14:38 | |
I'm going to leave you to it. | 0:14:38 | 0:14:40 | |
Everyone is branded by society. | 0:14:47 | 0:14:50 | |
Whether it's a criminal record - | 0:14:52 | 0:14:54 | |
like me and Perry - | 0:14:54 | 0:14:56 | |
or a list of qualifications... | 0:14:56 | 0:14:59 | |
or tattoos... | 0:14:59 | 0:15:01 | |
done in prison... | 0:15:01 | 0:15:02 | |
or in a parlour. | 0:15:02 | 0:15:04 | |
Art...or telling the world who you really are? | 0:15:04 | 0:15:10 | |
Because it's not just the world putting its mark on you, | 0:15:10 | 0:15:15 | |
it's about you showing the world what you believe. | 0:15:15 | 0:15:18 | |
Some of it's allegiance - | 0:15:18 | 0:15:20 | |
your football team, family, fitting in. | 0:15:20 | 0:15:25 | |
But at the same time, it's about individuality, defiance. | 0:15:25 | 0:15:30 | |
The world disapproves, but it's your body and you'll do what you want with it. | 0:15:30 | 0:15:34 | |
You think that I'm damaged. | 0:15:37 | 0:15:40 | |
Well, I'm going to turn that damage into art. | 0:15:40 | 0:15:44 | |
Perry's body is his own canvas, | 0:15:44 | 0:15:47 | |
he's his own walking art installation. | 0:15:47 | 0:15:50 | |
LB7 - not one of the nicer postcodes. | 0:15:51 | 0:15:56 | |
"ACAB" - Always Carry A Bible. | 0:15:56 | 0:15:59 | |
And this one... | 0:15:59 | 0:16:02 | |
is Sanskrit... | 0:16:02 | 0:16:04 | |
For Imogen. | 0:16:04 | 0:16:07 | |
Ladies and gentlemen of the jury... | 0:16:07 | 0:16:10 | |
I'm just a student. He's mates with the judge. | 0:16:10 | 0:16:12 | |
-And you're a lawyer. -Cold feet? | 0:16:12 | 0:16:15 | |
-No. -I think a modern jury will think my client is a scapegoat. | 0:16:15 | 0:16:20 | |
That's not what the facts say. | 0:16:20 | 0:16:22 | |
-But are they the facts? -From what I've read. And I'm a lawyer. | 0:16:22 | 0:16:27 | |
You'll both be fine. | 0:16:27 | 0:16:29 | |
The witnesses and evidence are the same as the original, | 0:16:29 | 0:16:32 | |
-it's just up to you how you present it. -And all this is going to be on camera? | 0:16:32 | 0:16:36 | |
So the jury can view it online. | 0:16:36 | 0:16:38 | |
If the jury can see it, does that mean anybody can? | 0:16:38 | 0:16:41 | |
-I suppose so. If they wanted to. -Cold feet? | 0:16:41 | 0:16:45 | |
-We could just call it quits? -Honours even? -You can't just leave me in the lurch. | 0:16:45 | 0:16:51 | |
Dinner tonight. | 0:16:51 | 0:16:53 | |
Let me change your minds. | 0:16:53 | 0:16:55 | |
All too big or needed too much work. | 0:16:55 | 0:16:58 | |
-A project'll keep Patrick busy. -Is he not going to get a job up here? -I don't know. | 0:16:59 | 0:17:05 | |
I don't even know if they're even going to do it. | 0:17:05 | 0:17:07 | |
Well, wish them luck. We can't find anything we like. | 0:17:07 | 0:17:10 | |
We're beginning to wonder if it's ever going to happen. | 0:17:10 | 0:17:13 | |
Imogen? Wait, wait! I made it up. It means "first love", the tattoo. | 0:17:16 | 0:17:19 | |
Then why did you say it's my name? | 0:17:19 | 0:17:22 | |
Because it's you. My first love. Ever since we first met. | 0:17:22 | 0:17:25 | |
-But nothing has ever happened. -It could have. -No. Why would you say that? | 0:17:25 | 0:17:29 | |
-Because we're the same. -Because we've both done community payback? | 0:17:29 | 0:17:33 | |
-No, because we both know how each other feel. -I don't know how you feel. -You do. -Well, I don't. | 0:17:33 | 0:17:37 | |
-Imogen, what you hiding from? -I'm not hiding from anything. | 0:17:37 | 0:17:40 | |
-You're saying there's nothing between us? -No, nothing at all. | 0:17:40 | 0:17:45 | |
-OK, I'll go. -Go where? | 0:17:45 | 0:17:46 | |
-Anywhere. -You can't. -Why? -Because you're my responsibility. -What's the point in me staying? | 0:17:46 | 0:17:51 | |
Because I'll get in trouble if you don't. And so will my family. | 0:17:51 | 0:17:54 | |
-Your dad doesn't know I'm here. -My mum. | 0:17:54 | 0:17:56 | |
-You're trying to make me feel sorry for your parents. -No, I'm trying to make you do what's right. | 0:17:56 | 0:18:01 | |
Your dad doesn't beat you up, and your mum doesn't go running off with other blokes, so don't start. | 0:18:01 | 0:18:06 | |
I told my mum that I would look after you, so that's what I'll do. And as for my dad... | 0:18:06 | 0:18:11 | |
Hello, love. Hang on. | 0:18:16 | 0:18:17 | |
-How are you? -Yeah, good. You? -Yeah, I'm good, thanks. | 0:18:21 | 0:18:25 | |
Listen, I've got Perry Ace here and I'm bringing him home. | 0:18:25 | 0:18:29 | |
Imogen... | 0:18:29 | 0:18:31 | |
Immie? | 0:18:31 | 0:18:33 | |
You going to make me a liar? | 0:18:35 | 0:18:38 | |
MUFFLED: I'll put the application in. | 0:18:39 | 0:18:41 | |
-What happens when you get the job? -Fine, we won't change anything. We'll stay as we are. | 0:18:41 | 0:18:47 | |
Patrick doesn't want to move? | 0:18:49 | 0:18:51 | |
I don't know what he wants. | 0:18:51 | 0:18:54 | |
-I don't think he does. -Would it help if you talked to somebody? | 0:18:54 | 0:18:57 | |
Like who, a marriage guidance counsellor? | 0:18:57 | 0:19:00 | |
Sorry. | 0:19:00 | 0:19:02 | |
Actually, no. I was thinking more along the lines of a house-hunter. | 0:19:02 | 0:19:06 | |
I found this woman on the internet. | 0:19:06 | 0:19:08 | |
-Mum? -Excuse me. | 0:19:08 | 0:19:12 | |
Hey. | 0:19:12 | 0:19:13 | |
-I'm not comfortable with all this. -Please don't start. | 0:19:16 | 0:19:19 | |
If I was going to start, Patrick, | 0:19:19 | 0:19:23 | |
I'd tell her the truth. | 0:19:23 | 0:19:24 | |
In there. | 0:19:31 | 0:19:33 | |
Then I'll deal with you. | 0:19:36 | 0:19:38 | |
-Where's Imogen? -She's in there. | 0:19:52 | 0:19:56 | |
-Who's she? -I have no idea. | 0:20:03 | 0:20:07 | |
My husband's driven back from Harrogate? | 0:20:07 | 0:20:09 | |
-Imogen phoned him. -Why? -She said she didn't want to lie to him. | 0:20:09 | 0:20:13 | |
Where did you get those done? | 0:20:13 | 0:20:15 | |
-Where do you think? -You've been in prison before? | 0:20:15 | 0:20:18 | |
-Would that have made any difference? -I wouldn't have had you here anyway. | 0:20:18 | 0:20:22 | |
-More sense than your daughter. -Older and wiser. -That's what I've got to look forward to? -Eh? | 0:20:22 | 0:20:27 | |
-If me and Immie get together. -That's not going to be happening. -Says who? | 0:20:27 | 0:20:32 | |
-She doesn't see you like that. -How do you know? -She told me. | 0:20:32 | 0:20:35 | |
-Maybe she lied. -Except like you say, she doesn't. | 0:20:35 | 0:20:40 | |
I'm her mum. I'd know. | 0:20:40 | 0:20:42 | |
How's your mum? | 0:20:42 | 0:20:44 | |
I don't know. | 0:20:44 | 0:20:47 | |
I don't even know where she is. | 0:20:47 | 0:20:50 | |
-Well, wherever she is, I'm sure she's thinking of you. -While she's with one of her boyfriends? | 0:20:50 | 0:20:55 | |
I went on a school trip with you once. You and your mum. | 0:20:56 | 0:21:00 | |
And she would not stop talking about you. | 0:21:00 | 0:21:04 | |
You were the apple of her eye. | 0:21:04 | 0:21:06 | |
Bailed to a copper's house. I bet he's loving this. | 0:21:09 | 0:21:14 | |
-It's not about you. -Oh, really? When the station call me back, he's out. | 0:21:14 | 0:21:18 | |
His dad beat him up. | 0:21:18 | 0:21:20 | |
That's what he always says. Did he tell you that it'd happened before? | 0:21:20 | 0:21:23 | |
-Yes. -Did he tell you that he'd been to prison? -Yes. -Oh! What were you thinking? | 0:21:23 | 0:21:27 | |
-That he needed somewhere to go. -I'm a policeman, for Pete's sake. -You weren't going to be here. | 0:21:27 | 0:21:32 | |
-Does that make it any better? -No. | 0:21:32 | 0:21:35 | |
But that's why I called you back. | 0:21:35 | 0:21:36 | |
I didn't want to lie. | 0:21:36 | 0:21:40 | |
And...he's in love with me. | 0:21:40 | 0:21:42 | |
Dear God! | 0:21:44 | 0:21:46 | |
Oh, dear. | 0:21:47 | 0:21:51 | |
Oh, dear. Oh, dear. | 0:21:51 | 0:21:54 | |
-Have you seen his tattoo? -Which one? -"A-C-A-B". | 0:21:54 | 0:21:57 | |
-Always Carry A Bible. -Is that what he told you it meant? | 0:21:57 | 0:22:01 | |
-Well, what does it mean? -All coppers are... | 0:22:01 | 0:22:03 | |
-That's exactly the word I was going to call him when you phoned me. -Why shouldn't he hate the police? | 0:22:03 | 0:22:08 | |
-Cos we stopped him beating up his dad? -I told you, it was the other way around. | 0:22:08 | 0:22:12 | |
Well, maybe it was. | 0:22:12 | 0:22:14 | |
-So Perry should hate him. -Well, he's not going to. | 0:22:14 | 0:22:16 | |
I don't fancy him. We're not even going to be mates, but he hasn't had the chances that I've had. | 0:22:16 | 0:22:22 | |
I'm lucky - I've got a dad like you. | 0:22:22 | 0:22:25 | |
-Can I have that in writing? -Not everyone has. | 0:22:27 | 0:22:30 | |
I do know that, remember. | 0:22:30 | 0:22:32 | |
Then you should understand. | 0:22:32 | 0:22:34 | |
Why do you think I've got a soft spot for your Auntie Ag? | 0:22:34 | 0:22:37 | |
-Why? -Because when my dad was being violent, she was always there for me. | 0:22:37 | 0:22:42 | |
-So you had someone looking out for you, in other words. -Mm-hm. | 0:22:43 | 0:22:47 | |
Dinner! | 0:22:47 | 0:22:48 | |
You said yourself, you think it's the dad who's to blame. | 0:22:48 | 0:22:52 | |
-I still think it's too soon. -We don't want to be left high and dry. | 0:22:53 | 0:22:57 | |
It's up to you, | 0:22:57 | 0:22:59 | |
but I put the house-hunter in touch with Cherry and Jimmi. If you want to tag along... | 0:22:59 | 0:23:03 | |
-It's a great idea. -It'll give you an idea at least. | 0:23:03 | 0:23:06 | |
-She seems very nice. -Like the nice lady who took care of Daddy? | 0:23:06 | 0:23:10 | |
What lady? | 0:23:13 | 0:23:15 | |
I gave Patrick some house details yesterday, | 0:23:18 | 0:23:23 | |
and I twisted his arm to take a look. | 0:23:23 | 0:23:25 | |
-And you went? -Yes. | 0:23:27 | 0:23:28 | |
-With an estate agent? -Yes. | 0:23:28 | 0:23:31 | |
I felt a bit stupid so I asked Mum not to say anything. Thank you. | 0:23:33 | 0:23:38 | |
-Well, the good news is you're not against the idea of moving. -That is good, isn't it? | 0:23:40 | 0:23:45 | |
-To house-hunting. -To house-hunting. | 0:23:47 | 0:23:51 | |
To house-hunting. | 0:23:51 | 0:23:52 | |
As you say, Jack's a local celebrity. | 0:23:55 | 0:23:58 | |
Is that the sort of adulation I can expect? | 0:23:58 | 0:24:01 | |
If you choose to appear on behalf of the defence, yes. | 0:24:01 | 0:24:05 | |
Only if I win. | 0:24:05 | 0:24:07 | |
Who's to say you won't? | 0:24:07 | 0:24:09 | |
You don't give up, do you? | 0:24:09 | 0:24:11 | |
No, I don't. | 0:24:11 | 0:24:13 | |
Sorry, I know it's my treat but would you mind ordering? | 0:24:15 | 0:24:18 | |
-I'm not really that bothered about food. -I've noticed. | 0:24:18 | 0:24:21 | |
I don't mind watching other people enjoy themselves. So, will you? | 0:24:21 | 0:24:27 | |
-I'm just... -Appear for the defence? | 0:24:27 | 0:24:30 | |
So have you thought about what you're going to do for a career, Perry? | 0:24:33 | 0:24:36 | |
-I was thinking of an NVQ. -What in? | 0:24:36 | 0:24:39 | |
-Don't know. -How about needlework? | 0:24:39 | 0:24:41 | |
TELEPHONE RINGS | 0:24:43 | 0:24:45 | |
-Aren't you going to get that? -Me? -You're the lady of the house. | 0:24:46 | 0:24:51 | |
Hello? | 0:24:55 | 0:24:57 | |
It's the station. | 0:25:00 | 0:25:02 | |
Rob Hollins. | 0:25:08 | 0:25:11 | |
Thank you very much. | 0:25:11 | 0:25:12 | |
Your dad's dropped the charges. | 0:25:15 | 0:25:18 | |
-What about my mum? -Don't know. | 0:25:18 | 0:25:20 | |
-You're not going to go and stay with your dad, are you? -Don't know. | 0:25:20 | 0:25:24 | |
You can't stay here. I'm sorry, it wouldn't be appropriate. | 0:25:24 | 0:25:28 | |
That's right, isn't it? | 0:25:28 | 0:25:30 | |
What do you think? | 0:25:32 | 0:25:34 | |
-What? -What do you think we should do? | 0:25:36 | 0:25:39 | |
Look, I'll just go. | 0:25:39 | 0:25:41 | |
For what? To have another fight with your old man? | 0:25:41 | 0:25:44 | |
Maybe you should wait till your mum gets back, | 0:25:44 | 0:25:48 | |
then talk it through the three of you. | 0:25:48 | 0:25:51 | |
I'll give you a lift in the morning. | 0:25:52 | 0:25:55 | |
I'll make a spare bed up in the living room. | 0:25:56 | 0:25:59 | |
-Thank you, Mr and Mrs Hollins. -TELEPHONE RINGS | 0:25:59 | 0:26:01 | |
Oh, no. | 0:26:01 | 0:26:03 | |
Auntie Ag. I'm so sorry. Something came up, an emergency. | 0:26:03 | 0:26:08 | |
I know, I'm sorry. | 0:26:08 | 0:26:10 | |
-You wash, I'll dry. -OK. | 0:26:11 | 0:26:14 | |
Food just doesn't do much for me, I'm afraid. | 0:26:22 | 0:26:24 | |
Posset is a pleasure of the flesh. | 0:26:24 | 0:26:27 | |
Not of this flesh. | 0:26:27 | 0:26:30 | |
You found my weakness, too. | 0:26:30 | 0:26:33 | |
-It would mean a lot if you could do this for me. -I know it would. | 0:26:33 | 0:26:37 | |
-I'll give you all the help I can. -Like you need any more. | 0:26:37 | 0:26:40 | |
-I beg your pardon? -Your friend, the judge. | 0:26:40 | 0:26:42 | |
-I don't know what you mean. -The surgery you did on the judge. -Oh, I wouldn't count on that. | 0:26:42 | 0:26:47 | |
-But you told me... -You shouldn't believe everything you hear. | 0:26:47 | 0:26:50 | |
You made it up? | 0:26:50 | 0:26:52 | |
-Would I? -That's terrible. | 0:26:52 | 0:26:55 | |
This is going to be so exciting! | 0:26:57 | 0:27:00 | |
Can I help you, mate? | 0:27:06 | 0:27:07 | |
I hear you're prosecuting the Watson re-enactment. | 0:27:07 | 0:27:11 | |
Actually, I'm glad I've got you on your own. | 0:27:11 | 0:27:14 | |
I will... improvise. | 0:27:14 | 0:27:17 | |
Well, I'm glad you are not representing me. | 0:27:17 | 0:27:20 | |
You being all clever is giving me the raging horn. | 0:27:20 | 0:27:22 | |
Our relationship's purely professional! | 0:27:22 | 0:27:25 | |
-You sound just like you father. -I should've known you'd get that in. | 0:27:25 | 0:27:28 | |
Subtitles by Red Bee Media Ltd | 0:27:46 | 0:27:49 | |
Email [email protected] | 0:27:49 | 0:27:52 |