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Come in, come in. | 0:00:39 | 0:00:41 | |
-Cheers. -You're Sergeant Hollins' son, yeah? | 0:00:41 | 0:00:43 | |
-That's right. -Have we met before? | 0:00:43 | 0:00:46 | |
No. But I have heard a lot about you. | 0:00:46 | 0:00:49 | |
OK, so you want to see where the real detective work is done? | 0:00:49 | 0:00:53 | |
Well, this is it, where we harness cutting edge science to combat crime. | 0:00:53 | 0:00:58 | |
Tell you what, I've got a good example here. Come and have a look. | 0:00:58 | 0:01:02 | |
It's a new programme I persuaded the department to invest in. | 0:01:02 | 0:01:05 | |
Photo enhancement. | 0:01:05 | 0:01:06 | |
This is from an investigation into thefts from offices. | 0:01:06 | 0:01:11 | |
This is our suspect going in. And here she is, 45 minutes later, | 0:01:11 | 0:01:15 | |
having helped herself to the contents of unattended handbags and desks. | 0:01:15 | 0:01:19 | |
That's the same woman? How can you tell? | 0:01:19 | 0:01:21 | |
A-ha! There. | 0:01:21 | 0:01:23 | |
-She forgot to take off her ring. -Exactly. | 0:01:25 | 0:01:27 | |
-Even clever criminals make mistakes. -So, is this all we're going to do all day? Look at computer screens? | 0:01:27 | 0:01:35 | |
You thought this was going to be more like CSI Letherbridge? | 0:01:35 | 0:01:38 | |
Something like that. | 0:01:38 | 0:01:39 | |
PHONE RINGS Excuse me. Harrison Kellor. | 0:01:39 | 0:01:44 | |
So, why are we here? Someone nicked a gnome? | 0:01:45 | 0:01:48 | |
Ah, DS Cooper. What have you got for me? | 0:01:50 | 0:01:53 | |
House owner called it in. John Ebden. | 0:01:53 | 0:01:55 | |
Came home because no-one was answering the phone. | 0:01:55 | 0:01:59 | |
Has he identified the victim? | 0:01:59 | 0:02:01 | |
Vicky Ebden. Aged 28. Second wife. You'll find her in the kitchen. | 0:02:01 | 0:02:05 | |
I hope your plods haven't trampled all over my crime scene. | 0:02:05 | 0:02:09 | |
I got them out as soon as I realised what we were dealing with. Your team are inside. | 0:02:09 | 0:02:13 | |
Jack. What are you doing here?! | 0:02:13 | 0:02:15 | |
-Work placement. -I'm not sure this is a suitable case for a civilian. | 0:02:15 | 0:02:19 | |
Come on, Tom. You know I'll keep a close eye on him. | 0:02:19 | 0:02:22 | |
-OK. But he's your responsibility. -Yeah, yeah. | 0:02:22 | 0:02:25 | |
Touch nothing. Step where I step, OK? | 0:02:30 | 0:02:33 | |
We have access to equipment developed over 100 years of forensic science. | 0:02:38 | 0:02:44 | |
But the most important tools we have are our senses. | 0:02:44 | 0:02:47 | |
Don't just use your eyes. Some evidence is ephemeral. Temperature. Smells. | 0:02:48 | 0:02:52 | |
Has someone passed through this space with perfume or aftershave? | 0:02:52 | 0:02:56 | |
Outside if you're going to throw up. | 0:03:02 | 0:03:04 | |
-Can't have you contaminating the scene. -I'll be all right. | 0:03:04 | 0:03:07 | |
OK. | 0:03:07 | 0:03:08 | |
And again, the flowers, OK? | 0:03:22 | 0:03:24 | |
Thanks, guys. | 0:03:51 | 0:03:52 | |
How much of your job is intuition and how much is science? | 0:03:53 | 0:03:57 | |
You have to trust your instincts | 0:03:57 | 0:03:59 | |
but ultimately it's the science which will either disprove or prove any of my theories. | 0:03:59 | 0:04:03 | |
Weapon? | 0:04:06 | 0:04:08 | |
You've spotted the knife rack? | 0:04:08 | 0:04:11 | |
I'm not straight out of Hendon, mate. | 0:04:11 | 0:04:13 | |
Yes, apologies. We'll have to wait for the full post-mortem | 0:04:13 | 0:04:16 | |
but, yes, my money would be on the missing knife. | 0:04:16 | 0:04:19 | |
You'll keep me informed? | 0:04:19 | 0:04:21 | |
Yeah. | 0:04:21 | 0:04:22 | |
-Dr Kellor. -Hmm? | 0:04:26 | 0:04:28 | |
There was something on the news this morning. The Scraper. | 0:04:28 | 0:04:31 | |
-They think he's killed another woman. -Your point being? | 0:04:31 | 0:04:35 | |
-Couldn't this be another of his victims? -No. Hardly. | 0:04:35 | 0:04:37 | |
-Why not? -There were certain bits of information withheld from the public. | 0:04:37 | 0:04:42 | |
Like what? | 0:04:42 | 0:04:44 | |
He takes a trophy - the victim's ring finger - | 0:04:47 | 0:04:50 | |
and Mrs Ebden's body is intact. | 0:04:50 | 0:04:52 | |
It's a completely different modus operandi. | 0:04:52 | 0:04:54 | |
I need some air. | 0:04:57 | 0:04:59 | |
OK. | 0:04:59 | 0:05:00 | |
How long? | 0:05:09 | 0:05:10 | |
-Sorry? -My wife is lying on our kitchen floor. | 0:05:10 | 0:05:12 | |
How long before I can give her some decency? | 0:05:12 | 0:05:15 | |
I really don't know. Sorry. | 0:05:15 | 0:05:17 | |
This can't be happening... | 0:05:17 | 0:05:20 | |
She can't be... | 0:05:20 | 0:05:22 | |
We're just an ordinary family. | 0:05:22 | 0:05:25 | |
Things like this don't happen to people like us. | 0:05:25 | 0:05:28 | |
There are clear signs that someone's searched the master bedroom. | 0:05:33 | 0:05:36 | |
-There's a jewellery box emptied and drawers have been rifled. -Prints? | 0:05:36 | 0:05:40 | |
-No, just smudges, I'm afraid. -So you've got no good news for me? | 0:05:40 | 0:05:44 | |
Oh, I wouldn't say that. They did leave one clue behind. | 0:05:44 | 0:05:47 | |
You haven't noticed? | 0:05:47 | 0:05:50 | |
See, this is what we're always hoping for - one little sign, | 0:05:50 | 0:05:54 | |
no matter how small, | 0:05:54 | 0:05:55 | |
that can shed a light onto what actually happened. | 0:05:55 | 0:05:59 | |
-An apple? -An apple with a bite taken out of it. | 0:06:00 | 0:06:03 | |
-And a bite means? -Someone was hungry? | 0:06:03 | 0:06:05 | |
Saliva. And saliva means...? | 0:06:05 | 0:06:09 | |
-DNA. -Exactly. | 0:06:09 | 0:06:11 | |
Thank you, Crick and Watson. | 0:06:11 | 0:06:12 | |
-Hang on. Mrs Ebden could have bitten the apple. -No. | 0:06:12 | 0:06:16 | |
-Enlighten me. -She has got icing sugar all over her hands so how come there's none on the fruit? | 0:06:16 | 0:06:21 | |
She took the bite before she started baking? | 0:06:21 | 0:06:24 | |
A good point. But look at the position of the apple. | 0:06:24 | 0:06:26 | |
See how the blood has splashed outwards. | 0:06:26 | 0:06:29 | |
That...is an impact pattern. | 0:06:31 | 0:06:34 | |
-Which means? -It was dropped in the blood that was already there. | 0:06:34 | 0:06:37 | |
Exactly! Excellent. | 0:06:37 | 0:06:39 | |
So, looks like our murderer bit off a bit more than he could chew. | 0:06:39 | 0:06:43 | |
-But he's my husband... John, tell her she has to let me through. -Roz? | 0:06:51 | 0:06:55 | |
-Why are you here? -You know I had to come. | 0:06:55 | 0:06:58 | |
-You brought Andy. -I couldn't leave him on his own. -Are you mad?! | 0:06:58 | 0:07:02 | |
I just want to help. | 0:07:02 | 0:07:04 | |
Get him out of here! | 0:07:04 | 0:07:05 | |
Oh, my God. | 0:07:16 | 0:07:18 | |
So what's next? | 0:07:50 | 0:07:51 | |
We send this profile to the National DNA Database and see if they've got a match. | 0:07:51 | 0:07:56 | |
-How long will that take? -It's better to be accurate than quick. | 0:07:56 | 0:07:59 | |
-KNOCK AT DOOR -Police! Open up, Dale! | 0:08:04 | 0:08:06 | |
-Yeah, hang on. -Now, Dale! | 0:08:06 | 0:08:09 | |
Stay where you are. | 0:08:09 | 0:08:11 | |
-Not fast enough. -You can't just barge in here for no reason. | 0:08:11 | 0:08:15 | |
What's in the bag? | 0:08:15 | 0:08:17 | |
Nothing. Rubbish. | 0:08:17 | 0:08:19 | |
Tip it out. | 0:08:19 | 0:08:21 | |
It's just fag ends and that. | 0:08:22 | 0:08:24 | |
It's here or at the station. | 0:08:24 | 0:08:26 | |
Vicky Ebden. Station it is then. | 0:08:39 | 0:08:42 | |
Bag that. | 0:08:45 | 0:08:47 | |
I told you. I found it on the street. | 0:08:47 | 0:08:50 | |
-Which street? -Can't remember. -Fairbrook Avenue? -No. | 0:08:50 | 0:08:53 | |
I thought you couldn't remember? | 0:08:53 | 0:08:55 | |
It weren't that one, all right? | 0:08:55 | 0:08:58 | |
You're only just out of Winson Green. | 0:08:58 | 0:09:00 | |
Remind me what you were in for? | 0:09:00 | 0:09:02 | |
-No comment. -You can't have forgotten that as well. | 0:09:04 | 0:09:08 | |
The old boy you cracked over the head hasn't. | 0:09:08 | 0:09:10 | |
Came home and caught you, didn't he? Is that what happened this morning? | 0:09:10 | 0:09:14 | |
Did Mrs Ebden find you in her house? | 0:09:14 | 0:09:16 | |
No. | 0:09:16 | 0:09:18 | |
What did you do with the knife? | 0:09:18 | 0:09:19 | |
-What knife? -You'll be a pensioner before you get out this time. | 0:09:21 | 0:09:26 | |
-You can't pin this on me, mate. -Pin what on you? | 0:09:26 | 0:09:29 | |
Dale, we recovered your DNA at the scene. | 0:09:29 | 0:09:33 | |
With your record, it's got to be life this time. | 0:09:34 | 0:09:38 | |
OK, all right. | 0:09:38 | 0:09:40 | |
So I turned over the house | 0:09:41 | 0:09:43 | |
but I swear, I never hurt that woman. | 0:09:43 | 0:09:45 | |
I was cruising past and I saw the front door was open. | 0:09:48 | 0:09:51 | |
So I went to have a nosey. | 0:09:51 | 0:09:53 | |
Who wouldn't? | 0:09:53 | 0:09:54 | |
I'd done upstairs. Thought I'd try the kitchen. | 0:09:55 | 0:09:58 | |
-Why didn't you phone for an ambulance? -No point. | 0:10:04 | 0:10:06 | |
I could see she was dead and I ain't going to hang around. | 0:10:06 | 0:10:09 | |
-So, you didn't touch Vicky Ebden? -No. Why would I? | 0:10:09 | 0:10:13 | |
For the benefit of the tape, I am showing Mr Cutler a khaki-coloured jacket. | 0:10:15 | 0:10:19 | |
Exhibit TC13. | 0:10:19 | 0:10:22 | |
This is yours, isn't it, Dale? | 0:10:22 | 0:10:24 | |
-No. -So how did it end up in a dustbin outside your bed-sit? | 0:10:26 | 0:10:30 | |
-People dump stuff in bins all the time. You can't prove that's mine. -There's DNA all over it. | 0:10:30 | 0:10:34 | |
Hair, flakes of skin you can't even see with the naked eye. | 0:10:34 | 0:10:37 | |
Our forensics expert is working his magic even as we speak. | 0:10:37 | 0:10:40 | |
And he's good, very good. | 0:10:40 | 0:10:42 | |
He's going to prove that this is your jacket | 0:10:42 | 0:10:45 | |
and that's Vicky Ebden's blood. | 0:10:45 | 0:10:47 | |
-But I never hurt her. -Then how did her blood get on your jacket? | 0:10:47 | 0:10:50 | |
Well, it weren't how you think. | 0:10:50 | 0:10:52 | |
So, how come the ring isn't here? | 0:11:02 | 0:11:04 | |
-I chucked it. -Where? | 0:11:04 | 0:11:06 | |
Down a drain. | 0:11:06 | 0:11:08 | |
When it would have kept you in blow for weeks? | 0:11:08 | 0:11:11 | |
I chucked... | 0:11:12 | 0:11:15 | |
I chucked it cos I robbed it off a dead body. | 0:11:15 | 0:11:18 | |
I ain't proud of that. | 0:11:18 | 0:11:20 | |
So, Dale Cutler's suddenly grown a conscience? | 0:11:21 | 0:11:23 | |
I'm telling you the truth. | 0:11:23 | 0:11:26 | |
Nah. I ain't buying it. | 0:11:26 | 0:11:29 | |
-Milk, two sugars. -Cheers, Jack. | 0:11:30 | 0:11:34 | |
Well? Do we have him or what? | 0:11:34 | 0:11:35 | |
-I can confirm that it is Vicky Ebden's blood on the jacket. -Great. | 0:11:35 | 0:11:41 | |
But I would have expected more and not just on the cuffs. | 0:11:41 | 0:11:46 | |
-What are you saying? -I'm going to have to do more tests before I'm convinced of Dale Cutler's guilt. | 0:11:46 | 0:11:51 | |
It's better to be accurate than quick. | 0:11:51 | 0:11:53 | |
Do your tests. I'll nail Cutler the old fashioned way. | 0:11:53 | 0:11:57 | |
I've still got potential witnesses to interview. | 0:11:57 | 0:12:01 | |
We are on the same side, Sergeant! | 0:12:01 | 0:12:03 | |
Right, I need to see the body again. | 0:12:04 | 0:12:08 | |
You up for it? | 0:12:08 | 0:12:09 | |
Come on then. | 0:12:11 | 0:12:12 | |
Your dad told me he left the house before you. | 0:12:15 | 0:12:18 | |
So you went to school at? | 0:12:19 | 0:12:22 | |
Eight o'clock. | 0:12:22 | 0:12:24 | |
-Did you see anything unusual? -Like what? | 0:12:24 | 0:12:28 | |
Any cars you didn't recognise? | 0:12:28 | 0:12:30 | |
Were there any strangers hanging around? | 0:12:32 | 0:12:35 | |
I don't remember. | 0:12:35 | 0:12:37 | |
Take your time. | 0:12:37 | 0:12:39 | |
I didn't see anyone. | 0:12:41 | 0:12:43 | |
Are you sure? | 0:12:43 | 0:12:45 | |
-Think harder. -I don't know what you want me to say. -That's enough. | 0:12:45 | 0:12:50 | |
-Maybe you saw something on a different day? -No, really... -Someone looking at the house? -Stop! | 0:12:50 | 0:12:54 | |
He's still very upset. He doesn't need this. | 0:12:54 | 0:12:58 | |
Of course. | 0:12:58 | 0:13:00 | |
Thanks, Andy. | 0:13:00 | 0:13:02 | |
You did very well. | 0:13:02 | 0:13:04 | |
Thank you. | 0:13:11 | 0:13:12 | |
Right, can I have the body chart, please, Jack? | 0:13:14 | 0:13:18 | |
Jack. Body chart. | 0:13:20 | 0:13:21 | |
Thank you. | 0:13:22 | 0:13:24 | |
OK. | 0:13:31 | 0:13:33 | |
Whoa! It's OK. I've got you. | 0:13:41 | 0:13:44 | |
-Sorry. Just being pathetic. -Nonsense. | 0:13:44 | 0:13:47 | |
It's only people with no imagination who don't get affected by this place. | 0:13:47 | 0:13:51 | |
Come on. Let's get you outside. | 0:13:51 | 0:13:53 | |
We've used Vicky Ebden's measurements to get the height correct. | 0:13:54 | 0:13:58 | |
-We've got the matching weapon. -Yep. | 0:13:58 | 0:14:01 | |
We're going to have to guess the exact height of the attacker for now. | 0:14:01 | 0:14:07 | |
But what we do know | 0:14:07 | 0:14:08 | |
is that the blows were delivered with a downward motion, OK? | 0:14:08 | 0:14:14 | |
Right. So... You've surprised Vicky Ebden in her kitchen. | 0:14:14 | 0:14:19 | |
She's going to scream and you're going to have to silence her. | 0:14:19 | 0:14:23 | |
One... Four. OK, good. | 0:14:23 | 0:14:27 | |
-I can try again. -No, that's...fine, Jack. | 0:14:29 | 0:14:33 | |
What we've failed to take into account | 0:14:34 | 0:14:37 | |
is the sideways angle of the wounds. | 0:14:37 | 0:14:39 | |
Take a couple of them. | 0:14:43 | 0:14:45 | |
One...two. | 0:14:47 | 0:14:50 | |
Good. | 0:14:56 | 0:14:58 | |
OK, right. | 0:14:58 | 0:15:00 | |
That's what's wrong. | 0:15:00 | 0:15:02 | |
We're looking for a southpaw. | 0:15:02 | 0:15:05 | |
I know that the circumstantial evidence is strong... | 0:15:05 | 0:15:08 | |
-Please tell me this is a wind up. -Dale Cutler is right-handed. | 0:15:08 | 0:15:11 | |
-Vicky Ebden's wounds were delivered by a left-hander. -So, Cutler used his other hand. | 0:15:11 | 0:15:16 | |
Possible but not likely, is it? | 0:15:16 | 0:15:18 | |
-Then maybe I should ask for a second opinion. -Second opinion?! | 0:15:18 | 0:15:21 | |
-I'd be saying thanks if I were you. -What? | 0:15:21 | 0:15:24 | |
If Dale Cutler is innocent, the killer's still out there. | 0:15:24 | 0:15:27 | |
Cutler had the victim's jewellery in his possession. | 0:15:28 | 0:15:31 | |
You found his DNA at the scene and Vicky Ebden's blood on his jacket. | 0:15:31 | 0:15:35 | |
All of which places him at the house | 0:15:35 | 0:15:37 | |
but it doesn't conclusively tie him to the murder. | 0:15:37 | 0:15:40 | |
-Listen, I'm sorry, Tom but you've got the wrong man. -Prove it. | 0:15:40 | 0:15:45 | |
I'm missing something. Something obvious... | 0:15:45 | 0:15:47 | |
Look at the wounds. See anything unusual? | 0:15:47 | 0:15:51 | |
-They're clustered around one area? -Yeah... | 0:15:51 | 0:15:55 | |
And there's no injury to the more obvious areas | 0:15:55 | 0:15:59 | |
like the heart and the lungs. | 0:15:59 | 0:16:02 | |
So, the attacker had a really bad aim? | 0:16:02 | 0:16:04 | |
Or was it deliberate? | 0:16:07 | 0:16:09 | |
What? They meant to stab Vicky Ebden in the stomach? | 0:16:09 | 0:16:11 | |
It's a possibility. Why? | 0:16:11 | 0:16:13 | |
They didn't want to kill her? | 0:16:15 | 0:16:16 | |
Or maybe she wasn't the intended victim? | 0:16:17 | 0:16:20 | |
PHONE RINGS | 0:16:20 | 0:16:22 | |
What? | 0:16:22 | 0:16:23 | |
And here's the proof. | 0:16:23 | 0:16:26 | |
The full post-mortem report. | 0:16:26 | 0:16:29 | |
Vicky Ebden was eight weeks pregnant. | 0:16:29 | 0:16:31 | |
Do you think she knew? | 0:16:31 | 0:16:32 | |
The question is, who else knew? | 0:16:32 | 0:16:35 | |
Tell me about your relationship with Vicky. | 0:16:35 | 0:16:40 | |
It was good. Wonderful. | 0:16:40 | 0:16:42 | |
My first marriage, well... | 0:16:44 | 0:16:45 | |
I never thought I'd get another chance to be happy. | 0:16:45 | 0:16:48 | |
And what about Vicky? | 0:16:48 | 0:16:50 | |
-Was she happy? -Of course. | 0:16:50 | 0:16:53 | |
Then what did the message mean? | 0:16:53 | 0:16:56 | |
-Message? -The one with the flowers? You did send them? | 0:16:56 | 0:16:59 | |
Yes. | 0:16:59 | 0:17:01 | |
"Sorry about last night." | 0:17:04 | 0:17:06 | |
-Sorry about what? -Everyone has rows. | 0:17:07 | 0:17:10 | |
It doesn't mean we didn't love each other. | 0:17:10 | 0:17:13 | |
So what was last night's row about? | 0:17:13 | 0:17:15 | |
I'm just saying, aren't we good as we are? | 0:17:16 | 0:17:20 | |
Andy accepts you, totally, and you love him, don't you? | 0:17:20 | 0:17:25 | |
That's not the point. | 0:17:25 | 0:17:27 | |
-But a baby, now? -I want something that's made from both of us. | 0:17:27 | 0:17:32 | |
Can't we talk about this later? | 0:17:32 | 0:17:34 | |
When? | 0:17:34 | 0:17:36 | |
A year. Maybe two? | 0:17:36 | 0:17:38 | |
Two years?! | 0:17:38 | 0:17:40 | |
Vicky, you've had to go part time and my job's not safe. | 0:17:40 | 0:17:44 | |
Is this really the best time to have another mouth to feed? | 0:17:44 | 0:17:48 | |
How did you react when you found out that she hadn't waited? | 0:17:57 | 0:18:01 | |
What? I don't get you. | 0:18:01 | 0:18:03 | |
You're trying to say she was... | 0:18:03 | 0:18:06 | |
She was pregnant? | 0:18:06 | 0:18:08 | |
Are you saying you didn't know? | 0:18:08 | 0:18:10 | |
But she would have said something. | 0:18:10 | 0:18:13 | |
Pregnant?! | 0:18:13 | 0:18:15 | |
No... You mean, I've lost them both? | 0:18:15 | 0:18:17 | |
Tell me again. What time did you return to the house? | 0:18:17 | 0:18:20 | |
What?! No, you can't think... | 0:18:20 | 0:18:23 | |
Hurt my child, hurt Vicky?! | 0:18:23 | 0:18:26 | |
I would never... I loved Vicky! | 0:18:26 | 0:18:28 | |
If not you, who? | 0:18:28 | 0:18:30 | |
You said this burglar... | 0:18:30 | 0:18:32 | |
He's been cleared. | 0:18:33 | 0:18:34 | |
I thought she'd got over it. | 0:18:37 | 0:18:39 | |
I mean, of course she was upset about the break up. That's natural. | 0:18:39 | 0:18:44 | |
But the way she turned on Vicky... | 0:18:46 | 0:18:48 | |
Who are you talking about, Mr Ebden? | 0:18:48 | 0:18:50 | |
Biscuit? | 0:18:52 | 0:18:55 | |
Thank you. No. If we could get back to this morning. | 0:18:55 | 0:18:59 | |
Of course. | 0:18:59 | 0:19:00 | |
Well... I got up about 7:30. | 0:19:02 | 0:19:05 | |
Andy was staying at his dad's, so I could have had a lie in | 0:19:05 | 0:19:09 | |
but I was having one of my migraines, | 0:19:09 | 0:19:11 | |
so I phoned work - said I wasn't coming in. | 0:19:11 | 0:19:13 | |
Carry on, Mrs Ebden. | 0:19:16 | 0:19:18 | |
I had a shower, breakfast... | 0:19:19 | 0:19:22 | |
..tidied Andy's room. It looked like a bomb had hit it. | 0:19:23 | 0:19:27 | |
You didn't go out? | 0:19:27 | 0:19:28 | |
Not until I got the call from John, saying that something had happened at the house, | 0:19:28 | 0:19:32 | |
asking me to pick Andy up from school. | 0:19:32 | 0:19:34 | |
Do you have any way of proving that you were here between 8:00-8:30? | 0:19:34 | 0:19:39 | |
No. I suppose not. | 0:19:39 | 0:19:42 | |
How did you get on with the new Mrs Ebden? | 0:19:48 | 0:19:51 | |
I can't pretend it wasn't hard but... | 0:19:51 | 0:19:54 | |
..we got on, in the end. | 0:19:55 | 0:19:57 | |
Are you sure? | 0:19:59 | 0:20:00 | |
'How you can sleep? | 0:20:05 | 0:20:08 | |
'You knew he was married. You had no right to take him. | 0:20:08 | 0:20:11 | |
-BEEP -'John... | 0:20:11 | 0:20:12 | |
'..it's not too late. Just come home, please. | 0:20:13 | 0:20:16 | |
'Come home and we can be a family again. | 0:20:16 | 0:20:18 | |
BEEP | 0:20:19 | 0:20:20 | |
'You ruined my life. | 0:20:22 | 0:20:23 | |
'Don't think you've got away with it. | 0:20:23 | 0:20:25 | |
'You wait and see. | 0:20:25 | 0:20:27 | |
'You'll get what's coming to you.' | 0:20:27 | 0:20:30 | |
BEEP | 0:20:30 | 0:20:31 | |
Anything to say? | 0:20:33 | 0:20:35 | |
-Perhaps we should continue this at the police station. -No! | 0:20:37 | 0:20:41 | |
-Leave her alone. -It's OK. Andy. Go back to your room. | 0:20:42 | 0:20:45 | |
But it's not fair. | 0:20:45 | 0:20:46 | |
I can't do this here. | 0:20:46 | 0:20:49 | |
-Can't do what, Mrs Ebden? -Mum, don't... | 0:20:49 | 0:20:51 | |
I used a kitchen knife. | 0:20:53 | 0:20:54 | |
What? | 0:20:54 | 0:20:56 | |
I didn't mean to kill her... | 0:20:56 | 0:20:58 | |
..but what's done is done. | 0:20:59 | 0:21:01 | |
Why? | 0:21:01 | 0:21:03 | |
Roz Ebden, I am arresting you for the murder of Vicky Ebden. You do not have to say anything | 0:21:03 | 0:21:07 | |
but it may harm your defence if you do not mention | 0:21:07 | 0:21:09 | |
when questioned something you later rely on in court. | 0:21:09 | 0:21:12 | |
Anything you do say may be given in evidence. | 0:21:12 | 0:21:14 | |
It's OK, love. It's going to be all right. | 0:21:14 | 0:21:17 | |
OK? | 0:21:17 | 0:21:19 | |
OK. Looks like we've got blood. | 0:21:30 | 0:21:34 | |
Someone's tried to clean up. | 0:21:34 | 0:21:36 | |
Doctor Kellor. | 0:21:36 | 0:21:37 | |
Well done, Jack. You're a natural. | 0:21:42 | 0:21:46 | |
Isn't this a waste of time? | 0:21:48 | 0:21:49 | |
I mean, Roz Ebden's made a full confession. | 0:21:49 | 0:21:51 | |
I thought you were studying the law? | 0:21:53 | 0:21:56 | |
Or didn't you got to the bit about retracted confessions yet? | 0:21:56 | 0:22:00 | |
We still need to scientifically link this to the ex Mrs Ebden. | 0:22:01 | 0:22:05 | |
But it's been cleaned. | 0:22:05 | 0:22:07 | |
Well, there is clean and there is clean. | 0:22:08 | 0:22:10 | |
The beauty of blood is that it is very sticky... | 0:22:10 | 0:22:16 | |
and gets into all kinds of places, | 0:22:16 | 0:22:19 | |
which is not so good for the criminal... | 0:22:19 | 0:22:21 | |
..but great for us. | 0:22:22 | 0:22:24 | |
Now, it's at times like these that this is the best job in the world. | 0:22:29 | 0:22:34 | |
And there's no doubt it's Vicky Ebden's blood? | 0:22:38 | 0:22:40 | |
There's only a one in one billion chance that it's not. | 0:22:40 | 0:22:44 | |
-Fingerprints? -Wiped clean. | 0:22:44 | 0:22:47 | |
So I can't prove that Roz Ebden used the knife? | 0:22:47 | 0:22:49 | |
You can't, no. | 0:22:49 | 0:22:51 | |
Forensics can. | 0:22:51 | 0:22:53 | |
Jack? | 0:22:53 | 0:22:54 | |
There were two samples of blood under the handle. | 0:22:54 | 0:22:56 | |
One was the victims, the other must be from the assailant. | 0:22:56 | 0:23:00 | |
They were injured during the attack? | 0:23:00 | 0:23:02 | |
That's my theory, yeah. | 0:23:02 | 0:23:04 | |
The Police Surgeon gave Roz Ebden a thorough examination. | 0:23:04 | 0:23:07 | |
She had no cuts. There were no injuries. | 0:23:07 | 0:23:09 | |
Well, then either the second sample got there another way. | 0:23:09 | 0:23:15 | |
Or...? | 0:23:15 | 0:23:16 | |
Or Roz Ebden is lying. | 0:23:16 | 0:23:18 | |
Why confess to a murder she didn't do? | 0:23:18 | 0:23:20 | |
Find me the cut and I'll show you the killer. | 0:23:20 | 0:23:23 | |
Playing in the garden. | 0:23:44 | 0:23:46 | |
Scratched it on a nail. | 0:23:46 | 0:23:47 | |
Maybe we should get your dad in, before you say anything else. | 0:23:48 | 0:23:51 | |
HE SIGHS | 0:23:53 | 0:23:54 | |
All we want is for you to tell the truth. | 0:23:56 | 0:23:59 | |
Can you do that, Andy? | 0:23:59 | 0:24:00 | |
If you don't, your mum could be in serious trouble. | 0:24:02 | 0:24:04 | |
I didn't ask her to. | 0:24:06 | 0:24:07 | |
You didn't ask her to do what? | 0:24:07 | 0:24:10 | |
She said she did it, but she didn't. | 0:24:12 | 0:24:14 | |
Why did she do that? | 0:24:15 | 0:24:17 | |
Andy, you need to tell me exactly what happened this morning. | 0:24:17 | 0:24:21 | |
I was halfway to school when I realised I'd forgot my homework. | 0:24:23 | 0:24:28 | |
It's on the fridge. | 0:24:30 | 0:24:32 | |
You'll forget your head one day. | 0:24:33 | 0:24:35 | |
Whose birthday? | 0:24:36 | 0:24:38 | |
No-one's. | 0:24:38 | 0:24:39 | |
But there is a reason to celebrate. | 0:24:40 | 0:24:42 | |
-Can you keep a secret? -Cross my heart. What is it? | 0:24:43 | 0:24:46 | |
We're going to have a new addition to the family. | 0:24:46 | 0:24:49 | |
What? | 0:24:49 | 0:24:51 | |
You're going to have a new brother or sister. | 0:24:51 | 0:24:54 | |
No. | 0:24:54 | 0:24:55 | |
What do you mean, "No"? | 0:24:55 | 0:24:57 | |
-Dad said. -Said what? | 0:24:57 | 0:25:00 | |
He promised. | 0:25:00 | 0:25:01 | |
-I don't understand. -He promised! -That's enough! | 0:25:01 | 0:25:04 | |
There's no need for this. | 0:25:04 | 0:25:06 | |
You've ruined EVERYTHING! | 0:25:06 | 0:25:08 | |
Ugh! Agh! | 0:25:08 | 0:25:09 | |
Oh... | 0:25:09 | 0:25:11 | |
It's all right. | 0:25:15 | 0:25:16 | |
I just need you to get me the telephone. | 0:25:16 | 0:25:20 | |
Oh... | 0:25:20 | 0:25:21 | |
Andy! | 0:25:23 | 0:25:24 | |
I ran and ran, till I got to Mum's. | 0:25:28 | 0:25:32 | |
Did you tell her what you'd done? | 0:25:32 | 0:25:34 | |
I didn't want to... | 0:25:34 | 0:25:36 | |
but I had blood on my shirt. | 0:25:37 | 0:25:40 | |
And the knife. | 0:25:40 | 0:25:41 | |
She found it in my bag. | 0:25:41 | 0:25:43 | |
She said we should act normal and everything would be all right. | 0:25:45 | 0:25:50 | |
All right?! | 0:25:50 | 0:25:52 | |
Do you know what you've done? | 0:25:52 | 0:25:54 | |
I'm sorry, Dad. | 0:25:54 | 0:25:56 | |
I didn't mean it. | 0:25:56 | 0:25:58 | |
But now we can be a family again. | 0:25:58 | 0:26:00 | |
You, me and Mum. | 0:26:00 | 0:26:02 | |
Like it used to be. | 0:26:02 | 0:26:03 | |
You said I was the only one... | 0:26:05 | 0:26:07 | |
your special boy. | 0:26:07 | 0:26:08 | |
11 years old. | 0:26:21 | 0:26:22 | |
He should be reading comics and playing computer games. | 0:26:22 | 0:26:25 | |
What chance has he got now? | 0:26:25 | 0:26:27 | |
He's going to need you. | 0:26:29 | 0:26:31 | |
I know. | 0:26:31 | 0:26:32 | |
I just need time. | 0:26:32 | 0:26:34 | |
Dad? Where are you going? Dad! | 0:26:37 | 0:26:41 | |
He's going to turn his back on his own son? | 0:26:41 | 0:26:44 | |
His mum will look out for him. | 0:26:44 | 0:26:46 | |
-I freed up an extra ten minutes. -Whoa, are you crazy? -No, I'm not! | 0:27:01 | 0:27:04 | |
If you can, ignore the crying. | 0:27:04 | 0:27:06 | |
-Sorry, but do you have actually have any children? -No. | 0:27:06 | 0:27:09 | |
-Tell Zara. -I don't feel qualified somehow. | 0:27:09 | 0:27:12 | |
What's the difference between lewdness and lasciviousness? | 0:27:12 | 0:27:15 | |
-In what context? -Making a complaint against a doctor. | 0:27:15 | 0:27:17 | |
We started off wanting a family. | 0:27:17 | 0:27:20 | |
Now we've barely got a marriage. | 0:27:20 | 0:27:21 | |
Subtitles by Red Bee Media Ltd | 0:27:40 | 0:27:43 | |
Email [email protected] | 0:27:43 | 0:27:46 |